It also touts a cast of beefy British stars like Tom Hardy, Kenneth Branagh, Cillian Murphy and, oh yeah, some guy named Harry Styles In case you’re still not sold, let Dunkirk’s plot summary entice you with its epic tale of battle and glory.
dunkirk 2017 movie poster – Dunkirk Outdoor Movie
From May 26 to June 4, 1940, the evacuation of Allied troops from the French port of Dunkirk and its surrounding beaches, known as Operation Dynamo, was a hugely important event in the history of World War II. Had Dynamo not succeeded, Winston Churchill, who had come to power only 16 days before Dynamo began, would almost certainly have lost his premiership, and been dismissed as a dangerous fantasist and warmonger, and the British government forced to negotiate an armistice with Germany. Yes. During our research into the true story behind the Dunkirk movie, we learned that German bombardment had left much of the town of Dunkirk in ruins as Nazi forces closed in. After the water supply was knocked out, fires burned uncontrollably. In an attempt to avoid the German aerial assault and put themselves in the best potential position for rescue, Allied soldiers hid in the sand dunes on the beaches.
Nolan tells the story of the 1940 Dunkirk evacuation, in which more than 300,000 cornered Allied soldiers escaped northern France, from three perspectives. Wearing a black sports coat and a light gray vest, Christopher Nolan looks every bit a proper British filmmaker.
In analyzing the fact vs. fiction in the Dunkirk movie, we discovered that Britain really did hold back some of their ships and planes from assisting at Dunkirk. They even called back some of their destroyers that were already there. Britain had a justifiable reason to do so. They wanted to be prepared for a German invasion of Britain and their primary means of defense was the Royal Navy. Regardless, they still lost significant numbers during the evacuation, including six destroyers and 145 planes.
Yes, the Dunkirk movie true story confirms that things did become chaotic at times, with some soldiers who were waiting in line with their units desperately jumping out of line and making a dash for the boats. These soldiers were warned off at gunpoint. Men who were there recalled not being proud of such moments, but it was hard to resist when everyone was so desperate to survive.
Dunkirk portrays the evacuation from three perspectives: land, sea, and air. It has little dialogue, as Nolan sought instead to create suspense from cinematography and music. Filming began in May 2016 in Dunkirk and ended that September in Los Angeles , when post-production began. Cinematographer Hoyte van Hoytema shot the film on IMAX 65 mm and 65 mm large-format film stock Dunkirk has extensive practical effects , and employed thousands of extras as well as historic boats from the evacuation, and period aeroplanes.
Despite being a war film, the movie doesn’t focus on the bloody parts of battle, which apparently bored at least one critic. There’s also very little dialogue. However, if you’d think you’d enjoy a cinematic war thriller, you’ll probably appreciate Dunkirk.
The Germans destroyed 177 Allied aircraft and sunk more than 200 ships, including six British and three French destroyers. Still, the British managed to rescue approximately 338,000 soldiers from the beaches around Dunkirk, and Allied planes shot down 240 German aircraft.
And while the subject matter of Dunkirk is fascinating, as a film it lacks emotional firepower due to the absence of a strongly written protagonist. This is strangely uncharacteristic of a director of Nolan’s caliber, especially when you recall the complex character work in his most acclaimed films: The Dark Knight, Memento, and The Prestige. Instead of focusing on a single character or single group of characters, the focus is spread across three protagonists in completely different situations. Showing the Dunkirk Evacuation through the three different perspectives of those on the beach, the sea, and the air is only an interesting proposition on paper. The narrative, due to this writing choice, is spread far too thin, with few characters getting enough screen time to develop even the mildest emotional connection.
To watch Christopher Nolan’s Dunkirk is to see one of the pivotal moments of World War II through the eyes of a handful of men. The bulk of the British Army, well over 300,000 men, is surrounded on the beaches of Dunkirk, France, and the best chance of stopping Adolf Hitler hinges on getting them home.
