She sang at church, and she would sing with her son. That’s when things got surreal. Bridges’ hand-holding the microphone in the control room gives Good Thing its intimate color, but it’s all business for the singer when tackling a take.
leon bridges beyond album – Leon Bridges Concert Tickets & Tour Dates
It’s hard to believe Leon Bridges is only 29 years old. If you’ve never heard of Bridges, listen to one line of Coming Home” and you will understand in an instant how, within weeks of his recording a couple of demos in a warehouse in Fort Worth, executives from dozens of labels had their eyes locked on this kid, clamoring for his signature on a contract. Coming Home” is unmistakably a hit.
Perhaps it’s not surprising that the artist hasn’t polished his interview skills to a shine—he’s been more or less behind the scenes since releasing his debut album, Coming Home, in 2015. And while that’s all about to change—his second album, Good Thing, something he would call new territory,” comes out May 4—here’s hoping his aw-shucks charm stays exactly the same.
Unadorned sonic beauty gave Coming Home its power, from the vintage arrangements and lyrics to Bridges” pristine tenor. But some critics faulted him for looking backward instead of forward, for creating a satin-wrapped time warp that ignored the era’s social turbulence. Bridges” comfort in the past created discomfort for some, who decried his interpretation of soul music as too conservative and too retro. Where was its political message? But Bridges is taking the advice that Obama whispered in his ear that night at the White House: Don’t let them change you.
Leon brought in raw, unfinished songs,” Mercaneau says. We played with those ideas with Austin and Josh from his first record. Leon might come in with a chord progression or a melody and we’d build around that or find the best way to express his idea.
The upbeat numbers were all well-received, but the slower, more introspective and personal tracks got a little lost in the din of the room. Bridges’ individual journey was illuminated in “Georgia to Texas,” with a smoldering “Dazed and Confused”-like arrangement, while his ode to his mother, “Lisa Sawyer,” was dedicated to all the mothers in the room. But though these heartfelt revelations hit hard on record, they didn’t translate on stage, and the energy level sagged.
Some people call Bridges a natural. But to understand how this singer was able to perform so well in this unconventional recording session, you have to know that no one who really knows the young man calls him Leon Bridges.
On April 8, 2016, 22 Bridges was the live artist featured on BBC Radio London Robert Elms show. Elms interviewed Bridges briefly, and played track 8, “Pull Away”, from the Coming Home album. Bridges was set up to play live with Colin ‘Brien. Together they performed a live version of “River”. The live track was so well received it was played again as “live track of the week” on the Elms Saturday show on April 9, 23 and again on April 11 24 during a program segment on the best-ever live performances on the Robert Elms show.
Good Thing brought Bridges’ particular genre of soul from the past to the present, seamlessly transitioning from the retro-soul throwback of Coming Home to a more unique neo-soul sound that incorporates elements of jazz, R&B and funk. This willingness to venture into new territory bred crossover radio hits like Beyond” and Bad Bad News”, which certainly had something to do with the show selling out well in advance.
The trio continue to play live around the world throughout 2018 starting with a UK tour to follow the album release. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result back…with all the world.
Bridges, who is very close with his mother, paid homage to her on his first album with the song, Lisa Sawyer.” And he has his mother’s full support with his music career. First, choose a show with the Tickets” button. All Leon Bridges tour dates with items for sale will be featured on this screen.
If you love soul, then you’re going to love Leon Bridges. His music focuses on the heart and all of its joys, sorrows and longings. Despite being classified as a soul singer, his music most largely resembles ’60s rhythm and blues. Many refer to him as the present-day Otis Redding and Sam Cooke.
Although frequently compared to classic soul artists like Sam Cooke and Otis Redding, Bridges’ background lies in modern R&B and hip-hop. In high school, the now 26-year-old would try singing songs by Ginuwine and Usher. In college, Bridges began to find his voice during jam session with peers. A friend introduced him to A-minor and E-minor, and everything changed. I fell in love with their sound, and that’s when I started writing songs, from those two chords,” Bridges said.
This wasn’t Leon Bridges’ first rodeo, but his excitement was nevertheless palpable. Stylist of rich, emotive soul whose first two albums, Coming Home and Good Thing, were Grammy-nominated for Best R&B Album. Bridges was the featured musical guest on “Saturday Night Live” in December 2015, performing “Smooth Sailin'” and “River” from his debut album.
Bridges brought his Good Thing Tour, supporting last year’s record of the same name, to Miami Beach for a rare advance sellout at the Fillmore. A significant departure from his 2015 breakthrough album Coming Home, Good Thing incorporated a wider range of influences than his debut, and kept Bridges’ star on the rise.
Leon Bridges sings soul and gospel straight from the heart, forming an instant connection with audiences wherever he plays. His smoothly cool vocals recall Sam Cooke and Otis Redding, and fans can’t help but be transported to the ‘50s and ‘60s R&B heyday as he belts out songs like Coming Home”, Smooth Sailin’”, and Better Man”. His backing band completes the Stax-inspired sound of these songs with reedy organs, melodic basslines, blaring sax, and female backing vocals. Leon Bridges is ready to bring his own R&B style and effortless croon on tour, much to the delight of fans aross the country.
