gemini man cast and crew – Will Smith’s Gemini Man To Hit Digital On Dec. 23, Then On Blu

The only problem is that Lee’s focus on the technology may have him distracted from really delivering a worthwhile story for the visual effects to enhance the movie rather than being a crutch for it to rely on purely for spectacle.

gemini man box office earnings – Will Smith’s Clone Movie Is A High

Gemini ManHenry Brogan is an elite assassin who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move. Seen at 60 frames per second (fps) on 3D-Plus (2K resolution), Ang Lee’s action spectacular Gemini Man proved a compulsive watch: not for the usual ingredients of can’t-look-away Hollywood cinema such as acting – Will Smith takes a dual role – or plot, both of which fell a little flat, and seemed almost wilfully generic. As a viewing experience, though, this picture delivers as a prototype of future action film-making. Full of movie magic, but not at all magical, Gemini Man could prove a game-changing event for the industry, although it is unlikely to make a similarly deep impression at the box office.

Oddly enough, this second time, I was watching Gemini Man in the director’s preferred viewing format. Like his previous feature, Billy Lynn’s Long Halftime Walk, Lee shot Gemini Man using allegedly-revolutionary-but-mostly-confounding high-frame-rate technology — in this case, filming at 120 frames per second instead of the traditional 24 frames per second, which is what pretty much all movies have been shot at since the dawn of the sound era. When I saw Gemini Man for the first time at 24fps, as a regular old movie in a regular old movie theater without any fancy new technology, it actually worked okay. At a higher frame rate, though, the grandeur of the big screen suddenly evaporated, and the whole thing seemed … if I may use a scientific word, dinky. Even the explosions felt weirdly small and inconsequential.

SA: Well you’ve now touched on one of the biggest challenges on this film. Let’s not forget this was five times the amount of frames. That means for every shot that falls onto an animator, it’s like they are playing it back in slow motion. They are looking at details they’ve never imagined, that we have never seen before. Normally those details would have been hidden behind motion blur, or simply left for the audience’s eyes to fill in the gaps.

I have other problems with Gemini Man, too — it looks terrible, like motion smoothing on a massive screen; with everything in focus in the frame, it’s hard to tell what to look at. In a way, it’s like the artistry has been ripped out of the visual essence of cinema. Hopefully, should this high-frame-rate filmmaking style take over blockbuster cinema, someone will figure out how to wrangle it into something more pleasing or else we’ll all just get used to it, as we always have; movies, after all, have always been driven by changes in technology.

Exclusive: With Gemini Man releasing on Digital media, a new BTS look details the amount of work that went into creating Will Smith’s fight scenes. The best of movies, TV, books, music, and more, delivered three times a week. In the lead-up to the release of Gemini Man, however, director Ang Lee and star Will Smith has revealed how Junior, the film’s younger version of Will Smith, was really created.

Smith at least does his part with the Herculean task of playing the same dude three decades apart, with an old soul as Henry and a troubled one as Junior. The technology is key to pulling off this interesting two-hander and in some of the younger man’s sequences, Lee captures Smith’s eyes and persona so well, it’s like you’re seeing the Fresh Prince of Bel-Air all over again.

Lee was patently less interested in the whys and wherefores of cloning than he was in other technological advances. Principally, there is the digital de-aging which allows Smith to look like his current grey-templed self and also like the goofy youth he was on The Fresh Prince of Bel-Air.” The gimmick works well enough, in that Junior doesn’t seem much more fake than anything else in Gemini Man,” so that’s something.

CG work with facial expressions was a also major hurdle for James Cameron during his notoriously long labors on Avatar (2009), the mega-hit movie that also resuscitated Hollywood’s use of 3D and marked a milestone in visual effects. Applying stereoscopic technology to create the illusion of depth dates back to the off-world spectacle of Avatar and gave moviegoers a new regard for the format which, no surprise, Hollywood studios promptly exploited.


A new bizarre Will Smith meme is apparently part of Paramount’s marketing campaign for Oscar-winning director Ang Lee’s latest film, Gemini Man. Gemini Man may have an incredible premise, but the idea of Will Smith meeting his younger self is squandered by the end of Ang Lee’s tech experiment.

