Is it the worst Stephen King movie ever made? This sort of expansive story is much better suited for television than film. It was illustrated by Ned Dameron. And above all, who is this film meant for? Set to begin Jan.
stephen king the dark tower movie trailer – The Dark Tower (2017 Film)
If there is any author that’s making a splash at the movies this year, it’s Stephen King. Every so often in The Dark Tower,” you catch a glimpse of what might have been: the might-have-been narrative ambition, the might-have-been pop mythology, the might-have-been genre assemblage. Based — loosely seems altogether too generous a word — on the Stephen King series, the movie is an unappealing hash of moviemaking clichés that, after much scurrying and blathering, devolves into a generic shoot’em-up. About the only thing holding it together is Idris Elba, whose irrepressible magnetism and man-of-stone solidity anchors this mess but can’t redeem it.
During the lead-up to Comic-Con International in San Diego, the studio released a batch of new images from the film featuring Elba, McConaughey, and Taylor as part of a preview feature in Entertainment Weekly Along with appearing on the cover of the Comic-Con preview issue, Elba and McConaughey also appeared in a set of photos from various set locations.
Unfortunately for Howard, it would appear Amazon has been listening to the marketplace as they’re currently developing their own adaptation for the television format What’s more, they’re starting from the very beginning, focusing solely on Roland Deschain, aka The Gunslinger.
This damn thing is called the Dark Tower, and for 95 minutes you get no significance, or barely a glimpse of this said Dark Tower. All you have instead is a man and child with barely any chemistry going against Matthew McConaughey who is possessed by the spirit of Nicholas Cage. Idris Elba does a good job being charming and cool looking, but the kid he’s paired with has an acting skill as bad as a four-year-old acting for the first time. Whats even worse is that we follow this kid named Jake played by Tom Taylor and never for a moment you feel any sense of urgency for him at all. It’s not even his fault since this is his first major feature role but after seeing Jacob Tremblay in Room in 2015, the bar for child actors has been massively raised. its just the lazy acting atmosphere he’s surrounded by that diminishes his character.
The first, semi-official piece of promotional material for The Dark Tower was released by King himself, who posted a cryptic photo on Twitter featuring The Horn of Eld” on May 19, 2016. Appearing in the background against the message Last Time Around,” the Horn is an heirloom of Roland Deschain’s family that plays a key role in King’s saga.
It has been largely well-received by pretty much everyone Unfortunately, the same can’t be said for this summer’s other big-screen King adaptation, The Dark Tower , which turned a weird-in-a-good-way fantasy epic about cowboys and wizards into a weird-in-a-bad-way fantasy slog about a boring kid. Speaking with Vulture in an extended interview about the many movies and TV shows based on his work that are coming out this year, King tried to offer an explanation for what went wrong with The Dark Tower.
The production of the film was complex and difficult, as production began ten years before the release of the film. 9 Efforts to adapt The Dark Tower series for the screen started in 2007, with periodic reports and official announcements. The project was then shelved before the rights were transitioned to a different production company. Development experienced starts and stops with various filmmakers and studios at different times, including Universal Pictures , Paramount Pictures , Warner Bros. Pictures , and Lionsgate Entertainment The adaptation went through three major phases of planning: with J. J. Abrams from 2007 to 2009, Ron Howard from 2010 to 2015, and finally, the current iteration, announced in March 2015, produced by Sony Pictures Entertainment and Media Rights Capital , 10 with Arcel directing and Howard remaining in a producing role.
Despite a franchise-sinking box-office return of $113 million worldwide on a $60 million budget, and negative reviews from every corner of the critical sphere (settling, in the end, with a 13 percent rating on Rotten Tomatoes), 2017’s The Dark Tower didn’t dissuade rights holders from forgetting the face of their father. The Stephen King boom is real , and the Dark Tower books would find life on screen — even if it’s a 40-inch one in front of a couch.
The Dark Tower” series can be traced to Mr. King’s love of, among other inspirations, J. R. R. Tolkien ‘s The Lord of the Rings” novels as well as Sergio Leone’s masterly 1966 film The Good, the Bad and the Ugly ,” which I suppose explains the duster Roland wears and an empty nod to spaghetti westerns. So, there’s that. Mostly, there are clotted action scenes, gun fetishism, bad writing and stop-and-go rhythms that suggest a longer version may once have existed. The director, Nikolaj Arcel, shares screenwriting credit and blame with Akiva Goldsman, Jeff Pinkner and Anders Thomas Jensen; whatever they thought they were doing here remains as mysterious as Walter’s hair product.
Tom Taylor isn’t the next bankable teen extraordinaire but he makes a likeable hero out of Jake Chambers, champion of every bland YA archetype you could think of. His quiet charm carries The Dark Tower and his chemistry with Idris Elba is the film’s high point; the film is at its best when the two are riffing, each taking a turn as the fish out of their own water.
