dark phoenix christian movie review – ‘Dark Phoenix’ Review

That doesn’t necessarily mean that Wolverine would never fight Captain Marvel: In the comics (and in the recent animated movie Spider-Man: Into the Spiderverse), characters have traveled across parallel universes and met one another.

dark phoenix movie poster 2019 – Why ‘Dark Phoenix’ Is Leaving Theaters Early

dark phoenix movieAs you probably know, X-Men: Dark Phoenix – or possibly just Dark Phoenix – has been pushed back from its expected November release date until next February so that it can undergo reshoots. Jean is restrained on a steel table with her arms outstretched, making look as if she’s on a cross. Two characters have a meeting in a traditional church where stained glass windows are visible. Spoiler Warning X-Men fans know that things don’t end well for Jean. But after she’s seemingly destroyed, we see several scenes of a phoenix-like energy creature flying through space.

Of course we’d be remiss if we didn’t mention that while it was released a month and a half before Dark Phoenix, Marvel Studios’ insanely successful Avengers: Endgame was still doing well in theaters when the newest X-Men film came out. Considering the poor reviews of the X-Men finale, it would be more than understandable if moviegoers found the notion of getting a second or third viewing of Endgame under their belt preferable to sitting through Dark Phoenix.

Jean comes on the radar of an otherworldly being (Jessica Chastain) wanting to harness her abilities, and she also becomes a target for sometime X-nemesis Magneto (Michael Fassbender). The master of magnetism also rekindles his old rivalry with Xavier, with a different moral twist from previous films.

On a personal level, Jean also appears to be in a good place. For one thing, she’s growing closer to Scott Summers (Tye Sheridan), whose perpetual eye-laser burns extra hot for her; these two attractive twentysomethings don’t appear to have much in common beyond a big house and good cheekbones, but Kinberg’s script assumes that most people have seen enough of these movies to leave it at that. For another thing, Charles has used his cerebral superpowers to scaffold” Jean’s broken psyche together, protecting her from the memory (or even the basic knowledge) of what she did to her parents as a child.

And if that’s not enough conflict, we have the obligatory Shape-Shifting Aliens Facing Extinction who arrive on Earth, scoff at the insignificant humans and mutants populating the planet, and set about tracking down Jean Grey, because that ultra-powerful energy source inside her could be the key to their survival.

In 1975, eight-year-old Jean Grey inadvertently uses her telekinesis to cause a car accident that kills her parents. Shortly afterwards, Professor Charles Xavier takes her to Xavier’s School for Gifted Youngsters, where he mentally blocks the accident from her memories and helps her hone her psychic abilities.

Dark Phoenix” is one of the more emotionally intense of the X-Men flicks, thanks to Turner running the gamut from fear to self-loathing to rage. Even if the film on the whole is lackluster, she delivers as a young woman whose feelings and life barrel out of control, as well as a superhero (or supervillain?) you believe holds the world’s fate at her whims.

There’s an interesting shift in Dark Phoenix, which is summed up best by Raven when she suggests the group should be called X-Women”. The ladies shine the brightest in the movie. Whether it is the presence of Jennifer Lawrence, Sophie Turner or Alexandra Shipp as Storm, the ladies are far more memorable than their masculine counterparts. They are fierce, active and above all feel true to themselves.

Jennifer Lawrence, who has long wanted to end her tenure as the blue-body-painted character Mystique, got her wish: Sophie Turner’s Jean Grey accidentally kills Mystique in the very first act of the movie. Turner, too, seems to have left the franchise: Jean Grey sacrifices herself to save the other X-Men, though we hear in a voiceover at the end of the film that she’s not dead but has evolved into a higher being.

The downside to this, if it happens? It probably means waving goodbye to the versions of the characters that have existed over the last eight years, with rebooted, new versions of the X-Men introduced into the Marvel universe if they do end up taking this path (notably, it’s what they did when adding Spider-man, who belongs to ANOTHER separate studio, into the fold).

Dark Phoenix” immediately endears us to Jean because, at this stage, she’s the most normal of the X-Men. She is on a spaceship, but she has a fear of flying. She has a boyfriend that’s she’s close with — his name is Cyclops and he shoots beams from his eyes, but aside from that, it’s an average, nice relationship. But then, on the mission, she is hit by some kind of huge force field — it’s violet colored, just in case you ever see one coming at you.

There is more of the Dark Phoenix comic in the film than I anticipated. We got aliens. Not Shi’ar, but D’Bari. There is no genocide to wrack Jean Grey with grief, but Mystique’s murder is a solid stand-in. The Phoenix Force is never explained as anything more than all-powerful, acting as a steroid to Jean’s already immense telekinetic and telepathic abilities. The terror sparked in the X-Men by Jean’s godhood resonates, but it’s used as little more than an excuse to perpetuate the mutant civil war that’s recycled in every cinematic excursion.

But a mission in space goes awry when a mysterious force, some sort of glowing purple and red alien mass, infects Jean’s body, taking up residence inside of her. Whatever immense power it has comes out when Jean Grey becomes upset, and when she learns of a secret from her childhood that puts into question everything Charles told her about her history, she begins to lose control.

And as much as this is a film about spectacle and excitement, there’s also something bittersweet about it. Whether it was initially intended as such or not, Dark Phoenix is ultimately a movie that understands its status as a farewell to characters who have thrilled audiences for two decades. There’s closure for Charles and his frenemy Magneto (Michael Fassbender) in a tenderly played scene, while all of the central characters get neat bows tied on their narrative arcs. If the heavily reconstructed final act occasionally bears the tangled hallmarks of the ‘Land of the Reshoots’, it’s only to ensure that the conclusion is satisfying, which it largely is.

