She finds the artifact room, and even tries calling out to any spirits to open the locked door for her. To mess with them is to mess with your life. And frankly, it doesn’t seem to be interested in doing either of those things.
annabelle comes home movie theater – Annabelle Comes Home Ending Explained
2019, R, 106 min. Ed and Lorraine return the next morning and the girls approach them to recount the eventful night. Daniela apologizes to Lorraine, who gives her a comforting message from her father. Later, many friends gather to celebrate Judy’s birthday party.
This, ladies and gents, is what you call a classic horror set-up The premise has been set; the traps – as they were – have been laid. In that regard, Annabelle Comes Home is clearly the work of a writer – every little twist and turn is foreshadowed, and certain characters, for the first time ever in this series, have been given compelling arcs.
The film has been directed by Gary Dauberman, who is both a franchise veteran and also a first-time director. Dauberman has previously written both previous Annabelle films, the eye-goungingly terrible The Nun , but crucially, also the wonderful Stephen King adaptation, It – an indication, perhaps, of just how limiting being stuck in a franchise can be. Promisingly, he does display a solid command over his craft, often elevating uninspired sequences by using nifty, in-camera trickery.
Through the night, Daniela is possessed by a murderous bride and Bob just stops the werewolf from devouring Judy (by smashing it with his guitar before letting it chase him outside). Judy follows the ghost of her school’s priest to where Annabelle is hiding, followed close behind by Mary Ellen (who is attacked by haunted samurai armor). The possessed Daniela attacks them, but Judy manages to stop her by playing a recording of Ed performing an exorcism (which frees Daniela from the ghost’s grip). Mary Ellen essentially descends to the underworld to confront the Ferryman and his dead souls, and manages to recover the Annabelle doll and throw it to Judy.
Annabelle is a doll, but she is not Chucky. She is not possessed by an evil spirit. Rather, she is a powerful, cursed object that attracts evil spirits. Destroying her would do no good and might do harm. No, the only thing to be done with an object like this doll is keep her locked up in a cabinet — forever.
After being locked behind sacred glass in the Warren’s artifacts room, Annabelle awakens the evil spirits in the room, who set their sights on the Warrens’ daughter and her friends. Annabelle Comes Home followed on the heels of two other entries in The Conjuring series, which both performed weakly, and stood out as a high mark.
After school, Mary Ellen’s best friend Daniela Rios (Katie Sarife) comes over to Judy’s house. It is obvious that she has an obsession with the Warrens’ connection to the supernatural. After convincing Mary Ellen and Judy to go out to play with a birthday present she bought Judy, Daniela manages to unlock the door to the room with the cursed objects. We learn that she is trying to communicate with her recently deceased father. Within the room, Daniela touches most of the objects and is manipulated into freeing the Annabelle doll from its enclosure.
Annabelle Comes Home represents a merging, of sorts, of the original Conjuring movies — which focused on the world of Lorraine and Ed’s investigations — and the Annabelle films, which were prequels that concentrated on this cursed doll. Unfortunately, Farmiga and Wilson are barely in the movie, and the Warrens’ gravitas and intelligence are badly missed.
I am actually a bit surprised by the rating for this movie. As far as R rated horror goes, Annabelle Comes Home is comparatively innocuous. There is little direct violence against the characters, and all of the blood and gore is either in photographs or in hallucinations. The language is another concern, but by my recollection, the only character who swears is also the dumbest character in the movie and is responsible for just about every major problem so…I would read that as a cautionary tale.
To stop Annabelle from causing more chaos, demonologists Ed (Wilson) and Lorraine Warren (Farmiga) place her behind sacred glass in a room in their home that is full of locked artifacts. But when Annabelle eventually awakens, she also awakens the other evil spirits in the room – all of them now setting their sights on the Warrens’ young daughter Judy (Mckenna Grace, I, Tonya) and her friends.
In the face of rather foolish choices that unleash a great deal of demonic havoc, some people go to great lengths to help others. For instance, Judy’s babysitter, Mary Ellen, is a conscientious high schooler who risks her life repeatedly to protect her young charge. Mary Ellen’s friend, Daniella, isn’t quite so thoughtful or honest, but she goes out of her way to help young Judy too. And a neighbor boy named Bob also charges in to help the girls when it would have been far easier for him to just run away.
