The movie is putting in a respectable performance at the box office, making back double the costs of its budget in the first weekend of its release — encouraging news, considering all the work the film puts in to set up for a sequel.
no escape room movie cast – Escape Room 2019 Film Fullhd.cc
Escape Rooms are becoming more and more mainstream as evident by the amount of movies taking the name recently. That being said, once they enter the Escape Room, the movie really just takes off and never lets up for a minute. It is edge of your seat, the tension is really well done, and the antagonist is genuinely creepy. Several times throughout the movie I wondered if I had switched movies and I didn’t realize it. The first 30 minutes of this film do a poor job at setting up the rest of the movie, but once the horror ramps up, it really is an entertaining experience.
It’s also not all that good, even if it’s hardly the kind of bad” that most would get riled about. Escape Room is cut from one of Hollywood’s most familiar cloths: the mall horror” movie. High on concept, low on innovation, palatable enough for wide audiences to kill an evening. It lacks the kitschy thrills that set some of the better entries in that canon apart, and aside from them, there’s precious little else going on. If anything, it’s just a pretty poor advertisement for escape rooms at large.
If it can be called horror at all. Director Adam Robitel, who kicked off last year’s opening weekend with Insidious: The Last Key, tries to give each room its own visual and logistical quirks, like a bar where the ceiling is the floor or a frozen lake where the temperature keeps dropping. But they all have essentially the same flavor, with the surviving characters scrambling desperately to figure out whatever riddles and combination locks will get them to the next set of riddles and combination locks. Even at higher stakes, these puzzles are only compelling to the solvers. It’s no fun to look over their shoulders.
Watching all this play out is a lot of fun. The film is nicely paced by director Adam Robitel. The cast of unknown players—from TV and B movies—are engaging. This is the quintessential escape room horror but be warned: the violence in this one isn’t for the squeamish.
Will Wernick, director of Escape’s Escape Room , clearly took the rusty handle from the Saw franchise when etching the look for his film—right down to a blood-red countdown timer. Set completely at night, the colour palette achieves fifty shades of mould that’s generally unappealing though the modest set-dressing feels more in line with what an actual escape room would look like.
Adam Robitel will return to direct after helming the first film, and the script will again be written by Bragi F. Schut. Producer Neal H. Moritz is also back in the same capacity. So the dream team is being kept together to plot more deadly puzzles, but if you want to know where the sequel might be headed, this is where the spoilers begin.
Ben stands outside the Minos building smoking when Amanda (Deborah Ann Woll) arrives. She enters the lobby and checks in with the guard who requires that she turn in her cell phone, so pictures of the room aren’t posted online. As she walks to the elevator, the guard thanks her for her service and Amanda appears perturbed. Danny (Nik Dodani) joins Amanda in the elevator. Amanda and Danny enter the waiting room where Jason, Zoey, and Mike (Tyler Labine) are already waiting. Ben joins them and the group chats while waiting for the game to start. Danny reveals that he’s been to over 90 escape rooms.
The setting is in Chicago and six people are given a gift to compete for a cash prize of $10,000 if they can escape the most immersive escape room ever designed. The idea is intriguing and if you’re thinking that this is a combination of Cube and Saw, then you’re correct, except of course this movie is rated PG-13. I was nervous given the rating, but it was refreshing not seeing buckets of gore in my face and having thrilling moments instead.
Although it has a bit of a slow start, once the game begins, Robitel is adept at slowly ratcheting up the tension as the players try to escape various rooms before these rooms kill them with traps and tricks. What should feel hackneyed and forced eventually finds an alluring rhythm so that we feel we’re playing right alongside the main characters. It’s not so much that we’re able to solve the room ahead of them, but rather we feel the pressure of the ticking clock and the sadistic stakes. However, because of its PG-13 rating, Escape Room can’t rely on gore or violence. Rather than being adrift without these fallbacks, Robitel rises to the occasion to make a solid date night movie for teenagers.
The interconnected sets are creatively designed and challenges tricky, packed with paranoia and terror. The participants come up fatally short in each room since the game is rigged to ensure zero survival. Every passing moment, every death rattles the survivors more and more. The question is: Who would do this and why? The ending makes it clear that there’s a larger entity at work and sets up for an even more preposterous sequel.
