Total Recall 2070 was based on two works by Phillip K. Dick: the short story, We Can Remember It for You Wholesale (on which the film Total Recall is based), and the novel Do Androids Dream of Electric Sheep?, on which Blade Runner is based.
blade runner cast wesley snipes – 10 Fascinating Facts About Blade Runner
All of Roy Batty’s precious moments may be lost in time, like tears in rain, but these Blade Runner facts aren’t going anywhere. A: The question has raged since Ridley Scott’s 1982 Blade Runner: Is replicant hunter Rick Deckard (Harrison Ford) a replicant himself? Ford has always argued that the character is human, while Scott has maintained Deckard is a replicant. The original novel by Philip K. Dick — the movie is based on 1968’s Do Androids Dream of Electric Sheep? — was filled with ambiguity.
In addition to following our protagonist around, Eduardo Gaff also drops another major hint that the titular blade runner might not be human after all. Back in 1982, this is how Blade Runner director Ridley Scott imagined the world would be.
Scott also filmed at some iconic Art Deco locations in LA. Frank Lloyd Wright’s Mayan-influenced Ennis House stood in for Deckard’s apartment, while the cavernous Union Station became police headquarters. Meanwhile the landmark Victorian-era Bradbury Building played itself, but was transformed into the semi-derelict apartment block where Deckard and Batty stage their final battle.
Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film. With November 2019 being the far-flung month and year in which the movie is set, here’s our rundown of the technology the movie predicted correctly. And, in one case, very, very incorrectly.
When Pris and Roy seek out the genetic designer J. F. Sebastian, they discover that he has a glandular condition called “Methuselah Syndrome,” which causes him to age prematurely. Naturally, they see that he’s in the same boat as they are—since they also have a set time limit on their lifespans—and they try to leverage that for aid and empathy. Sebastian ends up helping them, though probably more out of fear than anything else. It doesn’t work out well for him, in the end: Roy kills him, off-screen.
None of this had anything do with the plot of the movie, of course, but it sounded pretty cool, so Ridley Scott bought the rights to the name, and Fancher and the other screenwriter, Peoples, redefined Deckard’s job description as that of a “blade runner” ( source ).
At one time every replicator has a red spark in his eyes (Rachael in Deckard’s Apartment, Pris in Sebastian ). And Deckard has the same light when he talks to Rachael in his apartment. The lip flap between Deckard and Abdul Ben Hassan has been digitally corrected (using Harrison Ford ‘s son, Ben, as a stand-in for his mouth movements).
The most important thing though is that this is faithful to the film. It looks like it was shot on film, and it doesn’t look glossy and digitized. The whole point of 4K is to get a natural appearance that’s as close to the film print as possible. I have a 4K TV that doesn’t have HDR, so I can’t speak to the HDR elements yet, unfortunately. However, from other reviews I’ve seen online, the HDR combined with the 4K elements means that this movie will probably never look superior to this version. Assuming the 4K Blu-Ray format never dies, this may be the last version of the movie I may ever buy again.
I was blessed to be born in an era where I could go see Blade Runner, the Theatrical Cut, in the movies. I wasn’t old enough for “R” rated movies, but back then, that wasn’t really a big deal. You just asked a guy in his twenties in line to buy the tickets for you, then went in while a kid from school was taking tickets. Easy Peasy. After seeing Runner 4 times while in the theatre, working extra baby-sitting jobs and selling donuts at the local shop every Sunday, I was a ‘nerd girl’ though back then that wasn’t even a term.
The Los Angeles of “Blade Runner” versus New York City’s Times Square. Blade Runner 2049 continues the themes of the classic novel and original movie. Villeneuve and cinematographer Roger Deakins give us staggering new visions of the future, ones that confound and trance and mystify in Blade Runner 2049 even while making rich cinematic senses.
Ridley Scott’s Los Angeles is awash with obtrusive, vast electronic billboards, long before they became commonplace. In the movie: Harrison Ford’s Rick Deckard uses an ESPER machine in his apartment to analyze photos using voice commands. His home’s voice print identification” system is also able to recognize who he is.
The stakes are high when filming a movie sequel some 35 years after the original cult hit that, meanwhile, has earned millions of global fans. But in this instance the gamble paid off. The producers of “Blade Runner 2049” chose well in picking world-renowned French Canadian director Denis Villeneuve to make the film. Ridley Scott, director of the 1982 original, served as an executive producer.
Blood, howling, and anguish accompany the countless violent actions in this film. Characters are killed by gunfire at close range and brutal hand-to-hand combat. Characters dangle over the side of skyscrapers; multiple fingers are broken graphically; people are gagged and choked; a man’s eyes are poked out (how much is seen depends upon the version of the film). There are repeated close shots of bloodied corpses and dying characters.
