For entertainers before him, the Internet merely provided a distribution method or a promotional tool. He’s the game’s loving uncle, yet prone to talking in inaudible whispers, so you wonder, in the back of your mind, the state of his mental health.
lil bow wow basketball – The Confusing But Important Influence Of Lil B The BasedGod” — THE BAGPIPE
The Based God himself. Lil B’s favorite current musical act is Antony and Johnsons, a chamber pop group. When your songs are the opposite of your personality on Twitter or in your lectures, I think it’s hard for people to understand.
Despite the lack of a formal educational background, though, Lil B could be a competitive candidate for admissions. In addition to his musical endeavors, he has published a book on living a positive lifestyle and has given speeches at the Massachusetts Institute of Technology, New York University, Carnegie Mellon University, and the University of California, Los Angeles.
Not just the NBA Finals, which ended in a Warriors win last night, but the thing that was keeping Finals MVP Kevin Durant from being there in the first place: Lil B’s curse. Refers to the rapper Lil B. Based includes having many h, being a mansion, swagging to the maximum, and looking like Jesus. Thereupon, Lil B, the Based God, is the God off all the above events.
OK, so maybe his college essay needs a little work, but when rapper and Twitter personality Lil B, also known as The Based God,” tweeted about his desire to go to college (following previous tweets asking about the cellular makeup of fish, sea otters, crabs and seeking clarity on what cells and proteins are in oxygen”), colleges and universities took notice.
The best part about it? With Lil B, there’s no telling. He’s recently revealed that his next project, Platinum Flame, has officially been completed. But don’t get your hopes up — Black Ken, announced over seven years ago, just came out in late 2017. B could hop back in the art circuit before gifting it to the public, or he could go give out life-changing lectures like Iron Man in Captain America: Civil War. Whatever he decides to do, he can rest easy knowing that his transformation from industry troll to hip-hop legend has happened without flaw. You don’t have to tell anyone to put some respeck on his name — it’s something of a given now.
While a number of more-polished songs have shown that Lil B can occasionally rap well, he often chooses not to. And that, for better or worse, has paved the road for other MCs who lack a traditional skill set. Take leopard-skin print wearing rapper Trinidad James, whose annoying and hypnotic single, All Gold Everything ,” essentially scored him a record deal with Def Jam. He essentially took Lil B’s rough prototype and smoothed out the edges, including in the production.
Lil B continued his prolific streak with lengthy mixtapes such as the 34-track God’s Father and the 101-track 05 Fuck Em. Thanks to his steadily expanding cult following, as well as his positive attitude, he was invited to give motivational lectures at several major colleges, including MIT and UCLA. His socially conscious anthem “No Black Person Is Ugly” was released in 2014, and received much critical acclaim. During the same year, Lil B released the basketball-themed Hoop Life, which contained a diss track aimed at NBA superstar Kevin Durant, whom he had been feuding with since 2011.
Now, however, the series shifts back to Oakland for Game 5 on Wednesday night and our plot thickens again. After bringing his monstrous Complete MySpace Collection to streaming services for the first time earlier this year, Lil B has returned with a new mixtape.
Occasionally, fans call Lil B out for crossing some line, and he’s been known to acknowledge his ignorance, point out the potential in himself to learn, and apologize. Not long before his appearance on MSNBC, he tweeted a joke about transgender people. He was criticized for it online and, shortly after, admitted to being transphobic , then used part of his airtime to urge for greater protections of LGBT communities. More stirring than any concert, perhaps this is Lil B’s greatest performance: to stand as proof that anyone can get better.
Yeah, see. That’s why I feel, it’s like, Damn, because I have all these opportunities to go on these platforms and really give a great opinion on sports. But my stronger opinion is within hip-hop, that’s what I love.
