james bay let it go lyrics chords – James Bay New Album Interview

And he’s not wrong. I almost guarantee it. Until now. Thus the classic, immediate songwriting that Bay has made his signature has embraced a musical approach informed and inspired by devouring records from pop music’s cutting edge.

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JAMES BAYSo far former BIMM Brighton Guitar student James Bay nominated for 3 Grammys and 4 Brit Awards. And it’s not just the music that’s had a makeover. In the middle of making the record, Bay chopped off his shoulder-length hair and consigned his fedora to the dustbin. James Bay is about to pull off one of the most audacious bait-and-switch acts in recent pop history.

GRAMMY nominated and BRIT Award-winning multi-platinum singer, songwriter, and artist, James Bay performed in celebration of the reopening of the iconic Webster Hall. He captivated the room with anthems “Let It Go” and “Hold Back The River” his new single “Bad” and recent release “Peer Pressure” featuring Julia Michaels. Before playing Bay chatted with Billboard’s Editorial Director Hannah Karp.

In this day and age, unfortunately I’m not surprised, but it’s fine. It’s all hilarious, wonderful and lovely that people want to make something out of that. I named different artists earlier like David Bowie from the past, an artist who often changes his look and his aesthetic. I was inspired by that as much as more recent times. You’ve got Lady Gaga, who’s an artist who does that kind of thing, too. I just think it’s cool that those artists dare to switch it up so drastically and in some cases so frequently. Who wants to be the same person, the exact same person that they were five years ago? Not me. I think it’s more my duty and my responsibility to push boundaries and change than it is to remain the same old thing.

Electric Light is a distinctively different-sounding album to Chaos And The Calm. James Bay’s debut studio album is called Chaos and the Calm. Monqui welcomes singer-songwriter James Bay to the Portland’5 Arlene Schnitzer Concert Hall on Saturday, March 30, 2019 at 8pm, as part of his Electric Light Tour.

Human presence along the shores of the bay began after the retreat of the glaciers at the end of the last ice age , around 8,150 years ago. A variety of indigenous cultures have lived in this area. At the time of contact with Europeans, the indigenous peoples along both shores of the bay were ethnically Cree peoples.

I love a great pop song. ‘All Night’ by Chance the Rapper. It’s such an incredible song. ‘Same Drugs,’ in a slightly different way. ‘Smoke Break.’ And all the Drake hits. The list is quite endless. ‘Ultralight Beam’ on the recent Kanye record. Ugh. It’s phenomenal.

Bay talks about the musicians who have had a profound impact with the same excitement he does about the songs he crafted for Oh My Messy Mind,” his new EP released last week. A year ago this week Bay released his sophomore album, Electric Light,” and he said he’s excited to drop new music faster than he’s done in the past.

Following the release of his debut album Chaos And The Calm in 2015 and major tours around the world, James Bay found himself being tugged in a variety of new directions as the first songs for his second record rapidly started to emerge, he not only knew he had to embrace the unexpected places his ideas were pulling him, but he was truly excited by the possibilities that lay ahead.

It’s this kind of environment that has the habit of breeding the very best kind of British vocalist, singers and songwriters grounded by melodic truth and raw emotion. I’m trying to make songs that make people feel something and, if I’m lucky, even move them,” he explains.

That kinetic instinct has triggered an organic evolution. There is no bandwagon jumping, just ideas inspired by the places, old and new, he’s visited as a music fan. After the plush surroundings in which he made his debut, its spectrum-expanding successor took shape in the first half of 2017 in a tiny, stark room in east London’s Baltic Studios, where Bay and his friend, Jon Green, wrote songs, played with synths, cranked-up guitars and drummed – “badly” – on what initially might have been demos. However, it quickly became apparent that these recordings had captured an energy and atmosphere you could build an album around. Indeed, producer Paul Epworth was so inspired by hearing these tracks that he came on board after the initial writing sessions just to help tighten-up a few elements, and although the vocoder-enhanced, swelling cinematics of ‘Stand Up’ was recorded from scratch by the trio, ‘Electric Light’ has been largely drawn directly from Bay’s raw sonic sketches.

