chhapaak story – ☀✪WATCH!! CHHAPAAK ~ 2020❅【FULL❁MOVIE】 `720p✩HD

Chhapaak is in no way biographical, nor does it claim to be. It doesn’t begin and end with Malti, but rather with stories of other women who have been victimised to establish a bigger world view of the crimes against women.

chhapaak movie wiki – Deepika Padukone, Meghna Gulzar’s Film Makes A Subtle But Impactful Splash

ChhapaakDeepika Padukone-starrer Chhapaak has been in the news since the time the movie was announced early last year. Chhapaak movie has completed its 3 days journey with super excellent business performance at the domestic and overseas box office. The film has got very good rush in Chennai and Heydrabad on 1st Sunday and film has received 70-80% occupancy rush on multiplexes, While film has taken average rush on some metro cities cinemas like as Pune(20-30%), Bengaluru(35-40%) Mumbai(20-25%) and Delhi(25-30%) in its 1st Sunday.

Chhapaak also ran into controversy following Deepika Padukone’s visit to the Jawaharlal Nehru University in Delhi. Some tweeple with right-wing ideals asked fans to boycott the flick and this resulted in a lot of negativity. The film also received several one-star ratings on IMDB, which resulted in it losing the ‘perception battle’.

Malti (Deepika Padukone) was attacked with acid on a street in New Delhi, in 2005. Through her story, the film makes an attempt to understand the on-ground consequences of surviving an acid attack in India. Touted to be a tale that inspires and empowers, Chhapaak has managed to garner attention. Based on the true story of Laxmi Agarwal, the movie showcases the story of Malti.


Chhapaak isn’t some extraordinary, eye-opening film with performances to go ga-ga over. But that takes nothing away from how well-made the film is for a subject like acid attack that deserves our attention. Everyone, from writer Atika Chohan to director Meghna Gulzar to the actors, Deepika Padukone, Vikrant Massey and others, play their parts well, thus delivering a film that makes a splash which should have some kind of a ripple effect.

Chhapaak ,” starring Bollywood star Deepika Padukone , is based on the real-life case of Laxmi Agarwal, who at age 15 was splashed with acid by a man whose romantic overtures she had refused. The film follows Malti as she goes through court cases, surgeries and becomes an activist for other acid attack victims.

Furthermore, Free Press Journal carried a misleading report titled, #NameItLikeBollywood trends after Deepika’s ‘Chhapaak’ ‘changes’ acid attacker’s name from Nadeem Khan to Rajesh”. The article clarifies the misinformation only in the concluding paragraph.

After her attack, it took years for Agarwal to feel comfortable with going out in public. The support of family members and friends eventually gave her the strength to do so. I thought that if these people can see me and they can accept me, why not the entire world?” says Agrawal, now 31. In 2006, she and another acid attack survivor filed a Public Interest Litigation in the Supreme Court of India to regulate the sale of acid in the country and new criminal laws to deal with offenders. Seven years later in 2013, the Supreme Court ruled in their favor, adding restrictions on the sale of acid to individuals below the age of 18.

On the other hand, Tanhaji has been a talking point for all ever since its trailer was released. Directed by Om Raut, ‘Tanhaji The Unsung Warrior’ is a biopic on the trusted general of Maratha braveheart and Emperor of the Maratha Empire- Chhatrapati Shivaji Maharaj, who changed the face of Indian history as he reclaimed the Kondhana fort after a fierce battle with the Mughals, led by the guardian of the fort Uday Bhan Rathod, whose role is played by Saif Ali Khan in the film.

On January 9, News18 added a new ‘twist’ to the story based on a tweet by advocate Ishkaran Singh Bhandari. The media outlet claimed that the makers of the film ‘rectified their error’ and changed the name of the villain after social media criticism.

Deepika Padukone plays real-life acid attack survivor Laxmi Agarwal in this Hindi-Indian drama co-written and directed by Meghna Gulzar (Raazi). Meghna Gulzar’s ‘Chhapaak’ is about losing and reclaiming power and the extent men go to erase women who don’t abide.

244 acid attacks were recorded in 2017 — the most recent data available — according to figures from India’s National Crime Records Bureau. In most cases, women were attacked for spurning advances from men. This comes less than 24 hours after Padukone made her presence at the Jawaharlal Nehru University, in solidarity with the victims of an attack at the varsity just days earlier by a masked mob.

In fact, the collections of Tanhaji in Pune alone will be more than the all India figures of competing release Chhapaak over the second weekend. Moreover, the lifetime figures in Pune could beat Chhapaak’s lifetime numbers across the country. The film’s performance in Maharashtra is hardly surprising given that it is based on the life of of Tanaji Malusare, the military leader of Shivaji, founder of the Maratha empire.

