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In 2017, the dynamic performer went on the U.S. festival circuit and played Lollapalooza, South by Southwest, Austin City Limits and Bonnaroo, making an international name for himself with his high-energy shows.

dermot kennedy tickets dublin – Dermot Kennedy Is First Irish Artist In 20 Years To Top UK Charts With Debut

Dermot KennedyLife and death. That was pretty crazy. I didn’t really know what to expect. I think the seven-year-old, tiny, afraid me would have thought no one comes, but a lot of people came and it was really bizarre. I feel like I have moments every once in a while where I’m just like, this can’t be real. That was definitely one of those moments.

He’s not the only one who’s excited. Since the release of his stunning April 2017 EP, Doves and Ravens, and follow-up single ‘Moments Passed’, Kennedy has shot to over 600m plays on streaming platforms, been hailed as a big, beautiful and bold” new voice by Beats 1’s Zane Lowe, won praise from everyone from TIME Magazine to Wonderland. He’s also supported Lana Del Rey and worked his way on the radar of rap super producer Mike Dean, best known for his work with Kanye West and Travis Scott, with whom he made his stunning 5 track mixtape.

Just don’t expect him to abandon his roots entirely. I don’t want to go too far. The trick is to be able to strip a song of all its production and for it to still tell a good story that makes you feel something. Certain things run through all sorts of music that appeal to me, whether that’s a hip-hop artist or a singer-songwriter: honesty and a good story.” Dermot Kennedy’s story, you get the feeling, is just beginning.

Kennedy got his first guitar aged 11, and got serious”aged six years later, before a chance encounter with another of his musical heroes gave him his first big break. Beloved Irish songwriter Glen Hansard had been walking through Dublin when Kennedy spotted him one day in the street, around the time of his first recordings. I invited him to the studio,”Kennedy recalls. “He couldn’t make it, but he called back and offered me ten minutes onstage at his sold-out Christmas show.”The youngster performed his 2016 single ‘After Rain’ and the response was immediate: the track has gone on to rack up a staggering 55m million streams on Spotify encounting. ‘Moments Passed’, now with a spectacular video directed by Frank Ocean and Kendrick Lamar collaborator Nabil has continued his success.

It was awesome. It’s the first time in a long I’ve performed at a festival and the first festival I’ve done in the U.S. When I first started making music I had the opportunity to do a couple of festivals abroad. But those are actually tented, so it felt like I was inside. This is the first festival I’ve played that was open air. I had a great time. I’ve never been to Napa before, it was beautiful.

Global star on-the-rise Dermot Kennedy today releases his incredible new single ‘OUTNUMBERED’, alongside the release date for his debut album ‘WITHOUT FEAR’ – due September 27th – and his biggest ever UK and Ireland tour in December. Pre-order the album by 12pm BST on June 18th and receive a unique code that will allow access to a ticket pre-sale for upcoming live dates in the UK & Ireland. Tickets go on general sale via on June 21st, with pre-sale starting June 19th. ‘Outnumbered’ is available now via all DSPs LINK.

While humiliating at times, busking proved worthwhile at others. He recalls at instance where someone threw a $100 bill into that same case. Another where, after figuring out that there were no solo performers at the top end of the street, he played the covers he knew would pull in a crowd for 40 minutes and raked in €850. Later, after music college and a stint in a band, when Kennedy decided to really make a go of his solo career, he returned to busking to fund recording.

Dermot Kennedy’s rapid rise is nothing short of astounding. In two short years, he has gone from playing his first US club show at Baby’s All Right in Brooklyn, NY to announcing his debut at New York City’s Radio City Music Hall, along with his longest North American tour to date.

Without Fear can be homogenous or overwrought, but at best Kennedy wears his heart and guts on his sleeve to powerful effect. An Evening I Will Not Forget offers a hand to a friend experiencing desperate times: that’s no way to be living, kid, the angel of death is ruthless.” The beautifully stripped-down The Corner tackles urban homelessness: Holding, waiting for something that will keep you from the cold.” The title track’s ethereal strings and juxtaposition of imagery – a sky of royal blue” and a graveside – are particularly startling, and even the album’s more machine-polished moments can’t deny the raw humanity or that colossus of a voice.

I love that. It seems like you’re taking risks. Your music is unique and I think it really strikes a lot of people when they hear it. It’s hard to hear anything new anymore.

The packed house was struck by the fire in his soul and the unfiltered honesty in his lyrics the moment he took to the stage and began to sing. But beguiling audiences has never been difficult for the NPR Slingshot artist His performances, including his recent set in our Fraser performance studio , cover a wide spectrum. Celebratory and solemn. Playful and serious. Analog and electronic. It’s not secret that Kennedy is fascinated by extremes, and he is well on his way to doing some pretty special things in music.

Playing in the street’s a mad thing, but it helps a lot. Like, in terms of how you control your voice. In terms of not being afraid to open your case and play songs to people whether they care or not. It’s huge for that, I think. I find it very, very hard to play Coachella or play Glastonbury and let those moments sink in. Cause you play that and then, you’re gone. And you play somewhere else the next day. You get very little time really feel it and let it take over. You do shoot for that and hope for it. So, when it happens, it’s just it takes a while to sink in. But it’s quite a surreal thing. Like, there are certain moments where you just try and kind of really take it in and make sure you’ve got that memory locked in. But, it’s hard. But it’s a beautiful thing too.

Dermot Kennedy is celebrating after his debut album, Without Fear, topped the UK charts. But the 27-year-old, from Rathcoole, Co Dublin , has barely had time to take it all in as he’s so busy touring the world with his music.

There were spaces for 10 options, and Kennedy’s mother listed just one, a classical music program. He wasn’t interested, but he passed a thorough vetting process to be admitted in 2009. Kennedy stuck with the program for three years. He and a classmate ended up starting a band together with two other musicians, which became his primary interest until around 2015, when the band split.

Following in the footsteps of Damien Rice and Glen Hansard, Kennedy began his career in music as a 16-year-old on the streets of Dublin, travelling to the city from his home town of Rathcoole.

We caught up with the rising star to learn more about how he manifested Mayer into his life and how relocating from Arizona to California has shifted his musical career. We also found out what it was like working with recent collaborator (and GRAMMY winner) Alessia Cara , with whom he collaborated.

They line up in a way. I wrote the song quite a while ago, and it was one of those lovely things that kind of came together in a day, almost. It was this really organic thing where—my favorite days in studios are when you don’t second guess everything. I didn’t know it was going to be a single, and I didn’t know what the plan was for it, so I guess it was a good thing I was just there to make music. If it worked, happy days, and if not, then it was fine.

Outnumbered” is a raspy folk and pop fusion with a beat. The song has ringing guitar picking and spirited verses featuring Kennedy’s fiery vocals. There’s a switch in the song where a beat drops and claps onto Kennedy’s voice. Kennedy experiments with R&B-influenced sounds in the song that lift up the mood and help his heartfelt vocals stand out in an explosive way.

DK: For sure, but also the production is crazy. It’s so good. That’s another world I’m interested in in terms of just getting those feelings across. Everything about it appeals to me. But I’ve also never lost sight of why I started music and why I picked up a guitar and played the piano. But I do think it’s a really exciting genre.

The massive audience brought on by his streaming success has enabled Kennedy to sell out his own shows in Dublin and London now, but when it came time to record ‘Doves & Ravens,’ he eschewed any temptation to repeat the same musical formula that had brought him past popularity, instead pushing himself further artistically and personally than he’d ever gone before.

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