Bay had the record done by the end of April 2017, but didn’t release anything right away. One of his A&R reps secretly sent his music to producer and songwriter Paul Epworth (Adele, Florence + the Machine, Bloc Party) who instantly became a fan. He gave James a surprise call and offered to help finalize the music in his London studio. Bay was shocked.

My first record was very straightforward. It was about the songs. There’d be a guitar—or an acoustic guitar and electric guitar—a drum kit, a bass, and some keys. This time, there’s all sorts of layers.

James Bay is a singular modern talent; an old head on young shoulders, a damn good guitar player and an even better songwriter. A true soul singer, chasing that goose bumps moment” by channeling artists such as Miles Davis, Bruce Springsteen and James Blake, his music is intensely personal. I’m trying to keep things human and emotional,” he explains. It’s hard to know what the balance is, but you know it when you hear it. It’s such a personal process that it’s hard to share stuff sometimes.” But share he does, casting a light onto his attempts to make sense of the world, and a young man’s discovery of love and loss.


Sweet discovery: At 19, Bay left Hitchin to study guitar at a music school in Brighton. After two years there, he dropped out and moved to London. Playing an open-mic night at a pub in the city’s Camden neighborhood, he caught the attention of a cameraman who started filming his set. “Afterward, I got talking to him, and he was like, ‘Yeah, I finished my work today and came down here for a pint. I thought you were good, so I did a little video,'” which he later posted online, Bay says. Weeks later, a Republic Records A&R executive stumbled across the clip on YouTube and flew Bay to New York. He was signed to the label in spring 2013, and has since released three EPs, with debut album Chaos and the Calm set to arrive March 24.

And he’s not wrong. After the smash success of his first album, Chaos And The Calm, in 2015, Bay is back with a new single, Wild Love”, which you can watch the video for below. And while the most obvious evolution of Bay is on the outside (more on this later), Wild Love” reveals a marked change in his music too. The sound of this older and wiser Bay is more electronic than his former stuff. Electric guitars and synthesisers feature heavily, not just on this record but throughout the new album, although that’s not to say that it lacks Bay’s signature rock ‘n’ roll spirit. As he puts it, the homemade electronic” vibe is smashed together” with influences from Blondie, Bowie and The Strokes.

Crucially – and appropriately – alongside this new sonic pallet, James Bay’s second album has a thread running right through its heart that examines and embraces the notion of unity. From the gospel flecked R&B hopscotch jam ‘In My Head’, via the imploring raw beauty of the anthemic ‘Us’, the breathless ticking golden transistor guitar pop of ‘Pink Lemonade’ and the chopped sonic blues behind the hip-swinging ‘I Found You’, this guiding sense of unity helps to navigate ‘Electric Light”s expanded horizons in a strong coherent direction.

It is one of the greater examples of what I’ve just been talking about. It was a wild experience writing that song because it was one of those rare, few magical moments. It just does not happen with every song you write. It might not even happen with the favorite song you’ve ever written. Some songs come in this flash of consciousness, and there’s something a little bit magical about it. An hour or two passes, and you’ve got this song. You don’t quite know how it came together, but it did. It just flowed through. That’s what happened with Us.” Me and my friend, John, sat down at the beginning of a day to muscle through the day and try and get anything. In the first couple hours, we sat around the piano, and everything fell into place, lyrics included, and the song was born. It was one of those rare moments where you feel like that one was waiting to come. That was the moment that we got lucky enough to be there to receive it.

Bay explains of the energy that underpins Electric Light that ‘There’s passion and fire and that’s what I’m chasing on this record’. Anthem-in-waiting ‘Wild Love’ is a key example of how these new sonic ideas have flowed naturally into Bay’s own music. With its stirring emotions and yearning passion its spirit is pure James Bay, yet it’s laid over a bold musical soundscape.