Aneurin Barnard, Kenneth Branagh, James D’Arcy, Tom Glynn-Carney, Barry Keoghan, Jack Lowden, Mark Rylance, and Fionn Whitehead are in there as well, playing men who might have names or might not ‘” there’s not a lot of interest in exposition and introductions. Rylance plays a civilian sailor who, with his son (Glynn-Carney) and another boy (Keoghan), heads into dangerous waters to help with the rescue effort. Lowden is one of the pilots to accompany Hardy on the flight toward France. Branagh is a navy commander and D’Arcy is an army colonel, the two overseeing the agonizingly slow evacuation from a pier that’s an occasional target for German bombers. They all provide points of view on a massive effort.
You may have noticed I’ve said nothing of the characters in this film. That’s because there aren’t any, really. We do get to follow a few soldiers and pilots and civilians at sea, but they’re more like stand-ins for the other 400,000 like them marooned on the beach or assisting in the rescue effort. That’s fine, though. This movie doesn’t really need characters, and wasting time on distracting details like what’s waiting at home for these boys would only slow down the headlong pacing of the operation, which is one of the film’s major successes.
This movie is so paper thin I really can’t write much about it. So many missed opportunities in a film about one of the most spectacular and complex battles of WWII. I can see what Nolan tried to do here, a kind of British “Thin Red Line” (there’s even wind in the grass, lol, i kid you not), but he failed spectacularly. There are no memorable characters to be found here, and one wonders even if there are any actual characters at all. Not one, not one of them has any semblance of a character arc. Not one. Again, I see how Nolan tried to convey the impersonality of war and insignificance of the individual but he did it with such a heavy, clumsy hand, providing us with no counterpoint with which to drive the point home. It’s basic screen writing stuff really. I’d expect such ineptitude from a first year film student but not from a supposed “master of the craft”.
Now we expect wars to be quick and decisive. The early victories in Iraq and Afghanistan owe something to the Blitzkrieg approach. The old days of fixed front lines have gone, and, as at Dunkirk, warfare between states is decided by fast-moving armored units with air support.
Hitler’s decision has been attributed to his generals’ worries over a possible Allied counterattack (like the failed one on May 21 south of Arras) as well as Luftwaffe commander Hermann Goering’s insistence that his air forces could prevent any evacuation attempt at Dunkirk.
Employing fiction within the framework of factual events, Nolan takes three points-of-view and clings tightly to them: The mole, a godforsaken stretch of dock jutting into the Channel, on which soldiers line up, waiting for boats to pick them up; a soldier, Tommy (Fionn Whitehead), is the scrappy young man whose fearful eyes are also our eyes. The sea, specifically, the modest weekender yacht piloted by Mr. Dawson (Mark Rylance), who, along with his two sons, answered a call for civilian sailors to help rescue soldiers. And the air, a trio of British fighter pilots quickly pared down to one, Farrier (Tom Hardy), dogfighting the German Luftwaffe.
Where it does deliver on action is in the sky. Today’s audiences have spent decades watching digital dogfights in Star Wars movies, themselves originally inspired by World War II movies such as Twelve ‘Clock High. Nolan gets the wow factor back by stripping away the pixels, shooting real Spitfires on real sorties above the real English Channel. The results are incredible, particularly on the vast expanse of an IMAX screen, with the wobbly crates veering and soaring above a mass of blue. As with the men below, the pilots are outnumbered and outgunned, heading into a hopeless situation, but not letting it affect their trajectory. The phrase Dunkirk spirit” was coined following the events of May 1940, and Dunkirk captures it in spades.
But getting kids interested in history is no easy task. What could get youngsters interested in a film depicting the events of World War 2? How about one of the most ubiquitous names of the social media era – Harry Styles. A group of soldiers, led by Alex (Harry Styles), heads for a beached boat in Dunkirk.
Nolan himself has said that the best way to experience the movie is on an IMAX screen in 70mm. Sound geeky? Well, this video explains why Nolan felt the IMAX experience was important. We can speak from first hand experience that Nolan’s wishes to make a film feel like VR without the goggles” is a feat he pulls off perfectly.
