To celebrate the release of the album and the festive season, the record label are hosting a special Christmas party on December 22. Check out those details, as well as the full album tracklist and Barnett’s cover, below.
courtney barnett songs – Courtney Barnett On Apple Music
Barnett and her band take the stage in Austin as the sun is going down, in all-black outfits that look a bit like suits of armor. They sound punchier and more ferocious than they do on the record. (A lot of times we record them pretty folky,” Mudie, the drummer, told me earlier in the evening. And then when we play them live, obviously we get a little excited.”) City Looks Pretty,” one of the advance singles, has a new krautrock-ish intro; Charity,” the following song, gets the biggest applause of the night so far, despite being previously unknown to almost everyone in attendance. Barnett’s swaggering stage presence betrays none of her earlier worry. We’re gonna do a set of ‘90s covers. This one’s from 1992,” she deadpans at one point, before starting Avant Gardener.” Given her penchant for resurrecting song fragments from her childhood, I almost believe her for a moment.
Barnett appears without fanfare. Tonight her band plays Tell Me What You Really Think from start to finish, and in this live setting she is at ease, immersed in her performance. The discomfort snaps back in between songs, so she makes a joke of rushing to the next in order to avoid conversation.
Even just a few years into a solo career, she has already proved herself an idiosyncratic and boundary-smashing artist and a passionate advocate for the arts who is changing the face of indie rock in her native Australia and around the world. After leaving art-school in Hobart, Tasmania, Barnett moved to Melbourne and became a mainstay of the local scene. She paid her dues and honed her chops in short-lived garage outfits before playing lead guitar in the twang-psych band Immigrant Union (which featured Bob Harrow and the Dandy Warhols’ Brent DeBoer).
Courtney Barnett and Kurt Vile will lead an all-star band on a once-in-a-lifetime tour of North America this fall. Watch the video for Courtney Barnett’s cover of Loose Tooth’s Keep On” below. The Coachella lineup announcement is here and we’re pleased to share that Mom + Pop artists Courtney Barnett , DMA’s, and Flume will be taking the stage.
Tell Me How You Really Feel is Barnett’s second proper full-length and third major release. 2013’s A Sea of Split Peas , which collected her first two EPs, felt like a debut album for those of us who didn’t witness her early days on Melbourne’s DIY punk scene. It had a cult hit in Avant Gardner ,” a breezy rock song with guitar solos that are more feedback than fretted notes, recounting a hyperventilation and subsequent hospital trip in near-hallucinogenic detail. Two years later, she released Sometimes I Sit and Think, Sometimes I Just Sit to even more acclaim, earning a Grammy nomination for Best New Artist (she lost to Meghan Trainor) and several ARIA Awards, the Australian equivalent of Grammys.
The set kicked off around 9:20 with Barnett’s casual Alright, how’s it going?” greeting and was over too soon at nearly 90 minutes of music and 17 songs. Most of the set was comprised of tunes from her latest award-nominated album, Tell Me How You Really Feel. As she is on the album cover, Barnett was bathed in red light at the start of the set, in the center of a semi-circle of amps, lights and her band mates, drummer Dave Mudie and bassist Bones Sloane.
In concert, Dan Luscombe (of The Drones ) has often played lead guitar and keyboards, having featured on both, How to Carve a Carrot Into a Rose and Sometimes I Sit and Think, and Sometimes I Just Sit, the latter of which he also co-produced. When Luscombe was not available, the band performed as a trio , with Barnett handling all guitar duties. Luscombe did not play on Barnett’s 2015 tours, however, and she now refers to the band as the “CB3” on her Facebook page. The CB3 moniker also features prominently on drummer Dave Mudie’s bass drum.
Courtney Barnett has dropped another tune from her upcoming record, Tell Me How You Really Feel, due out on May 18th. The song, titled ” Need a Little Time ,” is accompanied by a colorful, vibrant video directed by none other than Danny Cohen, which depicts Courtney Barnett in a number of surreal scenarios looking slick in a blue jumpsuit.
Our very own Courtney Barnett has covered INXS’ “Never Tear Us Apart” for a beautiful Apple commercial supporting marriage equality, which was recently legalized in Australia. The video depicts several sets of ecstatic same-sex couples celebrating their right to get married with a passionate first dance.
It’s clear that life is a little manic, especially for someone who has previously described themselves as a loner personality” who isn’t fully comfortable writing about her own life. Besides her own music, Barnett also runs Melbourne-based record label Milk!, and made an acclaimed album, Lotta Sea Lice, with US slack rocker Kurt Vile. Working with Vile, at least, sounds like a ball. The pair were already friends, and got pals Stella Mozgawa from Warpaint and two members of Australian outfit Dirty Three, Mick and Jim, to come and jam with them despite having not heard the songs before they arrived at the studio.