The half-full-ish venue was excited for the Based God’s appearance and was into songs like Motivation” and I’m God” and the like, though the subdued nature of those more atmospheric tracks kept the energy fairly low starting out. More important than the songs themselves, though, were Lil B’s interstitial comments, where he’d regularly take a break between songs to announce, This is real hip hop.” In light of how the rest of the night went, it was pretty clear that from the start of the show, Lil B’s performance was inspired by and in some ways a reaction to everything that phrase—real hip hop—means.
Lil B has two seperate Facebook accounts, one serving as a Lil B fan page, and another as Brandon McCartney. Much of the content provided in one account is duplicated in the other. He has over 800,000 followers on his Twitter account, in which he retweets praise towards Lil B and the Based lifestyle. McCartney also tweets positive messages to his followers, including moral support and positive mindset. McCartney also expresses his support for the LGBTQIA+ community, though claiming he himself is a heterosexual.
Promptly after Durant decided to leave the Oklahoma City Thunder after nine seasons (and no titles) to join the Warriors — Lil B’s hometown team — The Based God responded. ” ‘The BasedGod’ wants to speak, As life unravels and superstars make decisions that change lifes, welcome home KD the curse is lifted – Lil B,” the rapper tweeted on July 4. When Durant announced his decision, Lil B was on tour in Germany. Upon returning to the Bay Area last week, Lil B discussed his favorite team’s newest player, the end of the curse and his desire to still play Durant one-on-one.
The summer of 2011 was a tough time for NBA star LeBron James. It was full of lingering ill-will for his decision to the leave the Cleveland Cavaliers and snarky schadenfreude over his initial failure to win a championship with the Miami Heat.
While Lil B posts a lot of sexually suggestive photos of young-looking women, the catalyst seems to have been a November 17 post. The images , of a woman with I love Lil B” written on the soles of her feet posing sultrily for the camera, elicited thousands of responses on Twitter criticizing the post and demanding to know the subject’s age. In response, Lil B tweeted , That’s grown woman with her own place and fam she taking care of,” and promised to send critics DM proof of her identity. A Twitter user, @makeupbyshaniah, called attention to the series, posting , She literally looks 12 what the fuck is this.” That tweet blew up with over 18,000 retweets, and a number of women responded with their own experience of Lil B soliciting them for pictures when they were underage.
However, another reason why the show failed to click with many in the audience for long stretches is probably that Lil B’s Real Hip Hop set was actually too hip hop for New York—or this New York, at least. There were some but not all that many Task Force soldiers in attendance with an intimate familiarity with Lil B’s catalogue. (The bulk of that group was not coincidentally parked front and center, and were hopping and shouting along with Lil B for most of the night.) This wasn’t the super young, teeny-bopper crowd you’ll often see at his festival sets, nor was it the younger, blacker audience you’d typically find at an NYC rap show, like, for instance, the crowd that turned out for the Young Thug show at the same venue a few months back.
If you were around Twitter during the game, you probably saw people crediting rapper Lil B’s Based God’s Curse on Durant for helping the Warriors make a repeat trip to the NBA Finals. Is the Based God’s Curse real? No one can say for sure, but it’s hard to ignore the evidence over the past five seasons of Durant’s career.
Harden — not surprisingly — hasn’t dignified Lil B’s hexes with any direct comment through the media. But the curse appeared to work in Game 3, when he fumbled the Rockets’ chance for a win, and in Game 4, when the Warriors blew Houston out by 35 (which is, as Lil B astutely pointed out, Durant’s jersey number).
Island tonight. Either way, the equally ineffable Lil B is playing the after party of our 4Knots Fesival, so in case you’re uninitiated and want a primer on the Based God in all of his considerable glory, we have just what the Based Doctor ordered.
Lil B welcomes Durant to the Bay Area in this open letter. Here’s what he had to say, in his own words, as told to The Undefeated’s Aaron Dodson. In Game 3 on Saturday, the Warriors blew out Houston by 35 points — which Lil B used to fire another warning at Harden. This was, of course, met with even more glee.