From its very outset, Gulzar’s direction pulls in the viewer, establishing a connection that stays strong until the credits roll. The film’s opening scenes show protests in India that took place in 2012 after the heinous Delhi gang-rape case. The scenes fit well into the plot and flow seamlessly into Malti’s story which is portrayed powerfully without being preachy — a testimony to Gulzar’s strengths as a female filmmaker.

So Chhapaak movie has earned its business scores Rs. 6.90 Crores at the domestic box office in its 2nd day journey. After that film witnessed to again high jump on 1st Sunday because Sunday is a national holiday and audience have booked all shows ticket on ticket windows. Now you can check out the 3 days(1st weekend) box office collection of Chhapaak movie.

Critically acclaimed film Chhapaak, is a story about acid attack survivor and activist, Laxmi Agarwal. Laxmi, at the age of 16, was reportedly attacked by a 32-year-old man who threw acid on her because she had turned down his proposal. Subsequently, Laxmi went on to work as director of an NGO and also associated with campaign Stop Acid Attacks.

The film stars Deepika Padukone (xXx: Return of Xander Cage) who stars as Malti, a character based on Laxmi. Padukone also produces the film while Meghna Gulzar directs. This contributes to the growth of female filmmakers in the Bollywood space. Gulzar also produces alongside Govind Singh Sandhu.

During this time, Malti also joins a campaign against Acid violence and comes across other victims. She forms an inexplicable bond with Amol, the founder of the campaign but it is Malti`s game-changing PIL in the Supreme Court of India, with her lawyer Archana Bajaj, that inspires the Judiciary to amend the laws on acid violence. A story of the triumph of the unquashable human spirit.


This could also mark the turning-back point for this kind of film. The box-office figures don’t look great. Chhapaak is expected to finish at Rs 33 crore at the end of 3 weeks, while the film that released alongside it, Tanhaji: The Unsung Warrior , has crossed Rs 200 crore. Panga earned Rs 11.75 crore in its opening weekend, while Street Dancer 3D which released alongside, made Rs 39.5 crore in the same period. It might well be the moment when studios decide they don’t not want to take on projects like this, without the support of a male star of equal or higher wattage. Like a Secret Superstar, where you had Aamir Khan to tell a story about the dreams of a burkha-clad girl who wanted to sing, or a Dangal about a pair of ace women wrestlers, or a Pink where you had Amitabh Bachchan batting for three women accused in a sexual assault case. Just months ago, Akshay Kumar shepherded a team of competent women scientists who did all the real work in Mission Mangal The film earned over 200 crore.


Summary CHHAPAAK is a Hindi language drama in which the survivor of an acid attack fights to bring her attackers to justice and campaigns for changes in the law. Earlier, Deepika made quite a buzz on Twitter when she decided to visit Jawaharlal Nehru University (JNU) in Delhi on Tuesday, to show solidarity with students.

Tanhaji and Chhapaak are the two films that clashed with one another at the same time in January 2020. The audience across the country had high expectations from both the films. However, Tanhaji became more much successful than Chhapaak in terms of both box-office collection and critical acclamation.

Many social media users called for the boycott of the social drama, asking people to watch Ajay Devgn’s “Tanhaji: The Unsung Warrior” that is releasing along with “Chhapaak” on Friday. How good would it be if acid was never sold? If it was not sold, then it would not be thrown,” Padukone, playing Agarwal, says in one scene.

She told the Indian Express: ‘After the attack, I was admitted to the Ram Manohar Lohia Hospital and stayed there for nearly three months. There were no mirrors in the ward I was in. Every morning, the nurse would bring me a bowl of water to help me freshen up, and I would try to catch my reflection in that water. I would only see glimpses of a bandaged face.

As Chhapaak fares decently at the box office, filmmaker Anurag Kashyap praised Deepika Padukone for a new social endeavour she picked up with her film. Right-wing website Swarajya put out a misleading article with false claims of Chhapaak filmmakers changing the name of the acid attacker in the film to hide his Muslim identity.Chhapaak

There has been a lot of discourse over casting Deepika Padukone as an acid attack victim. Despite some incredible makeup and prosthetics, you might find it hard to look at her and not see the Bollywood beauty that she is. However, DP scales it and lands on the other side rather gracefully. Her Malti is restrained, her childlike innocence and simplicity shining through every time she smiles. I did find it a little hard to reconcile with her age in the film (17), but when she breezes through with enough conviction. She delivers some of the most thought-provoking lines with such ease, that they take a second to hit you hard. Devoid of any OTT acting, Deepika perfectly embodies Malti. In some scenes, like the one above, she resembles Laxmi Agarwal, the real-life inspiration of the story.