Annabelle Comes Home is a teen horror movie done Conjuring-style, complete with a babysitter, a bully, a burnout pizza guy, and a cute boy who works at the local supermarket coming around for an ill-timed Say Anything moment. The film opens with a segment that finds demonologists Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) escorting the titular doll through a soupy fog filthy with the undead. But although the Warrens are cooler than most horror-movie parents, they’re just as absent. Once the cursed doll is safely deposited behind chapel glass in their supernatural trophy room, Ed and Lorraine are off on another ghost-hunting mission, leaving their preteen daughter Judy (McKenna Grace) alone with babysitter Mary Ellen (Madison Iseman) for the majority of Annabelle Comes Home’s running time.
Unlike other efforts in The Conjuring saga, the final act of Annabelle Comes Home doesn’t revolve around the discovery of some ghost’s big secret or the blood of Christ. If you’re perplexed by the presence of a young girl who continually asks if Annabelle can play, that’s actually the ghost of Annabelle Bee” Mullins (Samara Lee), the daughter of the toymaker from Annabelle: Creation , but this film is not about giving Annabelle’s spirit peace.
ANNABELLE COMES HOME follows the story about the demonic doll who haunts families. ANNABELLE COMES HOME has a strong Christian, moral worldview of good versus evil where Jesus, prayer and the Holy Spirit are extolled, but it isn’t as scary as the previous movies in the CONJURING series and contains an aberrant theological perspective about ghosts.
orphaned young girls. The demon attached to the Annabelle doll lures one of them, Janice (Talitha Eliana Bateman), to the closet where it’s been trapped for just over a decade, and, of course, she opens it. The demon possesses Janice, kills the Mullins, and escapes before the police arrive at the scene. Possessed Janice ends up in Santa Monica, where she is adopted by the Higgins family and tells them her name is Annabelle. The Annabelle doll is taken as evidence, but in a classic Annabelle move, miraculously disappears.
But when the Warrens leave their ten-year-old daughter Judy ( Mckenna Grace ) alone one night with her babysitter Mary Ellen ( Madison Iseman ) and the sitter’s devil-may-care best friend Daniela ( Katie Sarife ), Annabelle conjures up an escape of her own, with the rest of the Warrens’ spooky menagerie in tow.
Vera Farmiga and Patrick Wilson start the film off as Lorraine and Ed Warren, based on the real-life demonologists of the same name. The year is 1971, and the Warrens are doing their thing. They are transporting Annabelle to their home in Connecticut, so that she will no longer be a menace. It’s night, and Annabelle is in the back seat. There’s a lot of fog, and weird things start happening.
Annabelle Comes Home removes Ed and Lorraine Warren from the equation and instead places their 10-year-old daughter, Judy (Mckenna Grace), against the evil doll. Annabelle is safely locked away in her blessed glass cage, but it’s the grief and guilt of Daniela Rios (Katie Sarife), a friend of Mary Ellen (Madison Iseman), Judy’s babysitter, that triggers the demonic presence. Daniela has recently lost her father and when she hears of the Warrens’ connection to the afterlife, she’s desperate to use their assets to make contact and apologize to her deceased dad. Instead Daniela ends up stirring the supernatural waters and distractedly lets Annabelle loose.
The demon torments the Form family and kidnap’s their daughter Ruby because it wants to take Mia’s soul. The Forms enlist the help of Father Perez (Tony Amendola), but before he can take the doll to his church, the demon attacks and injures him. Mia’s friend Evelyn sacrifices herself to save the Forms, and the Annabelle doll and the demon disappear.
Since their introduction in 2013’s The Conjuring , the Warrens have amassed a veritable reliquary of accursed items, malicious knickknacks, and the occasional malevolent board game, all of which are safely locked away in their basement. Well, not that safe, of course. Despite the pointed Warning! Do not enter!” sign posted on the basement ‘ doom’s door, Daniela snoops her way in and accidentally on purpose frees the eponymous manikin. There’s a bit of subplot involving the recent demise of her father and the resultant survivor’s guilt, but that’s of lesser importance to the story than the newly resurrected Annabelle’s ability to unleash unholy terror in her ongoing quest to steal someone’s soul. Or something like that.
Annabelle Comes Home doesn’t reach heights of its bleak and haunting immediate predecessor. But, in harkening back to a younger-targeted horror film, it was never going to be as aggressively dark. Today’s Annabelle Comes Home” is about a doll that is a conduit for nasty, murderous evil. It’s a spin-off of the Conjuring” franchise and follows two previous Annabelle pictures.
