If Phillips’ goal was to upend the superhero movie, concluding the story in this way is a solid way of achieving that goal where we treat the villain’s origin as if he’s the hero. Go try to be funny nowadays with this woke culture,” he says in the piece.
joker movie times amc – Release Joaquin Phoenix’s Oscar Nominated Film In India On 14 February
Not even Joaquin Phoenix can save this muddled, monotonous movie. My last praises go to the method in which the movie actually characterizes the Joker as the villain, as opposed to just the man, Arthur. For the majority of the film, it doesn’t actually seem like a movie about the Joker. It feels as if I am viewing the story of a man drifting into insanity, and that’s all the story is. Then, during the key moments come some startling reminders, and the familiar persona of the Joker comes out in such a satisfying way, it perfectly completes the film.
Since every action inspires an equal and opposite reaction, then came the preemptive backlash. Just what the world needs—another story of a sad white dude taking his hostility out on everyone else,” et cetera et cetera. In response came a different wave of backlash, citing the film as dangerous in its potential activation of an incel uprising. This line of criticism was then elevated in the past week, when the U.S. military issued a warning about potential violence at Joker screenings after picking up some chatter about it on the dark web. Now, undercover cops will be stationed in select screenings throughout Gotham, er, I mean New York City.
Co-written by Todd Phillips and Scott Silver, the film offers a new take on the origin story of the rise of Arthur Fleck aka Joker, Batman’s maniacal arch-enemy, painting a dark portrayal of a would-be stand-up comedian’s descent into madness. It earlier hit Indian cinemas on 2 October, 2019.
But there’s a lack of analysis as to how politics work, and why politics matters. The murder of the businessmen helps inspire a mass uprising by Gotham’s poor, who don clown masks as they take to the streets. In reality, cruelly bloody displays tend to disrupt organizing efforts, not strengthen them. Even the unabashed racists of the alt-right found their coalition fractured after one in their number murdered Heather Heyer at Charlottesville—and there’s no way a significant number of Americans from any community would take the face of a mass killer as a symbol for its political movement. But because the film doesn’t have any convictions at its heart, other than a childishly nihilistic insistence that everyone is bad all the time, it assumes that no one else does either. John Cages’ I have nothing to say and I am saying it ” feels like Joker’s accidental tagline.
Director Christopher Nolan’s celebrated Batman movie trilogy from 2005 to 2012 provided a counterpoint to the despair and corruption of Gotham in its portrayal of a troubled man, Bruce Wayne, who suffered to save his city. Joaquin Phoenix just won a Golden Globe for his role in the movie.
A rating it thoroughly earns. The violence in this movie means to shock, and it does. Fleck’s alienation in the early scenes evokes Travis Bickle’s, but this movie is too chicken-livered to give Fleck Bickle’s racism, although it depicts him mostly getting hassled by people of color in the first third. Fleck is also fixated with a Carson-like talk-show host played by Robert De Niro , reversing the King of Comedy” player positions. He also likes the black woman down the hall from him, played by Zazie Beetz The casting is not just meant to give the movie bragging rights on the zeitgeist curve, but to evoke Diahnne Abbott in both Taxi Driver” and Comedy.” Fleck’s seemingly successful wooing of the character is a jaw-dropper that had me thinking Beetz ought to fire her agent, but a late-game clarification makes it … well, forgivable is not quite the word, but it will do.
Truly, no matter how you feel about Joker, the film is unlike any other comic book movie. Phillips and Phoenix’s experimental way of developing the story and character have resulted in a career-high moment for both men. No wonder Warner Bros. is mulling over how it can leverage Joker‘s success going forward.
In that sense, I appreciate the film for showing me something startlingly original through Joaquin Phoenix’s physical embodiment of a truly horrible villain. So, if we want to argue that Joker does not work on a thematic level, I will not fight back; its textual problems are myriad, as the rest of you have already explained. I completely agree that Joker is a film that isn’t cognizant of its failures, and instead emphatically asserts it does not have them. I think it’s possibly damaging, definitely irresponsible, and a weak pastiche of much stronger work.
Joker,” which made headlines for its extreme violence, becomes the most nominated superhero movie in Oscar’s history, beating out eight nominations for the 2008 film also featuring the Joker character, The Dark Knight.” Last year, the Disney-owned DIS, -1.67% Black Panther” won three Oscars and was nominated for seven, including best picture.
What I didn’t have the benefit of knowing then was really how that mental illness through-line would affect people. I had so many people come up to me, write me emails or write on Instagram, about you know, ‘I have a sister who is schizophrenic and I watched your film and I realized I need to be more patient with her. I need to be more understanding.’ Some people will ask if I feel vindicated by the box office … but honest to God, it was never about that. We wanted to make something meaningful.