Oscar-winning director Ang Lee has gone all-in on his vision for the future of movies, and “Gemini Man” is his latest attempt to mess with audience expectations and bring them over to his side. If you’re wondering how they made Will Smith look like the Fresh Prince again, or are curious about the movie’s high frame rate (and what that is), read here.


Henry is also troubled by his similarities to the assassin, whom Dani suggests might be his child despite Henry’s denials. Testing DNA samples recovered from Junior, Dani discovers that his and Henry’s DNA are identical – Junior is Henry’s younger clone. Desperate for answers, Henry meets Yuri in Hungary , and learns of the cloning project and that the man he killed was one of the project’s scientists. Having designed a method to produce clones devoid of pain or emotion, the scientist tried to leave the project and was killed upon being discovered.

Of course, nothing is as it seems in movies like this. After colleagues start being murdered and Brogan learns that his last target was merely a scientist and not a terrorist, he goes on the run with Danny who, as expected, is also an agent. When Lassiter’s attempts to neutralize Brogan fail miserably, Clay overrides her and executes something called Gemini” You don’t have to be an astrologer to know that Gemini involves the aforementioned younger version of Smith, dubbed Junior. Lee does an excellent job with Junior’s reveal and the ensuing motorcycle battle, the most exciting sequence in the film. The first-person perspective really works here, as does the clever way the Smiths use their vehicles as weapons. Lee even throws in an homage to John Woo (who would have been a better choice for this material), though he uses pigeons instead of doves.

Will Smith stars in the nonstop action thrill-ride from Academy Award®-winning director Ang Lee. Retired hitman Henry Brogan (Smith) is forced on the run and finds himself hunted by his ultimate adversary – a younger clone of himself. Packed with epic fight scenes and groundbreaking visual effects, Gemini Man is the future of action movies.

Henry Brogan (Smith) is an assassin for the Defense Intelligence Agency who knows he’s getting rusty, so he decides to retire. However, when he stumbles upon a dossier spiked with bad intel, he becomes a target for the DIA and its defense contractor partner Clay Verris (Clive Owen), who runs the paramilitary organization Gemini. Henry goes on the run with burned neophyte DIA agent Danny Zakarewski (Mary Elizabeth Winstead), and after they easily dispatch a bunch of DIA goons, Clay convinces the DIA to send in Junior” (also Smith), a clone of Brogan whose 25 years younger and is supposed to have all of Henry’s strengths with none of his weaknesses.

And that’s a shame because there are some interesting ideas the film could play with. Henry is literally fighting himself, and the movie could have been a fascinating meditation on regret and legacy. If they had told the story from Junior’s perspective, it could be a movie about being afraid of your choices and what they’ll turn you into. The father-son relationship between Clay and Junior could have been a rich dynamic between a manipulative father figure and a son eager to please. Gemini Man discards all of that and always goes for the simplest route possible. Clay cares about Junior, but he’s ultimately just a bad guy. Henry has some regrets, but there’s no time to dwell on them. The movie is so concerned with just pushing the plot forward that it neglects character, and the plot is rote and predictable. It feels like it came from the 90s, and that’s probably because it did since this screenplay has been kicking around since 1997 when its story beats would have felt remotely fresh.

Next year is the 20th anniversary of Lee’s martial arts fantasy masterpiece, Crouching Tiger, Hidden Dragon, which won him the first Oscar of his career with a trophy in the Best foreign Language category. Lee is proud of the film but has a nagging dissatisfaction about the fight scenes.

The action scenes are solid, but director Ang Lee is mostly interested in playing with digital toys. Lee knows there’s little bank in a filmmaker trying to debate his reviews but when pressed on the topic the filmmaker admits he is irked by critics who don’t understand the screen achievement represented by Junior.

So, Gemini Man posits a world in which a rich paramilitary contractor has had viable cloning technology in his hands for more than 20 years, and in that time, he’s found a way to breed supersoldiers that don’t feel pain. What else has he figured out? How many other scientists has he spoken to, and perhaps most importantly, who else has access to this technology? Now that Varris is dead, is someone else going to finish what he started? If there’s a sequel to Gemini Man, that seems like fertile ground to explore.

