black panther movie cast members – ‘Black Panther’ Shakes Up The Marvel Universe

That’s not to say Black Panther” sidesteps the genre’s standards. Wakanda symbolizes a wonderland of possibilities: What would have happened to a society not affected by the devastating impact of racism and colonialism?

black panther movie quotes – Black Panther (Movie, 2018)

black panther movieLooking behind the curtain of Marvel’s wealthiest superhero. Black Panther is the 18th Marvel Comics film. It is based on comic book stories created by Stan Lee and Jack Kirby in 1966. Black Panther’s director, Ryan Coogler, is Marvel Studios’ youngest-ever movie maker. When Black Panther” first published, it was one of the more politically subversive comic books of its day.

HERO. LEGEND. KING. Watch Marvel Studio’s Black Panther teaser trailer now. Killmonger is one of the main villains from Black Panther’s rogue gallery, and will be challenging T’Challa for the throne. Twitter says the most commonly used hashtags about the film are #BlackPanther, #Wakanda and #WakandaForever.

I MUST discuss the CGI. This is a MASSIVE Wakanda looks spectacular, but so did Asgard. It’s the motion of the main characters that is the problem. It seems that whilst they can get stationary objects (buildings etc) virtually spot on now, the same can NOT be said for dynamic ones. If you have watched any of the trailers, you’ll know what I mean when you see Black Panther do his somersault The dynamic CGI characters look crystal clear, whilst the real life objects have a faint blur to them. You can just see where the live action starts and the CGI ends. If the cars were CGI as well you wouldn’t notice the difference so much, but it IS there, and because it seems 90% of this film is CGI, in the end it becomes very annoying.

There is cause for celebration in Wakanda with word that writer-director Ryan Coogler is officially returning to make a sequel to Black Panther. Still, those specific myths tend to stick to films about nonwhite and non-male characters, and have helped cement a pessimistic view of the entertainment industry and people’s tastes.

Most remarkable is the film’s nearly all-black cast — including a regal Angela Bassett as Black Panther’s mom, and Forest Whitaker as the guardian of the purple “herb.” Refreshing, yes, for this white male viewer, and also initially disorienting. In a Hollywood tent pole action movie, I didn’t expect to find the token white sidekick, but there he was (Freeman), spouting insensitive lines like, You’re telling me that the king of a third world country runs around in a bulletproof cat suit?” The typical racially-stereotyped baddie — Arab, Mexican, gangbanger — has been replaced by a pasty Anglo (Serkis).

Can films like these significantly change things for black people in America? The expectations around Black Panther” remind me of the way I heard the elders in my family talking about the mini-series Roots,” which aired on ABC in 1977. A multigenerational drama based on the best-selling book in which Alex Haley traced his own family history, Roots” told the story of an African slave kidnapped and brought to America, and traced his progeny through over 100 years of American history. It was an attempt to claim for us a home, because to be black in America is to be both with and without one: You are told that you must honor this land, that to refuse this is tantamount to hatred — but you are also told that you do not belong here, that you are a burden, an animal, a slave. Haley, through research and narrative and a fair bit of invention, was doing precisely what Afrofuturism does: imagining our blackness as a thing with meaning and with lineage, with value and place.


Black Panther picks up in the aftermath of Captain America: Civil War, where audiences were first introduced to Chadwick Boseman’s Prince T’Challa and his superhero alter ego Black Panther. In the wake of his father’s death, T’Challa returns home to the country of Wakanda, where he will take his father’s place as king. Wakanda is a mystery to the outside world. It’s an incredibly advanced country filled with fantastic technological wizardry, but those advancements come courtesy of vibranium, a rare ore found almost exclusively in Wakanda. In order to protect its massive store of the substance, Wakanda has pretended to be a primitive nation throughout its history, hiding its advancements from the rest of the world with the aid of a force field.

Gilliam, who is currently promoting his new film The Man Who Killed Don Quixote, went in on one of Marvel’s jewel series, Black Panther, stating he hated” it. Stating that, It makes me crazy.” The director believed the creators of the film had never been to Africa” and states the fictional world of Wakanda serves a false reality.

The film received numerous awards and nominations , with seven nominations at the 91st Academy Awards including Best Picture , with wins for Best Costume Design , Best Original Score , and Best Production Design Black Panther is the first superhero film to receive a Best Picture nomination, and the first MCU film to win an Academy Award. It also received three nominations at the 76th Golden Globe Awards , two wins at the 25th Screen Actors Guild Awards , and twelve nominations at the 24th Critics’ Choice Awards (winning three), among others. A sequel, with Coogler returning to write and direct, will be released in May 2022.