Christopher Nolan’s first World War II story, Dunkirk, just got its first teaser trailer. The film, which stars Tom Hardy, newcomer Fionn Whitehead, and Bridge of Spies’ Mark Rylance, also features One Direction’s Harry Styles in his first film role. It will tell the story of Operation Dynamo — a last-ditch effort to evacuate 300,000 Allied troops who were surrounded by Nazi troops in the French seaport of Dunkirk.
A moment later, all but one is, in fact, dead. The survivor, played by Fionn Whitehead, makes his way to the beach, where Brits are queued up with characteristic patience. He wastes no time picking up a stretcher and trying to get on a medical boat, but that proves difficult. Here, Nolan and editor Lee Smith begin their crosscutting song and dance. In one timeline, Spitfire pilots Tom Hardy and Jack Lowden fly in to shoot down Luftwaffe planes, mindful in that ticking clock way of most thrillers of their limited fuel. Hardy wears an oxygen mask for most of his screen time. It seems a running joke directors insist on covering his great face.
The picture thrusts viewers into one of the turning points of World War II, recounting a moment when British forces faced total annihilation at the hands of the Nazis. Shot with Imax cameras and presented in 70mm, it also serves as a potent reminder that some things are best delivered on the widest screens possible. Dunkirk ” not only garnered massive critical acclaim, but audiences around the globe flocked to see the film, which grossed $524 million worldwide.
Amid the slaughter, we know so little about Nolan’s characters that it’s difficult to get attached to them, even the one who dies in the most unexpected and tragic way. Steven Spielberg cleared this hurdle in the opening minute of Saving Private Ryan: We have a history with Tom Hanks. We know and like him. When we see his hand tremble as he takes out his canteen, he and Spielberg have got us. Nolan, consciously rejecting the well-trodden path, chooses mostly little-known actors (Whitehead, Aneurin Barnard, Barry Keoghan, and the One Direction pop singer Harry Styles, who is largely unknown to anyone past 30). To the extent there is some glamorous movie-star charisma, it’s tightly limited to a naval officer played by Kenneth Branagh who sees all of his men off the beaches.
Apparently you can’t have a Christopher Nolan movie without Michael Caine. He has played world-weary mentors and companions in every one of the director’s movies since 2005’s Batman Begins, but for a while it looked like there wouldn’t be a place for the iconic English actor in this WWII movie. Well, the wily Caine did manage a cameo of sorts, as the voice giving orders to the British fighter pilots over the radio.
Let me say I really wanted to like this film. I avoided seeing the previews or any reviews so I could go in unbiased which is how I like to see all of my movies. I don’t like to rubbish the hard work that people put into their films because I enjoy really well made films. But in short I really wish someone told me to avoid this one. I’m not one to follow the flow and praise something that is clearly so very bad.
Something curious happens to time in Christopher Nolan’s movies. On screen, it twists and dances and coils enticingly; off screen, it vanishes. His magnificent new film, Dunkirk,” seems to be over in a flash — you disappear inside of it and it changes you, as all great movies do.
In truth, it does—but only in space, not in time. Early titles indicate that Dunkirk will be divided into three increasingly interconnected segments: The Mole (the name for the stone bulwark jutting into the water); The Sea; and The Air. At the first location, where we experience a week of compressed time, a bedraggled young soldier (Fionn Whitehead) tries to sneak his way off the beach via any departing vessel he can find. (On multiple occasions, the ship he boards is terrifyingly sunk.) At sea, over the course of one day, a civilian boat manned by its owner (Mark Rylance), his son (Tom Glynn-Carney), and their young neighbor (Barry Keoghan) races across the English Channel, hoping to evacuate as many soldiers as possible (including a shellshocked Cillian Murphy, whom they encounter en route and who demands they turn back). In the air, as the seconds tick by in a crucial hour, a fighter pilot named Farrier (Tom Hardy) provides cover for the rescue boats, even as he faces dwindling fuel.