Since 2006 Lil B has built a legion of devotees, fans calling themselves the Task Force. His eclectic rapping — ranging from ad-libbed non-rhymes to biting social commentaries — and a production style that’s touched on electro, gabber, hyphy, trap and dubstep have prompted admirers like Kendrick Lamar , Danny Brown and Frank Ocean to wax about his influence on contemporary hip-hop.
For his part, Lil B seems to revel in the hatred. “I decided to make one of the most controversial songs that I could,” he told me when he first declared himself God two years ago. “I want to get under people’s skin.” Trafficking in shock value is certainly not new terrain for hip-hop — rappers from NWA to Eminem made their trade in alarming concerned parent groups and Tipper Gore types — but Lil B might be the first to purposely offend people within the hip-hop cohort.
Many reviewers find it difficult to identify a unifying style for McCartney, due to his high level of musical output. Lil B is well known for having a style that is considered half-completed freestyle, or “stream of consciousness.” The “based” style that he subscribes to makes for simple music without a high amount of effort or refinement, in high volumes.
You may or may not know who Lil B the Based God is. Or, according to his legend, you can know who Lil B is, but you may never know who the Based God is, or you may not want to know, for your own sanity. Some have tried to explain his mystique, but to little resolution.
The lengthy tracklist includes songs titled “Crying in the Club,” “Riverdance,” “Im Depressed Again,” “Nepal Wants the BasedGod” and “The Sound of Being Bullied,” and features production from recurring Lil B collaborators Clams Casino , Keyboard Kid, Uptown Greg and “The BasedGod” himself.
I really like Damian Lillard, I like Iman Shumpert’s raps, Stephen Jackson, Allen Iverson and Kobe Bryant. Those are my favorite ones. I like Lonzo Ball, don’t know about him as a rapper yet, but I know he’s cool.
BasedWorld and Bitch Mob: As this Pitchfork piece attests , Lil B’s fans are the most rabid in the world. To be a member of BasedWorld, your heart must be true, you must spend a bunch of time on the Internet, and you must like Lil B’s music a lot. Lil B fans are the Bitch Mob. Bitch Mob is also a several-person rap group, of which Lil B is the only member. Don’t worry, you are the one who is confused, not Lil B.
In person, Clams is reserved but friendly, sporting a bushy beard and plain gray T-shirt, happily sharing thoughts about his process and stories about his collaborators. His style is simple, and he hesitates to share much beyond the music: The sense of him above all is of a technician, comfortable on computers (his preferred instrument is production software) and eager to tinker with things on a minute level. Clams immediately projects himself as a smart, capable guy, the details-minded counterpoint to Lil B’s grandiose ideas. The pairing is perfect. Which is why, in the process of the interview, we also got Lil B on the phone to conduct the duo’s first-ever joint interview.
Lil B doesn’t tour often, but he made the decision to come to Houston, San Antonio, Dallas and Austin during his current run of 10 shows that ends in September. And for that, Texas members of the Bitch Mob Task Force” have only one thing to say: Thank You Based God.
In March 2008, Lil B joined YouTube 8 and uploaded his first video on April 8th, showing an instructional session of him learning how to shoot a gun (shown below, left). The channel has since expanded to include music videos and has more than 81.8 million views as of February 2013. Also in 2008, his solo work was featured on Real Talk NY 9 , resulting in a handful of positive comments about the rapper. The next year, Lil B launched a homepage, BasedWorld 10 , and a Twitter account 7 , which has more than 620,000 followers as of February 2013. He also began selling his music on iTunes 11 , opening up his music to a wider audience. In 2009, Lil B was featured on NPR 12 , The Seattle Times 13 and the Fader 14 , who called him “the internet’s savviest” rapper.
Lil B understands that hip-hop values aren’t antithetical to progress: when he claims that “in 100 years, people will look back and thank me” for confronting the genre’s homophobia, it’s partly braggadocio – but you wouldn’t bet against him being proven right. And this is how it should be. Personally, as a gay hip-hop fan, I am long since inured to impolitic lyrical content. But as easy as it can be to turn a blind eye, I don’t expect to do this in two decades’ time.