Some of the fight scenes are great, and there’s a rousing confrontation between Smiths young and old, involving some nifty leaping from roof to roof that reminded me of Lee’s cracking early film Crouching Tiger, Hidden Dragon The juxtaposition of the real and digital faces gives the initial motorbike action scenes an interesting Grand Theft Auto effect. But the rest of the film is a very hard slog, with Smith in permanent danger of being upstaged by a handful of pixels, and Winstead and Wong sporting the slightly bemused-neutral expression of people having to react to a green screen – or perhaps that is the response Smith naturally elicits from his co-stars these days. And this solemn film never really cottons on to something that could have made it fly: the comic possibilities.

It’s a lot like that scene in Terminator Genisys where Arnold whales on Arnold, only more sentimental and affecting, and expanded to feature length. But the metaphor runs deeper than a mere mirror-image title fight, a game of reconciling the Will Smith of now with the Will Smith of 25 years ago. Accidentally or not, Gemini Man’s cloning-gone-wrong plot also doubles—pun neither intended nor avoided—as a cautionary tale about the folly of trying to resurrect that younger Will Smith in the first place. Which is to say that Ang Lee, who’s improbably positioned himself next to James Cameron on the vanguard of motion-picture wizardry, has used de-aging technology to issue a (debatably intentional) critique of de-aging technology.

This is the second lackluster outing in a row for Lee following 2016’s Billy Lynn’s Long Halftime Walk,” though at least Gemini Man” near the end delves into the sort of emotional undercurrent that lifted his gems like Brokeback Mountain” and Life of Pi.” The movie ponders the humanity of a clone – is it a real person or a disposable copy? – as well as the fear of really looking at yourself, who you are and what you’ve done in your life, not metaphorically with a mirror but quite literally.

Director Ang Lee shot Gemini Man in 4k digital 3D at 120 frames per second instead of the standard 24. What you get is a sharp image that looks like that “soap opera effect” or “motion smoothing” setting on your television. It looks weird, however it does add some ultra realistic pop to the action scenes.

This eerily recognisable young dude with the jarhead hair and lovable jug ears has been sent to take Brogan out – it’s himself, aged 23, a digitally rejuvenated Will Smith This cloned version of Brogan was secretly created by his creepy boss Varris (Clive Owen) as part of Varris’s ethically suspect Gemini project”, a boys-from-Brazil-type plan to create biotech copies of the very best warriors.

The answers, tucked into a sludgy script by David Benioff, Billy Ray and Darren Lemke, will not surprise you. What might surprise you, and not happily, is the way Gemini Man” looks, thanks to Lee’s insistence on using the high-frame-rate 3-D format that he first tried out in Billy Lynn’s Long Halftime Walk.” The effect is like watching a Jason Bourne” dinner-theater production in the grip of a migraine. The performances feel slow and deliberate, and the hyper-clarity of the images undermines realism rather than enhancing it.

Ang Lee’s Gemini Man bombed at the box office, despite starring A-lister Will Smith. We take a look at what happened to the film. Gemini Man, starring Will Smith as an ageing hitman pitted against his own younger, faster clone, promises high action, plot twists and a whole lot of Big Willie style.

So, for us, the animation challenge is similar; our puppets are our instruments. First, we use performance capture and a facial solver to understand what Will is giving us in terms of raw performance, which we turn into a language of muscle shape activations (similar to music notes). Our facial animators craft this further and ensure we’re able to play a performance back on our digital double and it matches what Will gave us perfectly. When we’re happy, we then swap the instrument, now playing it on young Junior.” We look at it again and see, is that working? Is it still faithful to his performance, but looking more youthful? Let´s look at some more young reference of Will just to make sure that the corner of his lips and the slightly more pillowed lips with more volume, are faithful to how they were behaving.

Gemini Man is the new film seemingly based on the principle that the only thing better than one Will Smith is two Will Smiths, as the Men in Black actor fights what seems to be a “de-aged” version of himself. Many have assumed that to do this, he used body doubles and split screen filming, with the second Will Smith digitally altered to appear younger, as seen in recent films like Captain Marvel and the upcoming The Irishman.