The issue I keep coming back to is that not only is Joker trying to be everything at once, it’s trying to shoehorn a lifetime of unlikely melodrama into a short timespan, fueling its anti-hero’s mental collapse. It’s tempting to argue that Phillips has framed this ridiculous story with all this gravitas because he wants to push it further into the realm of absurd satire.
Because Joker does play — not just to its most put-upon, angry, repressed viewers — but to the entire audience’s darkest hearts. It shows someone suffering when he lets society have its way with him, and freed when he has his way with society. It shows him weeping alone when he plays by the rules, and dancing wildly in public when he decides to break those rules. The story hurts and harms him, but Phillips suggests in the end that everything he went through was necessary to bring him the power and recognition he deserves. It’s a tempting fantasy, crafted with utter conviction.
Aja: I think the biggest surprise for me was how slight the connections seemed to be between this film and any hint of modern white supremacy or incel culture. The Joker as a character is really nothing like the disgruntled and committed white nationalist who commits the type of violence that the Joker as a film icon seems to have become associated with.
Just like Phoenix’s character Arthur Fleck, the Joker in The Killing Joke started out as a failed and frustrated stand-up comedian. As the story progresses, he’s transformed into the Joker in an accident after getting involved in a robbery with some shady characters in order to support his pregnant wife. Given that Zazie Beetz is playing a single mother who Phoenix’s character falls for, it stands to reason that this Joker might also start down a dark path in an attempt to provide for a woman and her child. Another Killing Joke connection comes from some of the first set pictures, which show an area that resembles Amusement Mile — a section of Gotham City that appears in the comic.
The year’s biggest disappointment has arrived. It emerges with weirdly grownup self-importance from the tulip fever of festival awards season as an upscale spin on an established pop culture brand. Last year we had Luca Guadagnino’s solemn version of Suspiria , and now it’s Joker, from director and co-writer Todd Phillips : a new origin myth for Batman’s most famous supervillain opponent.
Although the Joker movie will tell an origin story of sorts for Batman’s notorious nemesis, the film won’t have any connection to the most recent version of the character to appear on the big screen. Additionally, the Batman prequel series Gotham will debut its own take on the Clown Prince of Crime in its two-part series finale, which beings on April 18.
If you dare, search Google for the most disturbing acts by the Joker,” and after reading through his fictional criminal record, try to explain why we haven’t been plagued by Joker-themed crimes for decades. Far, far worse Joker source material has existed for years now for reclusive comic book geeks to stew over — and yet, none of the critics’ nightmare predictions about fiction-fueled violence have come true for previous iterations.
The conversation about whether the film itself might inspire violence always felt more than a little alarmist. And looking at things a bit cynically, at a certain point those debates simply become another part of the movie’s marketing. With no major incidents occurring since its release, the discourse has mostly returned the film’s merits simply as a film and what – if anything – it has to say about class, mental illness, and our exceedingly violent culture.
Joker” centers around the iconic arch-nemesis and is an original, standalone story not seen before on the big screen. The exploration of Arthur Fleck (Joaquin Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale.
This question has divided critics in the weeks leading up to the release of the Joaquin Phoenix-led drama, centered around Batman’s clownish arch-nemesis, the Joker. Despite largely glowing reviews and the highest prize of the 2019 Venice Film Festival, Joker had a PR problem from the start. Culture warriors inside and out of the comic book world grew nauseous at the idea of a vaguely sympathetic depiction of an isolated white male turning his grievances into terror and becoming a monster.
To be worth arguing about, a movie must first of all be interesting: it must have, if not a coherent point of view, at least a worked-out, thought-provoking set of themes, some kind of imaginative contact with the world as we know it. Joker ,” an empty, foggy exercise in second-hand style and second-rate philosophizing, has none of that. Besotted with the notion of its own audacity — as if willful unpleasantness were a form of artistic courage — the film turns out to be afraid of its own shadow, or at least of the faintest shadow of any actual relevance.
Arthur faces a turning point and goes on a violent streak. He realizes he likes the power killing people brings him. The movie paints him as a guy who has basically gotten the short end of the stick that is life, but the violence he perpetrates makes him happy.
Warner Bros. Pictures has indicated that Joker will exist in its own universe, separate from that of Jared Leto’s portrayal of the character in Suicide Squad. When Joker first entered production, Leto was still expected to return as Batman’s archenemy for a Harley Quinn team-up and the Suicide Squad sequel , but more recent reports indicate that those plans have been shelved and that Leto’s time behind the clown makeup might already be over.
I don’t care about the controversy but Joker is 1000% self indulgent “give me an oscar because I’m weird” crap. I couldn’t stop laughing at how bad Joaquin Phoenix was. Never thought I’d say it, but Jared Leto was better. At least he had more crime interaction and did Jokery things. This was a big baby dancing and crying for 2 hours. I couldn’t believe it. The plot is also paper thin and is mostly lifted from better movies.