Production: (India) A Fox Star Studios release and production, in association with Ka Productions, Mriga Films. Producers: Deepika Padukone, Govind Singh Sandhu, Meghna Gulzar. Fox Studios India is widely releasing Chhapaak” ( Splash ) at 100 sites in North America, day and date with its India release on Friday, as well as in theaters in the U.K., UAE, Australia and Germany.

In a recent video that Deepika shared on her official Instagram handle, she is seen conducting an experiment of buying acid from various shops through a team of trained actors. I find the quality in heaps in Meghna Gulzar though sensitivity comes naturally to her and shows in her storytelling aesthetics and gentle handling of ill-quipped characters confronting complex situations.

Chhapaak’s charm is not in its portrayal of acid attack survivors alone. It’s about the smaller things – like how an elderly Sikh man helps the screaming Malti (Dilwalon ki Dilli, your heart would say), how the attacker Babbu tries to ‘console’ Malti’s mother in the hospital, and a casual comment that unless the victim dies, nothing major happens in gender-based violence. Government’s apathy towards survivors of acid attack is subtly hinted when Malti tells a prospective employer that there is no ‘box’ like ‘handicapped’ for applicants who are acid attack survivors.

With the latest news of Padukone reaching Delhi to support JNU students, divided social media with many angered by the decision and many supporting her. Soon, #Boycott_Chhapaak and #BlockDeepika started trending. Following soon was #ISupportDeepika.

Malti’s practical and playful approach to life in the face of Amol’s self-righteousness is one of the film’s many strengths. Seeing Malti being supported by a strong group of women, even as all of them are torn between expectations at home and work, is another. By keeping the script taut at just more than two hours, Chhapaak doesn’t feel preachy. The way it uses Padukone’s face, renowned in India and on red carpets across the world for its luminous quality, is another clever narrative stroke.

The advocate, who played a pivotal role in real life to ensure justice was served to Laxmi in the case fought at Patiala House Courts, took to Facebook and wrote a few posts to vent her ire, and also announce that she would be taking the makers to court.

It is easy for a film like Chhapaak, highlighting an urgent social issue, to get trapped and look at its subject with a poor girl” glare. But the fact that it does not, and rather focuses on the moments where Malti leads and refuses to give in, makes it stronger. In the same vein, it never lets Amol become the hero. It was easy to train the lens on the man who fought for the women and saved them. But it is the women who are fighting here. And while Amol’s contribution is counted, it is never over-emphasised. Massey has to be applauded for the distinction he brings to Amol’s character, often acknowledging his flaws.

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Chhapaak also ran into controversy following Deepika Padukone’s visit to the Jawaharlal Nehru University in Delhi. Some tweeple with right-wing ideals asked fans to boycott the flick and this resulted in a lot of negativity. The film also received several one-star ratings on IMDB, which resulted in it losing the ‘perception battle’.

Mere days before the film’s release, Padukone briefly attended a protest at Delhi’s Jawaharlal Nehru University , earning herself the “anti-national” tag. Claim Review : Chhapaak movie makers have changed identity of acid attacker from Muslim to Hindu.

However, the later portion should have been tighter. The courtroom drama particularly, needed better writing. It could have been more engaging. The melodrama spun around the protagonist’s romantic track also distracts at times, although Deepika and Vikrant do share the odd moments that act as brief poetic interludes amidst the sombre text.

Bhat shared that she was deeply disturbed” to see that the filmmakers did not give her credit for her contribution in fighting against acid attack. While the court agreed to Bhat’s claim and ordered the filmmakers to acknowledge her efforts, they have failed to do so on international platforms.

I won’t say I will make only make serious films, but at the same time, I would like to produce meaningful movies. But every film does not necessarily have to be a social film; it can be something that will bring a smile to my face or make me reflect. Piku was not a big-budget blockbuster kind of movie, but had delicate and beautiful emotions. But also, it is too soon to tell—I will find out as we go along. I don’t want to restrict ourselves with what we do. However, my choices as a producer will be the same as those as an actor: follow my gut and be instinctive.

He pointedly retorts to a TV journalist, Who cares about acid attacks in the face of rape attacks.” After all, on the scale of violence against women, acid attacks don’t figure as highly as attacks on women’s – and by extension the family’s – honour. His challenge to the TV reporter brings us to Malti’s story. In showing the attack itself, Gulzar uses Bollywood’s slo-mo romantic song montage trope to powerful effect. You cannot turn your eyes away from Malti’s pain and disfigurement.

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