Yet, rather than sticking to a successful formula, his new single, which premiered on Radio 1 last night , is a revelation. Called Wild Love, it’s a surprisingly sensuous pop song, all warped synths and sinewy guitar lines.

Three-time GRAMMY® Award-nominated and BRIT Award-winning multiplatinum singer-songwriter James Bay will release his anxiously awaited second full-length album, Electric Light on Friday, May 18, 2018 via Republic Records.

The sxʷeŋxʷəŋ təŋəxʷ James Bay Branch is the newest branch in the GVPL system, officially opening to the public on May 26, 2018. Pronounced s-hweng hw-ung tongue-oo-hw, sxʷeŋxʷəŋ təŋəxʷ is the Lekwungen name for James Bay, a name selected by the City of Victoria through their Name That Library” campaign and in consultation with the Songhees and Esquimalt Nations.

Producer Paul Epworth (Adele, Florence + The Machine) apparently got involved on Electric Light after one of Bay’s A&R reps secretly sent him the music. His influence is present in the build in the drums and that punchy guitar before a sudden lull, the romanticised drama he also assisted with on Adele’s albums, and in the range of synths and a general eclecticism that wasn’t so present on Bay’s debut Chaos and the Calm.

It’s the roots and the foundations of my journey and I’ll always remember it with excitement,” he says of being offered the contract so young. I’m still in touch with most of the people in Hitchin and can reminiscence about my journey with the,m. As a solo artist, I obviously don’t have much in the way of band members to share those moments with.” His debut, Chaos and the Calm, arrived soon after signing; three Grammy nominations and a Brit Critic’s Choice Award followed and in the space of a year he’d duetted with Justin Bieber and had two platinum hits. Most artists might have stuck to the same winning formula that launched their wave of success, but Bay’s next album, Electric Light, marked a significant shift in direction and style. Hitchin’s Springsteen”, as he was termed by one critic, had turned instead to pop, R&B and rap influences. He even ditched his trademark long hair and hat, upsetting many fans in the process.

It may be surprising to hear Bay list hip-hop and rap artists his inspirations, but he’s drawn in by their lyrical directness and honesty,” just as he is with acts from different genres. He hopes to do the same with his songs.

Big time. Yes, definitely. It was an absolute honor. She’s an enormous talent. Right at the beginning of her career she used to do things in the public eye with so much talent and so much future potential for whatever she does next. That’s very inspiring. I am by no means an actor, so of course I was terrified and nervous. On top of that, I’m a big Stranger Things” fan. I was trying to keep my shit together. She’s wonderful as a person. She’s got her head screwed on. She’s very cool, calm and collected and inspiring to be around. As an artist in my own right and her as an artist in her own right, that’s a really cool thing that you get to collaborate in that capacity. I was learning a lot when I had her on set. I was plainly learning a lot. She was walking into my world but bringing her own world in as the pro actor opposite me the absolute novice.

GRAMMY nominated and BRIT Award-winning multi-platinum singer, songwriter, and artist, James Bay performed in celebration of the reopening of the iconic Webster Hall. He captivated the room with anthems “Let It Go” and “Hold Back The River” his new single “Bad” and recent release “Peer Pressure” featuring Julia Michaels. Before playing Bay chatted with Billboard’s Editorial Director Hannah Karp.



In this day and age, unfortunately I’m not surprised, but it’s fine. It’s all hilarious, wonderful and lovely that people want to make something out of that. I named different artists earlier like David Bowie from the past, an artist who often changes his look and his aesthetic. I was inspired by that as much as more recent times. You’ve got Lady Gaga, who’s an artist who does that kind of thing, too. I just think it’s cool that those artists dare to switch it up so drastically and in some cases so frequently. Who wants to be the same person, the exact same person that they were five years ago? Not me. I think it’s more my duty and my responsibility to push boundaries and change than it is to remain the same old thing.

Creating his second album, ‘Electric Light’, James Bay is not only aware of the precarious equilibrium needed to succeed in this pop world, but he’s determinedly embraced the challenge head on. Be on the lookout for more news from BAY and order Electric Light HERE via Republic Records.

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