Even after the Dark Tower adaptation finally got off the ground, there was reportedly trouble behind the scenes, with conflict arising between the two studios and Arcel reportedly overwhelmed by the movie’s scale. Director: Nikolaj Arcel; Starring: Idris Elba, Matthew McConaughey, Tom Taylor, Katheryn Winnick, Abbey Lee, Jackie Earle Haley. 12A cert, 95 mins.
As Roland says, it’s important to shoot with the mind, not the heart. So allow me to do so: The Dark Tower is a disaster for fans on the outside, but something less insidious, a spectacle of miscalculation and mythology, for anyone who can put aside their deep-seated feelings for Stephen King’s characters and world.
Well it’s not a stretch – the two films have a lot in common. For one, they both feature Tom Taylor, star on the rise. Both draw from Arthurian legend, adapted to the 21st century in unconventional approaches. And both are ultimately family movies, in a time where you just don’t see as much live-action fantasy storytelling for every age. Any film that comes along with just a glimmer of that sincerity, that spectacle, deserves a chance to wow us.
There’s nothing worse than seeing a violent and mature story written for adults sanitized into a bloodless, PG-13 movie. It’s like when Die Hard dropped all the blood and swearing for greater box office returns! And look what happened to that series! Please, Amazon. Make the series for adults.
Patently shredded at the bidding of (rightly) nervous bean-counters, the finished version of this gun-toting sci-fi-western hybrid does little service to anyone. Newcomers to King’s saga will leave none the wiser; fans none the happier. But it’s a sad waste, not a wilful one – a misfire you wish was better in virtually every shot.
At the same time, though, it’s peppered with details and inside jokes that only King readers are likely to understand. The film, which emerged from a well-publicized, troubled process of studio-switching development, reshoots, and delays, feels like it’s perpetually at war with itself. It’s alternately aimed at newcomers to the series, who presumably need hand-holding through the story beats, and insiders who can fill in the narrative gaps for themselves, and feel the weight of significance on things given little gravity in the film. But the struggle to appeal to both halves of its presumed audience has left the film conflicted and erratic, a puzzling mix of highly specific details and frustratingly broad fantasy strokes.
I enjoy a Stephen King book as much as the next reader, but I’ve never delved into his Dark Tower” fantasy series. Eight novels that turn meta on themselves and also drag in connections to King’s other work? I’m not sure I have the bandwidth.
The action also disappoints. While Roland’s reloading skills are extraordinarily cool and fun, the fights themselves are muddily edited and shot in a choppy, distant style that reduces the impact – probably for that rating. Jackie Earle Haley shows up for one fight that must, surely, have been longer. It’s as if this has been stripped to the bone, and while one can admire its economy the baroque swirls it excises are much of the appeal of The Dark Tower. There’s a clear love for King here – look out for the little nod to The Shining too – but it needed more time and blood to resemble the story we know. If you’re going to sneak in ostensibly ridiculous lines like, “His shine is pure” or “Have a great apocalypse”, you need more human drama around them as a cushion.
In a sop to its apparent target audience, the main protagonist of The Dark Tower” is a troubled tween named Jake Chambers (Tom Taylor), who seems to have accidentally wandered into this movie from the set of a young-adult drama about alienation.
And granted, there was a lot not to buy. Director Nikolaj Arcel ‘s cinematic interpretation (adaptation” is a tricky descriptor for a bunch of reasons) of King’s series is a wildly ambitious attempt to take a sprawling story that spans many characters and multiple universes and turn it into an urban fantasy set mainly in New York City.
On some level, though, you might expect rubbernecking to benefit The Dark Tower. It’s seemingly such a disaster that it has to be seen, no? But Monagle downplayed how much hate-watching actually happens in theaters. There are probably plenty of reasons to hate The Dark Tower if you go in looking for them. But if you go in expecting a fun fantasy with heart and a few scares, you may find plenty to love as well.
The books centered on Roland Deschain, something of a medieval knight in Western gunslinger mode. He lives in a place called Mid-World, which runs parallel to our own, and faces off against a bad guy who dresses all in black.
WHY ARE YOU LETTING THIS MAN WRITE MOVIES FOR YOU HOLLYWOOD?! THIS DUDE IS INCAPABLE OF PROVIDING DECENT CINEMA. THE LAST GOOD MOVIE HE WROTE WAS I AM LEGEND, AND THAT WAS A DECADE AGO! Just because he has an Oscar for A Beautiful Mind doesn’t mean he advanced as a screenwriter. I believe the last time I checked, A Beautiful Mind came out in 2001!! Just one great film he wrote 16 years ago doesn’t make up for the four shit movies he poisoned the page with 16 years later. Stop giving Akiva Goldsman movies to work on. When your name is on four pieces of cinematic dumpster fires in one year, that’s when you know you’ve fucked up Hollywood.
