courtney barnett married – Courtney Barnett

To celebrate the release of the album and the festive season, the record label are hosting a special Christmas party on December 22. Check out those details, as well as the full album tracklist and Barnett’s cover, below.

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COURTNEY BARNETTIn addition to consistently kicking out top-shelf indie rock, Courtney Barnett runs Milk! Records, a record label focused on promoting musicians from her native Australia and nearby New Zealand. Milk is releasing a compilation next month featuring various artists on the label covering each other’s songs. Naturally, this comp is called Milk On Milk. Artists involved with the project include Tiny Ruins, Jade Imagine, Loose Tooth, Evelyn Ida Morris, the Finks, Hachiku, East Brunswick All Girls Choir, Jen Cloher, and Barnett herself.

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Tell Me How You Really Feel is out tomorrow through Barnett’s own label Milk! Records and Remote Control. By using this website you agree to our use of cookies as set out in this Privacy Policy. The Eagles added a batch of dates to their ‘Hotel California’ 2020 tour in which they will perform the iconic 1977 album with an orchestra and choir at each stop followed by a set of greatest hits.

In each video, Barnett showcases her half-sung, half-spoken vocal style, and wide array of techniques and abilities as a guitarist. Summer festival lineups are rolling out! We’re pleased to share that Courtney Barnett and FIDLAR will both be playing this year’s Governors Ball Music Festival at Randall’s Island Park in New York.

A familiar sentiment, but it rings poignantly coming from Barnett, who’s better known for minor epiphanies about everyday drudgery than she is for broad proclamations about tragic human nature. Tell Me How You Really Feel is both more intimate and more outwardly political, concerning itself with private insecurities and the social ruptures large and small that inevitably result when they are allowed to simmer unchecked for too long. Barnett spends much of the album addressing a terminally anxious you with a mix of plain compassion and frankness bordering on exasperation. At times, she sounds like she’s comforting a close friend or lover. At others, she might be talking to herself.

Barnett and her band—which includes Dan Luscombe on guitar and the surprisingly nimble rhythm section of Bones Sloane on bass and Dave Mudie on drums—recorded the album at Head Gap Studio in Melbourne during the fall of 2014. We’d start midday and work until quite early in the morning,” she says. Of course, half the time is sitting around waiting for the engineer to get a mic into place or something like that.” The band used the downtime to take these songs apart and put them back together again. Nothing was taken on faith; every note and every word was parsed.

Courtney Barnett stopped by The Late Show with Stephen Colbert last night to perform her song “Nobody Really Cares If You Don’t Go To The Party.” The Aussie singer, fresh off her trip to the Grammy’s where she was nominated for ‘ Best New Artist ,’ let loose on the late night stage with a stellar performance of the tune.


She is selling herself short, of course. Barnett wrote the music to Tell Me How You Really Feel’s cozy closer Sunday Roast” when she was 13, adding new lyrics more recently. Help Yourself,” another album track, also has its origins in a sketch from her teenage days. In her early 20s, she played scattered solo songwriter shows and in a variety of bands around Melbourne, including Immigrant Union, a psychedelic folk and country ensemble. That group also included two supremely affable longhaired dudes named Dave Mudie and Andrew Bones” Sloane, on drums and bass. Barnett asked the pair to be the rhythm section for her second solo E.P., and soon they’d all departed Immigrant Union to focus fully on her burgeoning solo career.

To celebrate the release of the album and the festive season, the record label are hosting a special Christmas party on December 22. Check out those details, as well as the full album tracklist and Barnett’s cover, below.

After conquering the festival circuit, sweeping up awards season, and rocking the season finale of SNL, Courtney Barnett has been awarded with the Breakthrough Artist of the Year award at this year’s A2IM Libera Awards The awards celebrate the successes of the independent music community including both artists and labels. We could not be more proud to be a part of the Courtney team and can’t wait to see what she has in store next.

Courtney Barnett’s Sometimes I Sit and Think, and Sometimes I Just Sit is one of ten albums on the short list for the 11th annual Australian Music Prize. The winner will be announced on March 9 in Sydney.

This is exactly the kind of offhanded aphorism you might encounter in a Courtney Barnett song, delivered in essentially the same casual cadence she uses on record. Her lack of affectation and conversational writing can give the impression that you are a receiving a direct transmission from her experience of reality when you listen. Tonight, a handful of devoted fans are gathered at the venue doors hours before showtime to listen in on soundcheck. Later, she’ll perform Tell Me How You Feel in its entirety, dipping into a few more familiar songs only after she’s finished the album.

Courtney Barnett knows that you’re patiently awaiting her new album, Tell Me How You Really Feel, out on May 18th. So, in order to keep your appetite satisfied for the time being, she’s dropped a brand new single “City Looks Pretty,” along with an accompanying video. Watch the clip above to witness fuzzy, hypnotizing visuals, multiple picturesque scenarios, and a colorful kaleidoscope in motion.