In this retro studio milieu, youthful soul singer Leon Bridges found a path to reinvention and regeneration, trusting Reed’s skills and Elysian Park’s old-school accouterments to create a thoroughly modern recording, Good Thing (Sony).
They decided to let Cantalini post Coming Home” on his site, just to see what kind of response it would get. Bridges had never heard of Gorilla vs. Bear, but he liked the idea of getting his music out into the world. On Wednesday, October 15, 2014, the track went live.
Even though Good Thing still featured the soulful 60’s sound that fans loved, it’s a very different album compared to Coming Home. With Good Thing, Leon Bridges wanted the songs to be able to connect with a more diverse audience, rather than the predominantly white audience he took note of while touring. In Good Thing, fans are able to hear a mix of pop beats with the same soulful voice that Bridges is known for. In the single “If It Feels Good (Then It Must Be),” fans can hear this seamless collaboration between the two different styles. In both the bass line and Leon Bridges’ voice, fans can hear the 60’s soul inspirations. However, there is also the dance-able beat and lyrics, much like the songs produced by Pharrell Williams.
Proud Texan Leon Bridges didn’t just wear his heart on his sleeve at the Grammy Awards on Sunday night — he covered himself in it. Bridges has often said Usher’s music has served as a formative influence to his own. But up until now, Bridges’s nostalgic soul music has had little resemblance to Usher’s Top 40 pop.
Leon Bridges thinks before he speaks, sipping a cold beer on a warm winter afternoon at Shipping & Receiving Bar. It’s one of his favorite hangouts in Fort Worth; he recorded his first album, Coming Home, right around the corner. He is composed and comfortable in the familiar shadows of the venue, a musician’s natural habitat. But it’s quite clear that Bridges is not your average musician. His laid-back presence and slick appearance exude the self-assurance of a man who has achieved success – and the humbleness of one who remembers how he did it.
The singer, songwriter, and guitarist born Todd Michael Bridges honed his talent performing in and around his native Fort Worth, Texas, and stirred up music industry interest with SoundCloud uploads of analog recordings produced by Niles City Sound’s Joshua Block and Austin Jenkins, then of White Denim. Signed to major-label Columbia, Bridges’ first singles, including a rich ballad written about his mother, appeared in February 2015 with a sound that evoked mid- to late-’60s soul. His debut album, Coming Home, followed four months later. It debuted at number six on the Billboard 200 and was nominated for a Grammy in the category of Best R&B Album. The video for one of the album’s highlights, “River,” was nominated as well.
It’s difficult to put a finger on what makes Leon Bridges’ brand of historicized music so appealing to both listeners and record executives. When you listen to him perform, you can allow yourself to feel transported, to let your imagination drift to a more innocent—perhaps fanciful—moment in America when we all listened to the same music and danced together, with our hips set apart, swaying to the velvety voice of a beautiful young man in a well-pressed, button-down shirt. Not that that combination of visual and musical nostalgia hasn’t won Bridges his detractors.
Leon Bridges is standing in front of a 30-foot-tall eyeball in downtown Dallas, and if you wanted to sum up the last few months of his life, you couldn’t find a better image. Everyone in the world these days, it seems, is watching, waiting for what the young singer will do next.
And yet, in the midst of this wild scene, the 25-year-old singer stands unnoticed near the bar. Bridges is about 6 feet tall, with a perfectly manicured wedge of black hair atop a slender face with high cheekbones and a warm, broad smile. Tonight he is wearing a crisp, white button-down shirt tucked tightly into high-waisted dark gray slacks. Which is significant: what Bridges wears is nearly as important as what he sings. His music is most easily described as Sam Cooke reincarnated as a shy and unfailingly polite singer-songwriter from Crowley, Texas, and it perfectly complements the musician’s man-out-of-time fashion sense. Bridges tells me that in the morning he will board a plane for New York and a photo shoot with Vogue.
If Bridges’ rise to fame seems to have been a bit sudden back in 2015, it was. His undeniable skill crafting wholesome soul songs caught the attention of Austin Jenkins of the Austin-based band White Denim over a common appreciation of Wrangler jeans. Jenkins helped Bridges record a couple songs and released them on Soundcloud in 2014, and it was Coming Home” that caught the attention of several local radio stations and eventually Columbia Records.
The 30-year-old treacle-voiced Texan soul singer, dressed magnificently in a flamboyant tropical shirt, wide-leg trousers and Gucci shoes, has already bowled over the whole of the West Kensington photo studio by the time I arrive. When he laughs, lavish mutton chops no one should have the right to pull off dance merrily on his cheeks. I even have to shoo out one swooning fan girl as she gushes: ‘By the way, Coming Home was one of my favourite albums… ever’.
Early the following year, Coming Home was certified gold by the RIAA. Shortly thereafter, Bridges released “Bet Ain’t Worth the Hand” and “Bad Bad News,” and then “Beyond,” as the first three songs off his comparatively contemporary and stylistically broader second album, Good Thing , which followed that May and hit the Top Ten. “Bet Ain’t Worth the Hand” also earned Bridges his first Grammy award for Best Traditional R&B Performance.