Efforts to adapt King’s The Dark Tower series of novels for the screen have been ongoing since 2007. The project has experienced countless starts and stops with various acclaimed filmmakers and studios throughout the years. J.J. Abrams was first attached to produce and direct the adaptation with Lost co-creator Damon Lindelof in 2007, but they dropped their efforts in 2009.
It’s hard to decide what’s more confusing: the story author Stephen King told in his sprawling fantasy book series, The Dark Tower,” or the path that story has taken — and is still taking — to being adapted for a visual medium.
What’s really upsetting is that the entire The Dark Tower book series could have made for a great movie series. Each book is fairly well-contained and well-connected to the rest of the series. The Gunslinger could have been a good version of Jonah Hex. The franchise could have grown with the addition of new characters in the second movie, based on The Drawing of the Three. By the third movie, based on The Waste Lands, the series would have become Lord of the Rings-esque. The overarching story is an epic, spanning across dozens of years and thousands of miles. There was real potential here for the next great fantasy series. It has everything that Hollywood could have wanted. It has an avid fan-base, an already-existing property that can be easily turned into movies, the potential for at least six sequels, and plenty of material to work with.
The script has more success with Jake’s coming-of-age story. It does posit him as a frustratingly familiar Chosen One with special powers (dubbed the shine,” which will ring bells for fans of either the book or film version of King’s The Shining), but it also takes the time to establish his family dynamic, and linger on the pain of a pre-teen discovering he can’t rely on the adults in his life to understand or stand up for him. Tom Taylor plays Jake as a kind of rolling tragedy, staggering through a waking nightmare with dogged determination and admirable grit. But he also steadily brings across the fear involved in facing Walter, whom the script gives near-infinite powers, a towering head of rage, and a habit of casually murdering nearly everyone he sees.
Two weeks before its release, it failed to even track in the top 10 movies being talked about on social media. (To be fair, that weekend was San Diego Comic-Con, but the film could have capitalized on that buzz by releasing a new trailer or doing some other creative marketing to get fans talking.) While it was able to get some traction the week its first trailer was finally released, the movie failed to make an impression throughout the rest of the summer, and that low amount of organic buzz meant that the potential blockbuster just couldn’t join the zeitgeist.
Just a day before The Dark Tower hits theaters, some news regarding the small-screen spinoff of the film found its way online. Along with being a story about one man’s quest to thwart an evil entity bent on bringing destruction to myriad worlds, The Dark Tower also serves as connective tissue for many of author Stephen King’s most famous novels.
This would seem to make him a difficult adversary for The Gunslinger (Idris Elba), who doesn’t want to preserve the universe, even though he is part of it, but instead exact revenge upon the Man for the death of his father (Dennis Haysbert).
Then there’s The Dark Tower, a misstep so colossal that it’s guaranteed to please no one. The film scarcely counts as an adaptation of Stephen King’s epic fantasy series: The script feels like it was cobbled together from the memory of someone who read the books years ago and then recounted his wonky fever dream about them. There are certain recognizable beats, linked together by REM logic, and a plot that borrows haphazardly from all seven of King’s lengthy novels. To fans of the Dark Tower series, the end result is a nightmare.
Every so often in The Dark Tower,” you catch a glimpse of what might have been: the might-have-been narrative ambition, the might-have-been pop mythology, the might-have-been genre assemblage. Based — loosely seems altogether too generous a word — on the Stephen King series, the movie is an unappealing hash of moviemaking clichés that, after much scurrying and blathering, devolves into a generic shoot’em-up. About the only thing holding it together is Idris Elba, whose irrepressible magnetism and man-of-stone solidity anchors this mess but can’t redeem it.
As time went on, however, Lindelof and Abrams both expressed doubt regarding their ability to adapt a project they were so fond of, with Lindelof telling USA Today in 2009, You’ll be hard-pressed to find a huger fan of The Dark Tower than me, but that’s probably the reason that I shouldn’t be the one to adapt it.” Their three-year option on the project eventually expired in November 2009, and the rights reverted back to King.
This time the film and TV series would be picked up by Sony and MRC with Idris Elba to play Roland. With a new studio, came a brand new script and Matthew McConaughey as the Man in Black. The film was originally supposed to drop in January but was pushed back to its date of August 4th. Neither the release date nor the trailer that has been released, inspire much confidence in the film.
Even if all of the complicated plot and character arcs and narrative side-quests and ultimate battles could have fit into the film’s remarkably slight 95-minute timeframe, the fact is that the Dark Tower book cycle is essentially unfinished. Fans don’t know what the ending” of Roland’s quest looks like because King, intentionally, never wrote one. Instead, he revealed that the stories‘ events are cyclical and have happened many times before. He also implied that the next” time around could be the quest that finally succeeds and breaks the looping cycle.