We are also in territory that is both familiar and disorienting. A brief note explains what has and hasn’t changed in the 30 years since the events in the first Blade Runner.” Three-wheeled spinners still zoom through the California skies, and the building-size video advertisements have evolved into seductive, R-rated holograms. The titular profession — hunting down and retiring” renegade members of the almost-human, genetically engineered android species known as replicants — is practiced with the same brutal doggedness as in the old days.
However, the film failed to predict the rise of smartphones, the internet and social media—it is easy to imagine a real-life Rick Deckard (played by Harrison Ford) spending his days hunting replicants by catfishing them on Twitter.
It’s not just that Harrison Ford looks dashing in neo-noir future wear or that the lighting is always moody and perfect, as if the entire city had been converted into a sultry nightclub — though none of that hurts. It’s that Blade Runner presents its futuristic city as one that is overrun by the liveliness of mass humanity. Its bustling sci-fi cityscape is defined by diversity and walkability, by commerce and cultural mixing, by industrial ingenuity and panoramas of larger-than-life advertising. Even as the city is dying, it teems with the business of life.
Even more strikingly, African-Americans seem to be almost entirely absent from the future LA of Blade Runner. The filmmakers reimagined the street-level city as a multicultural bazaar of Asian and Middle Eastern influences, mirroring then-current American anxieties about growing economic rivals to the East – wrongly in the case of Japan, but prophetically in the case of China. Edward James Olmos , who plays Deckard’s mercurial police minder Gaff, also came up with a polyglot ‘cityspeak’ slang, combining elements of Hungarian, German, Japanese and other languages. The melting-pot notion of America permeates every scene.
In a way, it might be a hint to Deckard, as well. At the end of the movie, Gaff leaves behind a little origami unicorn—indicating (if you see the Final Cut or Director’s Cut versions of the movie) that Gaff can read Deckard’s dreams… because Deckard is a replicant. So when Gaff creates the little matchstick man, he might not just be commenting on Leon and the other rogue replicants… he might be giving Deckard a secret message about his own true identity.
Novelist Michael Swanwick noted that when Dick wrote the novel in the 1960s, he wasn’t preoccupied with flying cars. He was studying sociopaths. In his novel, the replicants lack empathy, though that idea was modified in Scott’s film (with Dick’s approval, Swanwick said).
Ridley Scott’s “Blade Runner” hit theaters in 1982, but it takes place in Los Angeles of November 2019. Taking a stroll through Times Square proves the electronic billboards of “Blade Runner” have come to fruition. Mead, importantly, was hopeful even as he worked on the film. Despite the downbeat philosophical atmosphere permeating Blade Runner, I’m an optimist about the future,” he told Sammon.
Blade Runner was one of the top formative science fiction movies of my teenage years, so when a publishing professional recently suggested I read Philip K. Dick’s novel or banish myself to the nearest dimension of shame, it was an easy decision. I’m glad I did.
The real hangup isn’t the technology (except for slow battery advancement); it’s the regulation and integration into existing infrastructure. Given that Blade Runner is set in November 2019, we can wait a few months for the rules to be ironed out.
Starring Ryan Gosling as a new android hunter by the name of K, Blade Runner 2049 was critically acclaimed and made a little over $260 million at the worldwide box office. Harrison Ford came back to play Rick Deckard. While the project didn’t make a ton of money, it was (and is) a stylistic and narrative achievement that some fans consider to be better than its 1982 predecessor, which was also not an immediate or iconic success upon initial release.
In an earlier review of “Blade Runner,” I wrote; “It looks fabulous, it uses special effects to create a new world of its own, but it is thin in its human story.” This seems a strange complaint, given that so much of the movie concerns who is, and is not, human, and what it means to be human anyway.
Nitpickers may point out that no-one really uses video calls to ask people out on dates in 2019, though. To be totally accurate, Deckard should really have just sent a Lil Pump GIF and maybe an eggplant emoji for good measure.
Since replicants in general do not know they are replicants, there can be real poignancy in their lives. We feel sympathy for one in particular, Rachael ( Sean Young ), who finds herself involved in romance with Deckard. He loves her even though he has reason to believe she is a replicant, but a very good one, almost impossible to detect.
Which accounts for all that neon. Exotic and banal neon signage seems to light nearly every frame of Blade Runner—neon logos for the White Dragon noodle chain, neon adverts for TDK recording tapes, neon logos for Koss headphones, neon billboards for Japanese and Latino products. Such aggressive visual publicity might be commonplace today, but it certainly was not the case in 1982, when the majority of America’s middle class had fled to the nation’s suburbs to avoid inner cities regarded as crime-ridden cesspools. Three and a half decades ago, Blade Runner did reflect this early-eighties thinking by showing its fictional Los Angeles as a direly crumbling metropolis, but it also accurately predicted the incredible accretion of the type of all-pervasive advertising that has slowly consumed contemporary urban centers today.