Courtney Barnett has dropped another tune from her upcoming record, Tell Me How You Really Feel, due out on May 18th. The song, titled ” Need a Little Time ,” is accompanied by a colorful, vibrant video directed by none other than Danny Cohen, which depicts Courtney Barnett in a number of surreal scenarios looking slick in a blue jumpsuit.

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Writing these songs can be a drawn-out and nerve-wracking process, especially when she finds herself recording a song that she hasn’t written yet, but it pays off beautifully on Sometimes I Sit and Think. It’s a beguiling collection of songs that reveals her as an ambitious songwriter with an ear for clever turns of phrase and an eye for story-song details that are literate without being pretentious. Barnett even did the artwork and hand lettering for the liner notes, showcasing a whimsical style similar to indie comics or the sketches of Eric Chase Anderson (who does most of the sketches for his brother Wes’ films).



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Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnett’s debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling voices in indie rock. These songs reveal not only an assured songwriter and guitar player, but also an artist who in just a few years has already proved highly influential.

After being shortlisted for the Australian Music Prize, Courtney has won for her debut LP Sometimes I Sit And Think And Sometimes I Just Sit. Courtney Barnett has been on tour non-stop since May, but the Australian indie-rocker has already announced plans for 2020, mapping out dates for her first-ever solo tour.

Its officially award season and Courtney Barnett is receiving a ton of praise for her 2018 album ‘ Tell Me How You Really Feel’ Courtney Barnett and ‘Tell Me How You Really Feel’ have been nominated for 8 Aria Awards including Album of the Year , Best Female Artist , Best Rock Album , Best Independent Release , Best Video , and Best Live Act Courtney Was also nominated for Best Contemporary Album for her collaborative album with Kurt Vile, ‘Lotta Sea Lice.’ This years ARIA nominations matches the number of that Courtney received for her debut album Sometimes I Sit and Think, and Sometimes I Just Sit.

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Barnett will launch the intimate trek – with the singer-songwriter accompanied onstage only by her guitar – in January, after appearing at Wilco’s Sky Blue Sky Festival in Riviera Maya, Mexico on January 18th and performing a pair of Ryman shows in Nashville supporting Brandi Carlile on January 20th and 21st. She’ll begin at The Queen in Wilmington, Delaware on January 23rd, stopping at Levon Helm Studios in Woodstock on January 25th before wrapping the tour at Sonoma, California’s Redwood Barn on February 2nd.

The trio reached back to 2012’s I’ve Got a Friend Called Emily Ferris for Lance Jr.” Barnett told the crowd her grandmother loaned her money to produce that EP. Today, she and her partner, Jen Cloher, run their own record label. Some of the best received songs of the night were from her breakthrough debut LP, Sometimes I Sit and Think, and Sometimes I Just Sit, tracks like Depreston,” which Barnett dedicated to the real estate agents in the house and had the crowd sing-songing to its closing lines. She even offered “Let It Go,” from her collaboration with Kurt Vile, and said it was the first time she’d ever performed the song solo. But, most of the night was a showcase for the new work, with seven of its tracks offered for fans. Whichever album the song came from, the gathered didn’t mind. They appreciated whatever Barnett rolled out for them.

But seeing her live was a chance for devotees to also witness her guitar prowess. She flexed that muscle all night, offering big, headbanging licks on songs like I’m Not Your Mother…” That one, stationed mid-set, was followed by the bluesy Small Poppies,” and that bled into the pop sensibilities of Elevator Operator.” That trio of songs bridged the full set together by showing her six-stringed versatility. Coupled with her word-skills, its easy to see why Barnett is destined to travel a long and winding road of musical success.

It’s hard to imagine a more stellar trajectory than Barnett’s, but she has always been fame’s accidental tourist. Her 2016 debut album, Sometimes I Sit and Think, and Sometimes I Just Sit , was a string of worry beads – about social disconnection, overthinking and neighbourly relations – that was nominated for a Grammy and a Brit, and won the Australian Music Prize and four Aria awards in her home country. Put me on a pedestal and I’ll only disappoint you,” she warned in Pedestrian at Best – but that warning fell on deaf ears.

Barnett and her band take the stage in Austin as the sun is going down, in all-black outfits that look a bit like suits of armor. They sound punchier and more ferocious than they do on the record. (A lot of times we record them pretty folky,” Mudie, the drummer, told me earlier in the evening. And then when we play them live, obviously we get a little excited.”) City Looks Pretty,” one of the advance singles, has a new krautrock-ish intro; Charity,” the following song, gets the biggest applause of the night so far, despite being previously unknown to almost everyone in attendance. Barnett’s swaggering stage presence betrays none of her earlier worry. We’re gonna do a set of ‘90s covers. This one’s from 1992,” she deadpans at one point, before starting Avant Gardener.” Given her penchant for resurrecting song fragments from her childhood, I almost believe her for a moment.