Barnett will launch the intimate trek – with the singer-songwriter accompanied onstage only by her guitar – in January, after appearing at Wilco’s Sky Blue Sky Festival in Riviera Maya, Mexico on January 18th and performing a pair of Ryman shows in Nashville supporting Brandi Carlile on January 20th and 21st. She’ll begin at The Queen in Wilmington, Delaware on January 23rd, stopping at Levon Helm Studios in Woodstock on January 25th before wrapping the tour at Sonoma, California’s Redwood Barn on February 2nd.
Courtney Barnett closed this season of SNL with a killer performance. The Aussie rocker played “Pedestrian at Best” and “Nobody Really Cares If You Don’t Go To The Party,” both from her Grammy-nominated debut LP Sometimes I Sit And Think And Sometimes I Just Sit The episode, hosted by none other than Fred Armisen, was a match made in heaven. Guest appearances from Carrie Brownstein, Larry David, Lonely Island and more only made the night that much sweeter.
Watch a charming video for ‘Over Everything,’ the first single from Courtney Barnett and Kurt Vile’s album-length collaboration, ‘Lotta Sea Lice,’ due Oct. 13. The latest record from Courtney Barnett, ‘Tell Me How You Really Feel’ is out now on Mom + Pop records.
Today, as always, she walked the 40 minutes to Milk! from the home she shares with her partner, musician Jen Cloher (Lore has it that a star-struck Barnett yelled out a proposal at one of Cloher’s gigs, years before they met.) She follows Merri Creek some of the way, the grasslands for which she and Cloher put on a conservation benefit gig in 2016. Sometimes lyrics come to her as she walks. Other times she will listen to her demos, or Oprah’s SuperSoul Conversations podcast.
Looks like Courtney Barnett ‘s got something cooking in the kitchen! This week, Barnett shared an intimate, two minute album trailer previewing her upcoming album, and we must say, there’s much to be excited about.
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After conquering the festival circuit, sweeping up awards season, and rocking the season finale of SNL, Courtney Barnett has been awarded with the Breakthrough Artist of the Year award at this year’s A2IM Libera Awards The awards celebrate the successes of the independent music community including both artists and labels. We could not be more proud to be a part of the Courtney team and can’t wait to see what she has in store next.
On ‘Lotta Sea Lice’, Courtney and Kurt accomplish what so many musicians fail at by seeing each other’s strengths and letting themselves shine on each of the songs. The drum kit references her 2018 sophomore full-length LP, Tell Me How You Really Feel, released via her own Milk! Records label, Mom + Pop and Marathon Artists.
It’s hard to imagine a more stellar trajectory than Barnett’s, but she has always been fame’s accidental tourist. Her 2016 debut album, Sometimes I Sit and Think, and Sometimes I Just Sit , was a string of worry beads – about social disconnection, overthinking and neighbourly relations – that was nominated for a Grammy and a Brit, and won the Australian Music Prize and four Aria awards in her home country. Put me on a pedestal and I’ll only disappoint you,” she warned in Pedestrian at Best – but that warning fell on deaf ears.
Of course, that’s not the only thing Barnett’s known for. Her debut album Sometimes I Sit and Think, and Sometimes I Just Sit, released in 2015, marked her out as a poet as much as a singer, and one unafraid to plunder psychedelia, ’90s grunge and more. Last year’s follow-up, Tell Me How You Really Feel, was a more pithy, introspective deal, told from the perspective of someone whose friends treat you like a stranger and strangers treat you like their best friend”.
Writing these songs can be a drawn-out and nerve-wracking process, especially when she finds herself recording a song that she hasn’t written yet, but it pays off beautifully on Sometimes I Sit and Think. It’s a beguiling collection of songs that reveals her as an ambitious songwriter with an ear for clever turns of phrase and an eye for story-song details that are literate without being pretentious. Barnett even did the artwork and hand lettering for the liner notes, showcasing a whimsical style similar to indie comics or the sketches of Eric Chase Anderson (who does most of the sketches for his brother Wes’ films).
Cloher had previously founded I Manage My Music workshops to help people run their own careers, and has brought her organisational skills to Milk!. They have two casual staff and a bookkeeper, and Barnett works on online elements when she’s on tour. She is used to multitasking. When she first moved to Melbourne from Hobart, she worked in a shoe store, then behind the bar at the Northcote Social Club, and after that an admin job for the Victorian Electoral Commission (folding the letters that the fines were in”), all the while playing in bands. Having studied drawing and photography at art school, she also designs her own album covers. Now she and Cloher prefer to think of their label as an artist-run collective”, and it has earned them a dedicated following.
Her conversational, deadpan delivery and garage rock-infused folk-pop style caught the attention of influential website Pitchfork, which named her song ‘Avant Gardener’ one of its Best new Tracks during the summer of 2013. That year Barnett went on to release her second EP, How To Carve a Carrot into a Rose; the EP fed the continued international hype with songs like ‘History Eraser’, which was nominated for the APRA Song of the Year in Australia.