It’s a movie about escape rooms that literally kill you, and if you’re willing to buy into that premise, it’s about as good as a movie with that premise could probably be. So, hey, 2019 is looking up. It’s been confirmed that director Adam Robitel will return for Escape Room 2, along with original writer Bragi F Schut (who co-wrote the first movie with Maria Melnik) and producer Neal H Moritz.
In this horror thriller, a group of young people embark on a fun outing in an escape room where they think they have a chance of winning a big cash prize. In truth, though, the whole setup is the ruse of a psychotic killer. The film debuted in 2019 to mixed reviews.
In Escape Room,” six strangers receives a sleek black box, each containing an intriguing invitation to participate in an escape room activity with a prize of $10,000 for the winner. They are timid physics college student Zoey (Taylor Russell), nerdy gamer Danny (Nik Dodani), hotshot businessman Jason (Jay Ellis), former miner-turned-trucker Mike (Tyler Labine), scarred war veteran Amanda (Deborah Ann Woll) and stuck-in-a-rut warehouse worker Ben (Logan Miller).
The filmmakers haven’t gone so far as to put you in the game, too. A lot of it is watching all the characters find keys and have their own revelations, so by the time you get to the fifth room, it’s understandable if interest is starting to wane a bit even with the addition of a link between the six people.
Amanda gets anxious and asks the person sitting behind a frosted glass window for a clue. Zoey realizes that the voice they keep hearing from behind the window is a recording. Jason picks up a snow globe with a sailboat inside off a shelf and looks disturbed before putting it back down. Ben takes a fire extinguisher off the wall which turns on more heating panels. The fire extinguisher is fake, but Zoey pulls the pin out and finds a key to open the frosted glass window. Inside is a mannequin holding a phone. The phone rings and Jason answers. The voice tells them to follow the rules. When Jason hangs up the phone, more heating panels turn on. As the room gets hotter, Amanda panics. Zoey gets her a glass of water from the water cooler to calm her down. Zoey notices a sign on the wall that says to use the coasters. She presses down on one of the coasters on the coffee table, and a painting on the wall moves to reveal an air duct.
Why these people? Why is this happening? What do they have in common? All is revealed, eventually, and for once, the answers are convincing and satisfying. In the meantime, the movie rolls out a series of imaginatively conceived horrors. In each case, the characters are introduced into an environment that seems benign, but then turns lethal.
The escape rooms all have their own stylish designs, and the cinematography makes great and inventive use of the set-pieces. One room is set up like a pool hall, with a fully stocked bar and mid-game billiards table — only, it’s upside down. No opportunity is wasted in rotating the camera between upright and topsy-turvy, to confuse the eye and throw the audience off balance. The choreography adds layers of visual fascination to already interesting scenes.
Escape Room introduces us to its cast of characters through snapshots of their separate lives. Zoey is a bookish, socially awkward puzzle solver, Ben is a melancholy drunkard, and Jason is a comfortably wealthy white collar worker with ego to spare. On the same day, each character is the recipient of a mysterious black box that serves no obvious purpose, except as perhaps an elaborate paperweight.
It’s more Hunger Games than Saw (but it’s MOST like 1998’s Cube), but even with the threat of a violent, horrible death looming at all times, the movie is relatively low on gore. In fact, the players rarely have to harm themselves (even if they think they do) in order to unlock each room. Instead, the puzzles are psychological, operating off of each character’s specific paranoia or trauma caused by the past. Gradually, as the game moves forward, it becomes apparent to each of the participants that there’s something more going on. The rooms seem to know, somehow, about the one single, horrible, world-shattering thing that happened to them, and they’re repeatedly taunted with it.
Plus, with its ultra-elaborate traps and unlikely amount of insider knowledge about the players, the movie can’t “escape” comparisons to the much more violent, much crueler torture-porn franchise Saw. Escape Room is tailored for a younger audience, and it’s certainly not as ugly as the gorier franchise – and, thankfully, it has less of that series’ bitter, faux moralistic overtones. There’s some fun to be had, a few laughs, and a reasonable amount of tension throughout, with only a few jumping-out-of-the-cupboard startle scares. But predictable story beats and the movie’s extreme reliance on suspension of disbelief keep Escape Room from rising too high above the genre.