It’s impossible to watch Joker without being aware of some of the political controversy surrounding the movie. Within months, it went from winning the Golden Lion at the Venice Film Festival to inspiring a hysteria that finds the NYPD making a show of force at New York screenings, while theater chains are banning masks and facepaint The film, some critics warned, was an irresponsible ode to incels, a project that lionizes just the sort of disturbed and hateful men who terrorized the nation with 26 mass shootings over the summer of 2019 alone.
Though sad sack Arthur Fleck (Phoenix) dreams of being a stand-up comedian, he’s stuck in a thankless day job as a clown, twirling signs outside of stores and performing for sick children. At night, he returns to the apartment he shares with his mother (Frances Conroy), who has been writing letters to one Thomas Wayne (Brett Cullen) in the hopes that he might take pity upon them and offer them some financial help.
The Warner Bros. film has taken in nearly $1 billion worldwide to date, setting a record for the highest-grossing R-rated movie of all time, and Phoenix’s turn as the troubled would-be-comedian-turned-murderous-evildoer Arthur Fleck has put him at the heart of this year’s lead actor Oscar race.
Filming ended in early December 2018 , capping off a quick and intense shoot. In an interview with MTV News , actress Zazie Beetz revealed Phillips re-wrote the Joker script while the movie was filming. In addition, Joaquin Phoenix lost so much weight for the production that re-shoots were more or less impossible, meaning that the crew had to get everything right the first time, while SAG-AFTRA representatives had to visit the set after extras complained about being locked in subway cars for extended periods of time, violating guild rules.
Since appearing in the first Batman comic in 1940, the Joker has never left center stage in the Batman universe. Six different actors have portrayed him on screen, and dozens of writers have written his lines, yet his philosophy has remained remarkably consistent over eight decades. In a sense, that kind of longevity without a massive overhaul or reimagining by Hollywood is a testament to the enigma Joker represents, one neither Batman nor audiences can figure out. For instance, Heath Ledger’s Joker famously lit a mountain of money on fire in The Dark Knight, to the abject horror of his mobster counterpart, to send a message” that everything burns.
Director Todd Phillips presents this vision of the world in its entirety without an iota of criticism. Movie studio Warner Bros. said last week the film was not an endorsement of real-world violence. While Phoenix’s portrayal of the Joker is certainly different than Heath Ledger’s in The Dark Knight,” I’d argue it’s just as good.
To me the decision to make a film using superhero iconography in the Joker, but seemingly grounding in a very real, very intimate sense of violence, as opposed to big cosmic violence. That’s a very intentional choice. And it clearly changes how that violence is meaningful to us,” Phillips said.
The problem with Joker isn’t whether Arthur is a hero or a villain; the problem is that the film seems more concerned with proving its worth than saying anything meaningful. It’s beautifully shot and well-acted, and its most violent and shocking scenes land with visceral impact. But Phillips’ flashes of style are all in service of a grimdark image rather than a message about the haves and have-nots, or the treatment of mental illness, or any of the other real issues so easily within reach. It’s all show, and no substance.
When Joker opens this weekend, police departments in New York and Los Angeles will be stationing cops at randomly chosen theaters, presumably to forestall anything like what happened in that midnight screening of another Batman movie back in 2012 It isn’t the fault of the film industry that we’re in a place where we need, or think we need, on-site armed protection from the state in order to see a comic-book movie. But the nexus where fictional violence, potential real-world violence, and armed police surveillance come together is not a place anyone feels like settling in with a medium buttered popcorn of a Sunday afternoon.
As soon as Joaquin Phoenix’s Joker origin story film was announced, it started stirring up quite a buzz. Between the star-studded cast and the bits and pieces of plot making it sound like more like a dark character study than your average superhero adventure, director Todd Phillips’ take on the iconic villain is one of the more highly anticipated movies of 2019. Set in the ’80s, Phillips’ film will tell the story of an aspiring stand-up comic who turns to a life of crime after failing to entertain audiences on the stage.
Joaquin Phoenix was a pretty major casting coup for Joker, but he isn’t the only impressive name going before the cameras for the film. An equally unexpected addition: Robert De Niro, who’s portraying a talk-show host who plays a role in setting Joker down the path that turns him into the sociopathic clown we all know and love to hate. One of the reasons this role may have appealed to De Niro is because the script is reminiscent of a movie he previously starred in, The King of Comedy.
The argument around separating the art from the artist has come up a lot more in the past couple of years—and in some wildly unpleasant ways—so it’s a nice change of pace just to caution that one need not love everything Todd Phillips says in order to enjoy Joker.
The top of the 2019 box office was dominated by comic-book films, animated movies and live-action adaptations of classic animated movies. Yet none has received the same awards-season love as Joker,” which finished in seventh place by grossing $1.07 billion worldwide , and in first among those with an R rating, which narrows the potential audience.