Courtney Barnett has released a cover of the Loose Tooth song ‘Keep On’ — listen to the track below. Courtney Barnett is an amazing talent. Being at this show made me feel that I was experiencing something thing epic that will forever shape my love of music. Didn’t want the show to end.
Just announced: Courtney Barnett will be opening for Patti Smith at Festival Hall in Melbourne on April 20th. Patti Smith will be concluding a five-date Australian tour, and this show is expected to be her last ever in Australia. A longtime fan, Courtney Barnett performed Patti Smith’s 1975 album Horses in full at a Melbourne show in late 2015, and this morning Courtney posted the show poster on her Instagram saying “Dreams can come true.” This is also Courtney Barnett’s only Australian show currently scheduled for 2017.
Marathon Artists partnered with Mom + Pop Music for the U.S. release of The Double EP in 2014. In March 2016, Barnett released her heavily anticipated first full-length, Sometimes I Sit and Think, and Sometimes I Just Sit. A critical and cult success, Sometimes I Sit wound up peaking at number four in Australia, 16 in the U.K. and reached 20 in the U.S.; she’d later be nominated for Best International Female at the 2016 Brits and Best New Artist at the 2016 Grammys. Barnett follower her acclaimed debut by teaming up with Kurt Vile for the duet album Lotta Sea Lice. The record was released in October 2017 by Marathon Artists and Matador Records.
As a guitarist, Barnett has learned to follow her intuition similarly, sometimes improvising lines in the studio until she lands on something that sticks, and relearning them later. I was going to Jen’s show every night, not really knowing what my part was. But that’s good,” she says. Barnett is a spectacular and unconventional player, attacking her instrument left-handed and without a pick, using brief bursts of dissonance to express turbulence that her laid-back vocals steer clear of.
Featuring cameos from Sleater-Kinney, Jeff Tweedy and more familiar faces, the video follows a day in the life of an elevator operator played by none other than Courtney herself. Directed by Sunny Leunig, the video takes place in a bizarre building in which Courtney encounters flying bowling balls, rockin’ nuns, and a rooftop concert. The video’s literal yet surreal interpretation of the song captures the humorously imaginative touch of the track itself.
Tell Me How You Really Feel retains some of the early freewheeling spirit, but is more considered in every respect. Its lyrics deal in universal sentiment instead of gonzo detail, and its tunes are the most graceful and immediate of Barnett’s career so far. Instead of stories set to music like Avant Gardner,” there are tight and sparkling compositions like Need a Little Time.” The chorus of that single takes the words me and you”—three of the most unremarkable in the pop vernacular—on a melodic journey that renders them new again, mirroring the up-and-down arcs of the romantic relationships they usually signify: first high and wistful, then heavy and close to the ground.
She is selling herself short, of course. Barnett wrote the music to Tell Me How You Really Feel’s cozy closer Sunday Roast” when she was 13, adding new lyrics more recently. Help Yourself,” another album track, also has its origins in a sketch from her teenage days. In her early 20s, she played scattered solo songwriter shows and in a variety of bands around Melbourne, including Immigrant Union, a psychedelic folk and country ensemble. That group also included two supremely affable longhaired dudes named Dave Mudie and Andrew Bones” Sloane, on drums and bass. Barnett asked the pair to be the rhythm section for her second solo E.P., and soon they’d all departed Immigrant Union to focus fully on her burgeoning solo career.
Australian alt-rock up-and-comer Courtney Barnett is quickly making a name for herself with her witty lyrics and deadpan vocal delivery. Fans of clever wordplay and surprising lyrical juxtaposition will find much to love in jangly gems like “Avant Gardener” and “History Eraser”, and Barnett’s performance style – a mixture of shambling ease and surprising precision – perfectly complements the complex personality she reveals through her music. Barnett is still a relative newcomer, but she’s already generated significant excitement for future tour dates with pitch-perfect performances at showcases around the world.
Mixing witty, often hilarious, occasionally even heartbreaking observations with devastating self-assessment, Courtney Barnett’s debut album, Sometimes I Sit and Think, and Sometimes I Just Sit, cements her standing as one of the most distinctive and compelling voices in indie rock. These songs reveal not only an assured songwriter and guitar player, but also an artist who in just a few years has already proved highly influential.
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They play Help Yourself,” the brassiest cut from the new album, and one of several directed at that nebulous you. In the song, Barnett offers a litany of suggestions for calming your jittery nerves: go swimming, learn about your own mind, remember your place, don’t forget to breathe. When she reaches the line You found inner peace in the inner northeast,” I’m pretty sure I hear her switch the pronoun to the first person, flipping the words around to address herself.
Milk! Records has announced a forthcoming compilation which will feature recordings from the label’s various artists covering each other’s material. Titled, Milk On Milk, the compilation album will arrive on Friday, November 15th, and was previewed on Wednesday with the release of the lead single from Australian rocker Courtney Barnett, who covers Loose Tooth’s Keep On”.