Barnett is stretched out on a chair at her desk at the HQ of Milk! Records , the label she started back in 2012 to release her own EP. Now it’s home to a roster of about 10 acts and situated in the Melbourne suburb of Coburg at an office between warehouses, sari shops and Middle Eastern restaurants.

Born in Melbourne, Barnett attended the Tasmanian School of Art before returning to her hometown to pursue music full-time. After a stint playing with The Dandy Warhol’s Brent DeBoer in a band called Union, she made her EP debut in 2012 with I’ve Got a Friend Called Ferris. She quickly followed up with her full-length debut album How to Carve a Carrot into a Rose, garnering a Best New Music nod from Pitchfork and hitting the road for extensive touring. In late 2013 she caught the eye of Rolling Stone and The New York Times with her performances at the CMJ Music Marathon, with both outlets naming her one of the festival’s standout acts. A bright young talent with a diamond-sharp wit, Barnett has fans eagerly awaiting her next tour dates.

We took Loose Tooth on tour around Europe in Mid-2018 and every night I sat in my hotel room teaching myself how to play ‘Keep On’,” Barnett explains. I sat in bed with my guitar every night and I had to slow the song down and pull it apart a little bit and in that process it gained a certain weight where I heard the words differently. The chorus became a mantra and shook me up a bit.

Courtney Barnett and Kurt Vile will lead an all-star band on a once-in-a-lifetime tour of North America this fall. Watch the video for Courtney Barnett’s cover of Loose Tooth’s Keep On” below. The Coachella lineup announcement is here and we’re pleased to share that Mom + Pop artists Courtney Barnett , DMA’s, and Flume will be taking the stage.

The set kicked off around 9:20 with Barnett’s casual Alright, how’s it going?” greeting and was over too soon at nearly 90 minutes of music and 17 songs. Most of the set was comprised of tunes from her latest award-nominated album, Tell Me How You Really Feel. As she is on the album cover, Barnett was bathed in red light at the start of the set, in the center of a semi-circle of amps, lights and her band mates, drummer Dave Mudie and bassist Bones Sloane.

As a guitarist, Barnett has learned to follow her intuition similarly, sometimes improvising lines in the studio until she lands on something that sticks, and relearning them later. I was going to Jen’s show every night, not really knowing what my part was. But that’s good,” she says. Barnett is a spectacular and unconventional player, attacking her instrument left-handed and without a pick, using brief bursts of dissonance to express turbulence that her laid-back vocals steer clear of.

On top of this, there’s the inevitable expectation that Barnett and Cloher will create a Dylan-and-Baez-style self-referential canon, particularly because Cloher’s 2017 self-titled album spoke of the challenges of living with a partner whose career has just gone into warp-drive. But Barnett insists her album is not a response”, even if Cloher sometimes queries if a song is about her. She’s relieved that the pair now share the same management team and can coordinate schedules. It’s not only about the difficulty of maintaining a relationship when someone’s in the US for three months; Barnett also plays guitar in Cloher’s band.

Milk! Records has announced a forthcoming compilation which will feature recordings from the label’s various artists covering each other’s material. Titled, Milk On Milk, the compilation album will arrive on Friday, November 15th, and was previewed on Wednesday with the release of the lead single from Australian rocker Courtney Barnett, who covers Loose Tooth’s Keep On”.

Cloher had previously founded I Manage My Music workshops to help people run their own careers, and has brought her organisational skills to Milk!. They have two casual staff and a bookkeeper, and Barnett works on online elements when she’s on tour. She is used to multitasking. When she first moved to Melbourne from Hobart, she worked in a shoe store, then behind the bar at the Northcote Social Club, and after that an admin job for the Victorian Electoral Commission (folding the letters that the fines were in”), all the while playing in bands. Having studied drawing and photography at art school, she also designs her own album covers. Now she and Cloher prefer to think of their label as an artist-run collective”, and it has earned them a dedicated following.

The announcement follows Barnett’s MTV Unplugged live performance at Melbourne’s Howler on Tuesday, where she Nameless Faceless” with Milk! Records labelmate Evelyn Ida Morris, Paul Kelly, and Marlon Williams. The episode of MTV Unplugged Melbourne: Courtney Barnett will air on Sunday, November 17th on MTV.

When she went solo, Barnett launched her own label, which she dubbed Milk! Records, to release her own material as well as music by some of Melbourne’s finest singers and songwriters. With the 2013 release of The Double EP: A Sea of Split Peas (which combined her first two self-released EPs), she embarked on an almost never-ending tour that took her to North America and Europe, barely stopping long enough to record her first true album.

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