The trio go to Cartagena, Columbia temporarily. In their hotel room, Henry spots a shooter running across the adjacent rooftops. Henry runs out and starts shooting at the man. He quickly discovers that the shooter looks exactly like him, and he is named “Junior”. He utilizes the exact same skill set as Henry, which makes him hard to strike. Junior chases Henry as they both ride motorbikes, resulting in Junior trying to hit Henry with his flaming bike before it explodes. Before Junior can kill Henry, authorities arrive, and he flees. Baron and Dani “take” Henry into custody as they head somewhere safer. Henry figures out their next move is to go to Budapest to meet Yuri to get more information from him. Baron finds someone who loans him a plane to get them there.

But the movie may have a life as a star study or even a blueprint for the ways that star power can be adjusted like a special effect. For de-aging effects to make sense at all, they must involve the deeply familiar faces of stars; otherwise, there’s no reason not to simply cast a younger actor. (As much as some of us may love, say, Scoot McNairy, it would not be particularly thrilling to see him realistically portray a 22-year-old.) Gemini Man has an old-school respect for Smith’s star power but a futuristic sense of how it might be modulated with cutting-edge technology. So much of the movie depends on quiet reminders of Smith’s charisma, rather than a full-on charm offensive.

Gemini Man is that loud and bold compromise. It allowed him to work with a bankable name (Smith); to create something never attempted before (a fully CGI human performance); and to grapple with both technological riddles and complex emotional issues, like aging and insecurity. If audiences come for Smith, Lee hopes they might adjust their visual expectations for 3-D along the way, growing to appreciate the medium instead of finding it distracting. Our eyes can be trained,” he says.

Will Smith stars as retired hitman Henry Brogan, forced on the run by a young, highly skilled operative who will stop at nothing to eliminate his target. Now on a race around the globe, Henry must outsmart the mysterious assassin at every step – but how far will he go once they finally come face to face? Packed with epic fight scenes and groundbreaking visual effects, GEMINI MAN is the future of action movies.

By far the biggest accomplishment of Gemini Man” is its action and cinematography, due mostly in part to director Ang Lee. All the action scenes are fast-paced and engaging. While the fight choreography is ridiculous at times, it still manages to convince you that Brogan and Junior are just skilled enough to pull these over-the-top moves. There are some very impressive tracking shots during chase scenes that draw the viewer to experience what the characters are feeling. Even the dialogue scenes are very well-shot as Lee has a good eye for mood and color. The biggest reason why people would be interested in Gemini Man” is to see old Will Smith fight young Will Smith, and the film delivers on this promise.

The Parent Trap” is itself twinsly, with a 1961 original, starring Hayley Mills, and a 1998 remake, starring Lindsay Lohan. Or maybe it’s tripletsly. In between the movies came TV’s The Patty Duke Show.” The lookalikes are cousins, not sisters; but as in The Parent Trap,” they’re adolescent females. It’s hard to watch the 1998 version without reflecting on the freshness and promise of Lohan then and how very different things would become: same person, very different characters.


Not only is the storytelling flimsy, but the computer-generated imagery (CGI) is not realistic enough yet to base an entire film around replicating Will Smith, only 30 years younger. Enough is enough; directors should stop trying to outdo James Cameron, only he can pull this type of cinematic stunt off.

Oddly enough, this second time, I was watching Gemini Man in the director’s preferred viewing format. Like his previous feature, Billy Lynn’s Long Halftime Walk, Lee shot Gemini Man using allegedly-revolutionary-but-mostly-confounding high-frame-rate technology — in this case, filming at 120 frames per second instead of the traditional 24 frames per second, which is what pretty much all movies have been shot at since the dawn of the sound era. When I saw Gemini Man for the first time at 24fps, as a regular old movie in a regular old movie theater without any fancy new technology, it actually worked okay. At a higher frame rate, though, the grandeur of the big screen suddenly evaporated, and the whole thing seemed … if I may use a scientific word, dinky. Even the explosions felt weirdly small and inconsequential.

Gemini’s motive for trying to assassinate Brogan is both underdeveloped and unnecessarily convoluted. The first thirty minutes of the film are dedicated to establishing this conspiracy plot that serves as the catalyst for Gemini trying to kill Brogan, however this plot is basically forgotten once he learns the truth and has no bearing on the rest of the film. It would have been vastly more engaging to just start the film with Brogan already on the run because he already learned the truth about Gemini.

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