Anyone who has not heard Big L should buy his album ‘Lifestylez Ov Da Poor & Dangerous.’ Let’s not mourn the death of Big L, but celebrate the life he lived, the lyrics he’s blessed us with, and the inspiration he has given to many future MC’s.
big little lies soundtrack – Ls (Big L’s ‘Lifestyles Ov Da Poor & Dangerous’ To Beck’s ‘Guero’) By Connecting The
The great Jadakiss once rapped the line “dead rappers get better promotion,” which has grown to be known as one of the most profound phrases in hip-hop history. C.: Exactly how he spoke and behaved in his every day is how his music came across. His shit sounded gangster but he was often joking; he was a funny, ironic dude. It was humor and he would take real-life situations and turn them into jokes. He had this genius about translating and interpreting what he saw. He’d sit around, laugh, joke, snap on people—but at the same time, he’d be soaking all that shit up. Ebonics” is the best example; he took every slang word popping at that time and put it into a song. And if you listen to that record, every line is put together perfectly. The verses align perfectly. Ain’t no such thing as a perfect record—but it is.
If he were alive, Big L would have turned 40 years old today. But he was tragically shot and killed on February 15, 1999, in his native Harlem. On February 15, 1999, Coleman was killed by an unknown assailant in a drive-by shooting in his hometown of Harlem. Suspects were brought in for questioning, but nobody was found guilty.
Jewlz: He started writing and he rhymed for D-Wiz and me. We took him to my man Short Man’s home studio. Short man was a guy who was like a staple producer in Harlem. He worked with Teddy Riley. It was like a kid who fights on the street but now he’s going to the boxing gym, so a trainer can put it into a form. He was on his Wax on, wax off, Daniel-san ” shit.
This year marked the 20th anniversary since the unfortunate passing of uptown rapper, Big L. A few days ago, Flip da Script granted the public with a rare conversation from Harlem OGs Big Bootsie and Shineboy.
The most commercially successful of the original D.I.T.C. members, but also one of the most estranged, Fat Joe (known in the early ’90s as Fat Joe da Gangsta) has hustled in his own ways to stay relevant in the ever-shifting music industry. His July 2010 release, The Darkside Vol. 1 on E1 Music (formerly Koch Records), part of a three album series, debuted at #27 on the Billboard 200.
The class found its way to the church pews in 2018 with much fanfare. With scripture from the Old Testament, Rev. Norton and her team strategically weaved through Beyoncé’s vast discography to curate a service with some of the singer’s most moving records.
I also believe that Big L is the greatest freestyler of all-time. Most people believe that his ‘98 Freestyle” is his best freestyle ever, but I disagree because I believe that his 7 Minute Freestyle with Jay-Z is the greatest Freestyle in hip-hop history. It was on the Stretch and Bobbito show in 1995, and Big L spit some of the best bars ever in a freestyle! Here’s the link to that as well if you haven’t heard it before.
The first AG & Showbiz album, Runaway Slave, released on Payday Records in September ’92, has become a staple inside and outside of the music industry. Riding off of the success of that release, later ranked as one of Billboard’s Top Ten Underground LP’s, the duo dropped four more projects together over the next fifteen years. Their Full Scale EP on D.I.T.C. Records played in steady rotation on the Stretch Armstrong and Bobbito Show on WKCR in ’98 providing them with a fresh buzz around the five boroughs. Four years later, in the 2002 movie 8 Mile, millions of people watched Eminem (Rabbit) battle one of his many opponents over the instrumental to Showbiz & AG’s single Next Level (Nyte Time Mix)” produced by DJ Premier.
Finesse: I ran and called Showbiz like, This dude nice.” For me to tell Show—I done battled people, I ran across nice niggas—but for me to run with that excitement and put him on the phone, three-way it like, L, man, kick a rhyme!” Show was like, He’s nice.” That’s how we got him to represent. After that I would take him with me everywhere. If I had an interview, he had an interview. If I had a show, he gets his 15 or 20 minutes and then he’d rock and it was a done deal.
The crew’s original members took their first big step as a collective in early 1990 when Lord Finesse began reaching out to record labels to gauge interest levels in the music industry. Finesse’s debut album with DJ Mike Smooth, Funky Technician, which dropped on Wild Pitch Records in the same year, set the stage for his crew to shine. That first D.I.T.C.-branded LP (produced by DJ Premier , Showbiz , and Diamond D ) gave Finesse the necessary tools to showcase his own beats on his sophomore release, Return of the Funky Man, on the Warner Brothers subsidiary Giant Records in January ’92.