At this point, I like where I’m at right now with my game and how much better I’ve gotten. I’m a real defensive guy. My defense really speaks loudly, which rolls over on offense. I have a pretty decent midrange shot. I like getting to the rack. I like getting to the hoop. I’m kind of like Russell Westbrook, but I can’t dunk. Just as far as going to the hole. I’m not saying all aspects of Russell Westbrook’s game because I don’t have the same aspects. I’m coming to the court with a lot of confidence now. It’s definitely different. I definitely do think I’m ready to play KD. Winning, who knows? But I definitely know I am ready to play him.
The encounter illustrated the weird world of Lil B the BasedGod, the hip-hop enigma from Berkeley who’s been feted by critics as a post-internet auteur and inspired countless other artists — all without a manager or a record label. Fans adopt his lingo. The sports world considers him supernatural. And hip-hop in 2017 — say, the scrappy outlandishness of so-called “SoundCloud rap” or the anime effervescence of Lil Yachty — was unthinkable without the persona and voluminous, self-released output of Lil B.
Multiple women have come forward to The Daily Beast detailing how the social-media-obsessed rapper solicited provocative photos of them when they were underage. Outside Whole Foods, Lil B told me that Black Ken is one of his only releases that he reflects on critically, citing individual notes he’d like to change.
Ask anyone who was there, though, in those heady days of 2010 and 2011—eons in internet time—and the sound was synonymous with basically one name: Clams Casino. A physical therapy student from New Jersey named Mike Volpe, Clams Casino grew up on East Coast rap like The Diplomats, stumbling into the sample-driven sound of experimental ambient electronic music from the other direction. He connected over MySpace with a rapper named Lil B, then best known as a former member of The Pack, who was developing a style of stream-of-consciousness “based” freestyle rapping. With hazy beats for songs like “I’m God” —which flipped Imogen Heap’s “Just For You,” creating a subgenre of production in the process—and “Motivation,” Clams helped Lil B land on his signature sound. The two went on to collaborate extensively, up through B’s 2011 album I’m Gay (I’m Happy).
Once upon a time, they called it cloud rap. It had washed out, hazy production, often drawing on ethereal vocal samples from artists like Imogen Heap and merging with the aesthetics of bedroom electronic producers. Artists like Main Attraktionz, Lil B, and Nacho Picasso floated over these beats, conjuring up surreal, dreamy landscapes from the kush clouds. And then A$AP Rocky became a superstar, and the sound went mainstream. Today, rap and even some of the biggest budget pop music—The Weeknd, Rihanna, Beyonce—draws on some of the same ambient, texture-heavy palettes that came out of this world.
Superstitious Lakers fans might want to brace themselves. The Curse of The BasedGod could be coming to them next, courtesy of rapper Lil B, who apparently took issue with comments Lakers rookie Lonzo Ball made about legendary hip-hop star Nas.
Followers of the HipHopHeads subreddit were shocked last month by the announcement that one of its members was apparently making a track with a globally successful rapper. I paid £0.45 for a Lil B feature,” claimed a user going by the name XIJ3S0NXX385. The poster explained that he had sent Lil B some of his music after seeing a tweet from the artist requesting suggestions for his playlist. To his surprise, the rapper responded saying he wanted to work with him. Most producers hoping for a collaboration with a rapper of Lil B’s size have to shell out five-figure sums for the honour. XIJ3S0NXX385 had just 50p to his name, but Lil B told him to send what he could. I wanted to keep some so I sent Lil B 45p,” read the post. A day later Lil B sent him a verse.
He gleefully tears down the remaining tenets of hip-hop conservatism, illuminating the growing generation gap in a genre that is approaching its fourth decade of existence. Many of Lil B’s listeners are the children of the children who grew up on NWA’s rebellion, so they invert it. This new generation wears obtrusively skinny pants as a logical counterpoint to their parent’s oversized baggy jeans. On record, Lil B proudly calls himself “a princess” and “a f” as a flip side to the hyper-masculinity and lingering homophobia of the past generation.