This year, Black Panther became Marvel’s flagship hero. Below are the details needed for one to enjoy Black Panther” in all its glory. The film stars Chadwick Boseman as the crime-fighting ruler of Wakanda, a fictional African nation with the most advanced technology on earth.

Still, even Blade’s success wasn’t enough to get more top-tier black superheroes films on the big screen. Audiences had to be content with Halle Berry’s African-born mutant superhero Storm, Don Cheadle’s War Machine, Anthony Mackie’s Falcon – strong performances that still had the whiff of consolation prizes. Hollywood grapevine chatter pondered if Will Smith could play Captain America and Donald Glover campaigned to be cast as Spider-Man ; cue widespread backlash from a largely white mainstream fan-base. The less said about poor Michael B. Jordan in that ill-conceived Fantastic Four reboot, the better.

This unveiled the Afrofuturism world that T’Challa would rule, boasting a distinctly unique aesthetic for the series. It also informed users that much of the movie would be set on the African continent, a region where Marvel will hope it performs well.

All this word of mouth made sure Black Panther was saturated in the American consciousness. At the start of February, the movie had 88 percent total awareness, with 43 percent unaided awareness and a definite interest at 57 percent. Anticipation for the movie was so high that it beat out every other superhero movie in Fandango advanced ticket sales. In other words, even before it debuted, we knew Black Panther would blow everyone away at the box office.

Of course, Black Panther isn’t a political thriller. These conflicts and tensions play out in action as much as dialogue, and the ideas come naturally. There are no mouthpieces speaking on behalf of the writers. But it is fair to say that Black Panther is the most political movie ever produced by Marvel Studios, both in its very existence—it’s the most expensive movie to have ever starred an almost entirely black cast—and in the questions its story raises. Indeed, the ideas are almost too big: There are times when you wish they, and the characters, had more space to breathe.

T’Challa understands those realities, too. But if Killmonger’s determined to mete out catastrophic retaliation for past abuses, T’Challa looks toward the future—one filled with hope and reconciliation. He aims to walk a higher road, one that might serve as an example for other people and countries to follow. As king and protector of Wakanda, T’Challa’s willing to sacrifice everything for his homeland. Yet he also recognizes the threat that Killmonger represents to the rest of the world, too, and he’s determined to stop him.

Where other movies of its ilk hew towards pulp, Black Panther” strikes Shakespearean tones. There’s a regal, prideful confidence in the way Chadwick Boseman plays the title character, who goes by T’Challa when he’s not under the mask. Despite playing a costumed superhuman who can can-opener an SUV with his claws, the actor takes the role seriously, imbuing it with the forthright sincerity he brought to biopics in which he portrayed iconic African-Americans Thurgood Marshall, James Brown and Jackie Robinson.

But Coogler doesn’t ignore the politics that have made Wakanda so successful. It’s a nation built on isolationism, and that isolationism mirrors the America First” policies of America’s right wing. It’s the notion that in order for a nation to thrive, it must be cut off from the rest of the world and focused only on its own survival. Killmonger may be an extremist in his belief that the only way for Wakanda to thrive is as a conquering empire, but he’s not wrong that the country’s isolationism is harmful and self-serving. He’s a villain whose viewpoint is rooted in truth, and while we disagree with his methods and extremism, he’s right that isolationism in a global community is ultimately cruel to people who need help.

Provincial detractors may snicker when Coogler describes his $200 million Marvel movie as a political film,” but they’re wrong. While there are formulaic moments in Black Panther that don’t completely connect, these are merely passing flaws. When taken as a whole, there’s a clear message to the story that comments on the American black experience and the cultural divisions that still exist, often unacknowledged, today. If that isn’t a political film, I don’t know what is.

After avenging the death of his father, King T’Challa returns to his native land of Wakanda in Africa. However, he soon discovers that there are subversive elements within his own country. Foreign forces are plotting to use Wakanda’s wealth and knowledge for their own ends, and internal foes are scheming to take advantage of this instability. Relying on the amazing powers given to him by a mysterious herb, T’Challa must once again don his black superhero suit to save his people.

In the event that T’Challa transfers power to Shuri, it is entirely possible that he sticks around until the end of Phase 4. Some fans believe that T’Challa will simply give Shuri his powers so that she can fight in his stead outside of Wakanda. T’Challa would then remain in Wakanda and rule its people. In that scenario, Shuri would become the new Black Panther while T’Challa would be acting King of Wakanda.