OC’s next move in music has never been clear and, while that occasionally frustrates his most dedicated fans, it also makes him an unexpected surprise when he pops back up. The Bushwick-native, who made his debut with Organized Konfusion on the single Fudge Pudge” in ’91, linked up with Lord Finesse during his one-album deal with Wild Pitch Records in the mid-’90s and soon after joined the D.I.T.C. crew as the last core member.
For that ‘Ebonics’ beat, he gave me like $1,500 in cash. That was the first time I got paid for a beat. I was just like, ‘Cool.’ It was’t about the money for me at the time. I just wanted my music to be heard.
That farm-system approach to cultivating artists dates back to a time when Lord Finesse was at the peak of his mentoring game and helping others get on: like the late Lamont Coleman. He was shot and killed in Harlem on the night of February 15, 1999, just blocks away from his home. He was only 24 years old at the time of his death.
In 1991, he founded the Harlem rap group Children of the Corn with Killa Cam , Murda Mase , and Bloodshed On 11 February of that same year, Coleman appeared on Yo! MTV Raps with Lord Finesse to help promote Finesse’s studio album Return of the Funky Man Coleman’s first professional appearance came on the song “Yes You May (Remix)”, the B-side of the 1992 single “Party Over Here” by Lord Finesse, and his first album appearance was on “Represent” off of Showbiz & A.G. ‘s 1992 album Runaway Slave In that same year, he won an amateur freestyle battle, which consisted of about 2,000 contestants. In 1993, Coleman signed to Columbia Records. Around this time, Coleman had become a member Lord Finesse’s Bronx-based hip hop collective Diggin’ in the Crates Crew which consisted of Lord Finesse, Diamond D ,C. , Fat Joe , Buckwild , Showbiz , and A.G.
Big L crafts a cautionary tale of how a random dice game can translate into murder and mayhem on “Casualties of a Dice Game.” After coming up big in craps, he’s forced to protect his earnings while embroiled in a shoot-out with a few sore losers. Riveting and cinematic, this epic verse is the best thing smoking on the album and showcases the rapper’s lyrical aptitude.
Born Lamont Coleman May 30, 1974, he was raised in Harlem, N.Y., where he would begin rap battling in the streets by his early teens before being discovered by Lord Finesse of the Diggin’ In the Crates crew.
On the night of February 14, 1999, Lamont Coleman, better known by his rap alias Big L, was left in cold blood after authorities found the 24-year-old gunned down near his home in Harlem, New York. The rapper, who had released his debut album in 1995, Lifestylez Ov Da Poor and Dangerous, and was preparing to sign a reported deal with Roc-A-Fella Records, was shot nine times in the face and chest at 139th and Lenox Ave.
Coleman was born in Harlem, Manhattan, New York on 30 May 1974 as the youngest and third child of Gilda Terry (d. 2008) and Charles Davis. His father left the family when Coleman was a child. His two siblings are Donald and Leroy “Big Lee” Phinazee (d. 1999). At the age of 12, Coleman became a big fan of hip hop and began freestyling against people in his own neighborhood. Around this time, Coleman adopted the stage name “Big L”, a reference to his childhood nickname “Little L”. In the summer of 1990, he met Lord Finesse at an autograph session in a record shop on 125th Street. After Coleman performed a freestyle, he and Finesse exchanged numbers.
Kurt: The group I was working with were called The Ultramagnetic MCs, and one of the guys, Ced Gee, had introduced me to a guy named Tim Dog. He did a record called Fuck Compton,” that did extremely well. So, crazy Tim and this street guy named I God, they kept saying Kurt, I’ve got his kid, he’s off the hook, man.” They brought him up and he was real young at the time. I was like This kid looks like he’s about 15 years old.” He came to the office, this is about ‘91-’92, and he didn’t have a demo. He just started to rap, I thought the kid’s metaphors and flows were incredible.
He and Showbiz played a vital part in New York’s underground hip-hop scene in the early ’90s as two artists who loved to make music for music’s sake, without ending up broke. In turn, the duo helped pave the way for the rest of the D.I.T.C. crew to follow suit. Nowadays AG is often viewed as one of hip-hop’s subtler pioneers, lauded by everyone from the sensationally self-absorbed Kanye West to the late rough and rugged Biggie Smalls, but rarely mentioned on the pages of commercial publications. His bragging rights are embedded in his catalog of independently released music.
The idea for BNC came in 2004 with the intent to provide quality news and original programming to African-American households. “The Black news channel is culturally specific to the African-American community,” he told The Street earlier this month.