But a lot of Dunkirk’s excellence is due to the acting too, and I’d love to hear who your favorite performers were in an ensemble that could feel faceless. I loved Cillian Murphy, whose character arc was the movie’s best approximation of something more traditional,” except it was told out of order, because this is a Christopher Nolan movie.
After hits such as Memento,” The Dark Knight,” Inception” and Interstellar,” it’s Nolan’s first film based on actual events. Soldiers from Britain, Belgium, Canada and France fight against the German army on the beaches of Dunkirk during the early stages of World War II.
There is no glorification here, only nightmares. Three stories from three different vantage points: land, sea, and air. A desolate beach. A sprawling channel. An open sky. In keeping with Nolan’s well-known love for film, Dunkirk was shot by his Interstellar collaborator Hoyte van Hoytema using 65 mm and IMAX film cameras. The film is set to be released on July 19, 2017.
As Dunkirk had such a shallow beach, Royal Navy vessels couldn’t reach it, and the Allies put out a call for smaller ships to carry troops from the shore to the larger ships further out in the North Sea. Some 800 to 1,200 boats, many of them leisure or fishing crafts, eventually aided in the evacuation from Dunkirk.
As Levine notes, director Christopher Nolan reflects this shift in the film by barely showing German soldiers at all, focusing instead on the confusion on the beaches as hundreds of thousands of allied troops were forced to retreat within an ever-shrinking perimeter of relative safety. For those who leave the movie wishing for more information about the enemy’s movements and the political maneuverings behind the lines, the book is a good resource in filling in those gaps.
When the final award of the 1959 Oscars ceremony was given out a full 20 minutes early and producers scrambled to figure out how to fill the time, co-host Jerry Lewis was left to his own comedic devices. Standing center stage among a sea of presenters and award winners, Lewis announced that they’d be singing 300 choruses of There’s No Business Like Show Business” before watching a Three Stooges program to cheer up the losers.” He then politely hijacked the conductor’s baton and led the orchestra in song until NBC finally cut to a sports review show for the rest of the time.
However, there’s no evidence to suggest this is because of Harry Styles’ role. Also, take a look at the volumes. Men voted nearly 50,000 times more than women, and were represented more than women in every age group. While men weren’t tweeting about their thoughts on the film, it seems they were much more likely to leave reviews on it.
This is reflected in one of the film’s final lines spoken by an evacuated soldier who sees another evacuee with pilot’s wings. In truth, pilots’ receptions were often far less kind. A pilot who bailed over Dunkirk beach had to fight to get on a boat He was in the air again the day after his return to England.
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The Second World War began quickly in the East, as German forces smashed through Polish defenses. In the West, the story was different. British, French, and Belgian troops stared across the lines at their fascist counterparts in an eight-month standoff that came to be known as the Phoney War.” In May 1940, that ended as the Germans unleashed their blitzkrieg upon the western powers.
That’s the historical context. Nolan, seamlessly weaving together several disparate stories at once, condenses history to its sheer essence: terrified troops lined up in columns awaiting rescue while being strafed from the clouds; a RAF pilot (Hardy) doing his nail-gnawing best to provide air cover even as his plane runs perilously low on fuel; a Mr. Dawson (Rylance, brilliant), steering his yacht into the channel alongside his son and a classmate friend; and British Commander Bolton (Branagh) standing on the Dunkirk mole” (pier) waiting to get his men to safety. And then there’s the every-soldier, Tommy (Whitehead), who acts as the audience’s main POV. The performances are blisteringly bang-on right across the board.
This is not a great war film, it’s not even a good war film. It is not typical or traditional story-telling, I will give it that. There are stretches of this film that lack dialogue and there is zero character development. While different, that’s hardly unique (it’s been done before). Perhaps some critics haven’t understood that ‘different’ does not automatically translate to ‘good’ or ‘great’ – sometimes, it does not.