Which gets us back to the ideas in Black Panther. The plot is straightforward. Set shortly after the events of Captain America: Civil War , the film begins as T’Challa prepares to take the mantle of king. When an old and dangerous adversary appears on Wakanda’s radar—carrying a stolen cache of vibranium, the fictional metal that is the source of the nation’s wealth—the new monarch springs into action, hoping to bring him to justice while securing Wakanda’s future and continued secrecy. But his path crosses with Killmonger, who hopes to use Wakanda’s power and technological prowess to spark a revolution of oppressed peoples around the world, exporting weapons and assistance to those who suffer under the boot of racial oppression.

Politics aside, it is ultimately the truly sensational cast that holds Black Panther” strong, especially the trio of Nyong’, Danai Gurira, and Letitia Wright, who tear down about a half dozen superhero conventions with the strongest, best-realized female roles in this genre to date. Nyong’ flips the conventional love interest” role, Gurira is the impenetrable head of the Wakanda armed forces, and Wright is the brainy and sarcastic James Bond-like Q” to Boseman’s Black Panther.

Two Black Panthers go head to head — the King with his dreams of peaceful resolution, the usurper with his hunger for violent revolution. Beneath the surface, two ideologies of racial struggle fight it out, asking us what form civil rights should take today.


Ryan Coogler’s Black Panther” could’ve been yet another addition to a long line of superhero films in a drawn-out franchise. After all, with 17 films under its belt, the Marvel Cinematic Universe had all but perfected the art of the modern superhero movie. This time, though, the studio took a risk and created a picture that not only diverged from its genre norms but redefined them altogether, creating a captivating story and a worldwide sensation. For that, Black Panther” is more than worthy of the Best Picture win at this year’s Academy Awards.

Here in Oakland, I am doing what it seems every other black person in the country is doing: assembling my delegation to Wakanda. We bought tickets for the opening as soon as they were available — the first time in my life I’ve done that. Our contingent is made up of my 12-year-old daughter and her friend; my 14-year-old son and his friend; one of my oldest confidants, dating back to adolescence; and two of my closest current friends. Not everyone knows everyone else. But we all know enough. Our group will be eight black people strong.

Vibranium radiation has permeated much of Wakanda’s flora and fauna , including the Heart-Shaped Herb eaten by members of the Black Panther Cult (although T’Challa once allowed a dying Spider-Man to eat it in the hope that it would help him deal with a mysterious illness ) and the flesh of the White Gorilla eaten by the members of the White Gorilla Cult.

Whether you’re a die-hard Marvel fan or have yet to be enticed into the MCU, Black Panther” commands your attention and holds it until the very end. This isn’t just a film; it’s a cultural phenomenon that boasts an incredible cast and three-dimensional characters, and doesn’t shy away from tackling major issues head-on, unapologetically.

That may change with the ascension of Prince T’Challa (Chadwick Boseman) to the crown after his father dies. Or the precious metal powering much of Marvel’s superhero universe may be used destructively by Erik Killmonger (Michael B. Jordan), a key figure in intrigue Marvel begs reviewers not to reveal. Both are commanding actors, each noble on opposite ends of comic book morality.

A superhero known as Black Panther defends Wakanda, a technologically advanced country in Africa that has hidden itself away from the rest of the world. Now, he must face a dissident who wants to sell the country’s natural resources to fund an uprising.

During the radicalized 1960s, Green Pastures’ stereotypes were considered an outrage. Black Panther would seem similarly fake if people weren’t falling for it without question. Once again, we see the nation’s psychic wounds — and black folks’ desperate need for whites’ appreciation — exposed by stripping off the Obama bandage.

Each of Coogler’s three films has been concerned with the legacy of fathers. His assured debut Fruitvale Station (2013) unfolds the final day in the life of Oscar Grant III – killed by a California transit police officer in 2009 – and much of the film’s emotional weight resides in the wide, unknowing eyes of the daughter Grant will leave behind. Creed (2015) and now Black Panther both follow protagonists burdened by history and haunted by a looming inheritance, men who set out to forge their paths in the name of fallen fathers, soon revealed to be not quite heroes but deeply complicated figures whose sins endure beyond the grave to trouble their sons. How these sons ultimately reckon with the humanity of the men they have made into legends and how powerfully they allow the past to guide their steps will prove the measure of their character.

So is Black Panther a good movie? I’d say yes. Every issue I had with it came from the fact that it has to exist as apart of this giant monolith of Marvel Movies.” It is one of the few that I had a desire to see again upon leaving the theater. And while it may not give me any faith in future Marvel movies going beyond what’s currently been set, it really delivers a powerful message by its own existence.

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