Now the steaming pile of that was the rest. Firstly this would have benefited about 2000000% from a film between Apocalypse and this; I know it couldn’t have happened but it severely needed it. The characters you are meant to care about like Cyclops and Storm are just sort of there. Big recognisable characters that blend into the background because there is no substance. You can’t connect to characters that are part of such a huge ensemble without a lot of work and this film didn’t do it.

Later, the academy is renamed Jean Grey’s School For Gifted Youngsters. Hank becomes the new dean while Storm becomes a teacher, and Peter has recovered from his injuries. Charles retires and goes to Paris, where he is found by Erik. He offers to play a game of Chess with Charles, who at first declines, but then comes around after Erik says he wants to do what Charles did for him many years ago, which is saving his life and giving him a home. They start playing, and the last we see is a flaming phoenix soaring through the sky.

The rise and fall of Jean Grey After two decades and a dozen movies, the X-Men movie universe fails to deliver a satisfying conclusion with ‘Dark Phoenix.’ Despite decent visuals and solid acting, the slow pace of ‘Dark Phoenix’ and audiences’ lack of emotional connection to these versions of the beloved X-Men characters make the movie ultimately fall flat.dark phoenix movie

Much has been said about how the climax of Dark Phoenix was changed from a battle in outer-space to a fight on a moving military train The original ending would have been more in keeping with the spirit of the original comics, where the X-Men faced the Shi’ar Imperial Guard in a trial by combat in the Blue Area of Earth’s moon to determine whether or not Jean Grey should be executed for the actions of the Phoenix. Presumably the D’Bari would have filled the role of the Shi’ar Imperial Guard had the original ending to Dark Phoenix been utilized.

The mutants are put on a train to a facility for containment. The D’Bari then attack the train as they try to get Jean back. The mutants are freed but the soldiers start to get killed by the D’Bari. They fight off the aliens one by one, with Selene and Ariki getting killed in the process, but Kurt, Erik, Storm, and Hank make good uses of their powers to destroy most of them. Vuk, now more powerful, comes to get Jean, and none of the other mutants can hold her back. Charles goes to Jean and gets her to wake up. She protects the mutants as she destroys the train. Vuk attempts to take the rest of Jean’s powers, but Jean starts to willingly do so as she can see it is overwhelming Vuk. The energy from this starts to cause Scott to disintegrate, and Vuk reminds Jean that she can’t kill her without harming the others. Jean then pulls Vuk above Earth and obliterates her there, leading to a blast that causes Jean to vanish while leaving a flaming phoenix in the sky.

It’s not like any of the previous X-Men” films Kinberg produced have done much to move the needle forward, but their best moments dared to insinuate these superheroes into the real world with a hint of the subversive power they’re intended to represent. Magneto and his half-naked minions flying into Auschwitz and destroying its memory remains one of the most dangerous and excitingly problematic events in any modern blockbuster because it transgresses the simple platitudes that superhero movies typically use to express a character’s trauma.

So let’s talk about the time travel thing first, since it’s the biggest issue that throws people off. The original film timeline, in chronological order, prior to Days of Future Past,” went like this: First Class” -> X-Men Origins: Wolverine” -> X-Men” -> X2” -> The Last Stand” -> The Wolverine.” There are plenty of weird continuity issues among those movies, but those films made up one long story.

In DARK PHOENIX, the X-MEN face their most formidable and powerful foe: one of their own, Jean Grey. During a rescue mission in space, Jean is nearly killed when she is hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable.

Dark Phoenix ends an era of the X-Men franchise by taking a second stab at adapting a classic comics arc – with deeply disappointing results. However, in April 2019, Fox executive Emma Watts confirmed Dark Phoenix would be the last Fox-produced film featuring the X-Men.

The point of a phoenix, dark or otherwise, is that it rises from the flames. But these are the flames in which this franchise has finally gone down. Dark Phoenix gets it half right. It’s overwrought. It’s melodramatic. And X-Men being X-Men, that’s actually two marks in the win column.

It’s unfair to solely beat up on this part of Dark Phoenix, as the reality is that nobody in the main cast is giving 100 percent returning to their familiar roles. James McAvoy is probably the standout, as he gets to bring something interesting to the table playing a version of Xavier who has succumb in part to his ego and a subtle drinking problem, but so little is done with the arc that it just becomes a part of the monotony as the film trucks along through its third act. Jennifer Lawrence and Michael Fassbender, meanwhile, are practically checking their watches (though in their defense they’ve been unnecessarily surgically attached to this franchise for years simply because of the star power that they bring to the table). And if you are hoping that Evan Peters’ Quicksilver at least injects the movie with the charisma that made him the highlight of both X-Men: Days Of Future Past and X-Men: Apocalypse, be prepared to see him totally sidelined shortly into the second act.

Hank “Beast” McCoy has a major role in Dark Phoenix , being the first person to turn on Jean after the Dark Phoenix takes over and the one who brings Magneto into play by telling him that Jean killed Mystique. Strangely enough, Beast didn’t show up in the original comics storyline until close to the end, due to his being a member of the Avengers at the time instead of the X-Men. Despite this, Beast played a major role in the battle against the Dark Phoenix, building a device that hindered Jean’s ability to think clearly. This bought Professor X and Cyclops the time they needed to get through to Jean and get her to fight back against the Phoenix Force. We do not see this in Dark Phoenix, however, due to the changes in the movie’s climax.

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