Regular Conjuringverse visitors know that the antique doll resides deep in the Warrens’ basement, a virtual museum of cursed totems and creepy-as-fuck playthings. Casual moviegoers can guess that someone will eventually go down into that basement, ignore the sign that demands no one open the case under any circumstances and rile up the bad-juju inventory. So when the Warrens go out of town for a job and leave their daughter Judy (McKenna Grace) under the care of a teenage neighbor named Mary Ellen (Madison Iseman), it’s only a matter of time before some curious underage character messes with things they shouldn’t. In this case, it’s the babysitter’s friend Daniela (Katie Sarife), who has her reasons for wanting to contact the world beyond. Out comes Annabelle. There goes protection from all sorts of hellish miscellany that wants to eat your soul.
Mary Ellen: Judy’s birthday is coming up, so we’re going to celebrate early. The fun starts when Mary Ellen’s troubled friend Daniela – played by Katie Sarife – turns up. Being in a vulnerable state, she finds herself manipulated by Annabelle and a host of other evil entities in the Warren house.
It’s apparent that young Judy is developing some of the same spirit sensitivities that her mother possesses. She sees a number of spiritual entities, including a dead priest who hangs around her school. Later, this unspeaking spirit leads her toward a source of help. Thus, the movie suggests that there are good and bad spirits just as there are good and bad people. Lorraine later confirms that idea when she reports messages from one of those benevolent spirits.
The official synopsis for the movie was released in November 2018 and fit with the rumours about the movie’s plot, centred around the Warrens’ daughter and her babysitter. As Judy, Mary Ellen and Daniella each face off with nasty apparitions, Annabelle” invokes fervent Catholicism as the only answer to taming these otherworldly beasts.
The main storyline is fabricated. Judy didn’t actually grow up with Annabelle. Judy was an adult and no longer lived with her parents in 1971 when the film is set. That being said, Annabelle is an actual doll who reportedly haunted people According to the real Ed and Lorraine, a mother purchased Annabelle in 1970 from a store and gave her to her daughter Donna as a birthday present. From then on the horror unfolded.
The flick has its good points – mostly in having Farmiga and Wilson involved to lend some much-needed weight. But McKenna Grace’s Judy also does a terrific job of holding the fort and showing that same seriousness about the paranormal that her parents do. Madison Iseman’s Mary Ellen and Katie Sarife’s Daniela also have more depth to them than the average horror movie kids. It nails the 70’s in its production design and great taste in music – and there’s the signature easygoing humor.
Patrick Wilson and Vera Farmiga reprise their roles from The Conjuring and The Conjuring 2 as Ed and Lorraine Warren, a pair of paranormal investigators and authors associated with prominent cases of haunting, but really their characters bookend this film.
Annabelle Comes Home takes place after the events of Annabelle and Annabelle: Creation when Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga, bring Annabelle home to their locked artifacts room. Apparently, Annabelle attacks the Warrens’ ten-year-old daughter, Judy, who is played by Mckenna Grace, and her babysitters, who are played by Madison Iseman and Katie Sarife.
Determined to keep Annabelle from wreaking more havoc, paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) lock the possessed doll in the artifacts room in their house. But when the doll awakens the room’s evil spirits, it soon becomes an unholy night of terror for the couple’s 10-year-old daughter (McKenna Grace), her friends, and their young baby sitter.
Ed and Lorraine return the next morning and the girls approach them to recount the eventful night. Daniela apologizes to Lorraine, who gives her a comforting message from her father. Later, many friends gather to celebrate Judy’s birthday party.
Most of the action confines itself to the suburban Connecticut split-level home of demonologists Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), who have business out of town and leave their 10-year-old daughter, Judy (Mckenna Grace), in the loving care of teenage Mary Ellen (Madison Iseman).
Of course, once Daniela sneaks into the artifact room and lets Annabelle out to play, the movie becomes a lengthy pileup of eerie sightings, sudden locked doors, whispering voices, and other dreadful things. As usual, someone eventually figures out the main threat in play, and what must be done to contain it. None of these movies have ever managed to conclude their stories as well as they establish a gradual accumulation of spooky forces, but Annabelle Comes Home” leans into its main strengths.
Lorraine Warren: He just meant if you need an extra set of hands. Neither the worst nor the best of the Conjuring franchise, Annabelle Comes Home is only as creepy as it needs to be and no more. Keep your expectations low and you might just enjoy it.