During her routine intermission before the acoustic encore of Alaska,” a vulnerable moment where Rogers speaks about gratitude and growth, she instead left feeling shocked and violated. I’ve been writing and producing music for 10 years.
maggie rogers concert – Maggie Rogers With Guest Jacob Banks Event
Singer, Maggie Rogers, was sexually harassed onstage while she was performing at the Moody Theater in Austin, Texas. We believe that music is a universal language that unites all of us and brings people from all walks of life together. We thrive on making people happy from the time we open our doors to the last note of the concert.
Now, the 24-year-old folk-pop singer is gearing up to release her major-label debut album “Heard It in a Past Life” on Friday, which finds her working with heavyweight producers Greg Kurstin (Adele’s “Hello”) and Ricky Reed (Halsey’s “Bad at Love”), while still maintaining the frank, evocative songwriting that has endeared her to fans.
I started writing songs when I was like 13,” Rogers says as we settle down for dim sum in the cavernous banquet-style restaurant Jing Fong, which she used to frequent in college. It was something I did just to process my life.” Because she’s 24, many of her early forays into songwriting are easy to find online: She recorded and self-produced an album called The Echo while still in high school. It’s still up on Bandcamp: mostly just Rogers’s plaintive voice and her intricate banjo playing. The Echo showcased technical prowess and ambition even when it betrayed a teenager’s somewhat limited worldview: There’s a song in which she liltingly thanks the tree in her yard, the chickens on the farm, and even the dog hairs on the sofa. (She grew up on an expansive farm in Eastern Maryland.) Rogers would eventually mature as a songwriter, but The Echo served its purpose since it got her admitted to the competitive Clive Davis Institute of Recorded Music at NYU.
Then, it was only Maggie Rogers, her guitar, and the song that left Pharrell Williams speechless three years ago — the song that led to her leaving her house in Brooklyn to depart on tour in a van with eight people. It’s meant to be upbeat and danceable, but she played it slow. It was haunting. And we loved it.
The video that started it all. While studying at New York University’s Clive Davis Institute of Recorded Music in 2016, Rogers and her classmates were asked to prepare a song for a homework assignment one day. Little did they know it was for a masterclass with Williams, who critiqued each of the students’ work until he got to Rogers, who brought in an unfinished version of what would become “Alaska.” Floored by its dreamy melody and layered production, a teary-eyed Williams told her after, “I’ve never heard anyone like you before.” Video of his stunned reaction quickly went viral, and she signed with Capitol Records soon after.
I love the music most when it makes me feel human. Feet on the ground, soft hair, standing with my friends and, in three parts, singing. Feet off the ground, hair wild, moving to that perfect pulse that mimics your beat and mine.
On Saturday night (Oct. 19), Rogers was in the midst of her encore at ACL Live at the Moody Theater in Austin when two men in the crowd interrupted her acoustic performance of her breakout hit, “Alaska.” On Sunday morning (Oct. 20), she took to Twitter to explain what happened while condemning their invasive – and violating – behavior.
Rogers’ written response echoed sentiments she’d expressed during the show about being grateful that she gets to sing for people who enjoy her music every night. She also laid down the law when it comes to the kind of feedback she won’t tolerate during a gig.
On Sunday the musician issued a statement on social media recounting degrading remarks shouted at her during her show the night before. According to her tour schedule, Rogers played Austin City Limits Live at the Moody Theater in Austin, Texas Saturday night.
With this strong pushback against the glitz and glam of Hollywood, it seems safe to say that the Maggie Rogers we saw onstage at the Bomb Factory is the same person she was when she was in the audience years ago, and will be the same person wherever her music takes her in the future.
Didn’t know what to expect, but Maggie was glorious from the moment she stormed the stage. Everyone was on their feet from the second song on, while the young singer, danced, singed, cried a little and really have it all. And not to forget, what a great band she has! A performance, doing the Ryman proud, can’t wait to see, what’s in store for the lady in the future.
I don’t think so, that doesn’t feel right,” says the 24- year-old, when our photographer suggests a pose or location that doesn’t make her comfortable. Even (or maybe especially) in 2018, the cultural expectation that proper femininity does not present as firm and established—or even comfortable—within one’s own space or body is at odds with Rogers’s self-assurance. She doesn’t need you to like her, especially if it might mean forfeiting her own narrative. (I’d rather talk about the album,” she says, when I ask her about her EP with Capitol Records, Now That The Light Is Fading.”) But she manages to state her needs in a way that never feels rude or dismissive, part of creating her own boundaries in a world that is quickly becoming—both physically and emotionally—boundaryless.
I’ve never heard anyone like you before,” Pharrell, then an NYU artist-in-residence, tells Rogers in the video. That’s a drug for me.” The song she played for the famed musician that fateful day had only been drafted in 15 minutes but it still received millions of views and immediately thrust the singer-songwriter into the spotlight. Now, three years later, the folkie pop singer has released her debut album Heard It In a Past Life and gone on multiple tours (including one with Mumford & Sons), bringing her candescent, warm spirit to cities across the U.S. and U.K.
The singer, who first garnered fame in 2016 after she played Alaska” for producer Pharrell Williams at an NYU undergraduate seminar, is next scheduled to perform in Nashville. Sorry. There are no upcoming Maggie Rogers shows near New York, New York.
Maggie Rogers will be playing all over the US. In the Northeast, she’ll be making stops in Portland, Maine, and Newport, RI. Rogers will also hit the Midwest with concerts in Chicago and Denver. West Coast fans will get to see Rogers when she holds concerts in Las Vegas, Los Angeles and Seattle. Even Canadians won’t be left out – Rogers will stop by Vancouver and Toronto. Many of her upcoming appearances will be at music festivals, such as the four-day Lollapalooza Festival in Chicago and the Life is Beautiful Festival in Las Vegas.
In this last of the quiet time,” as she calls it, Rogers is back in her childhood bedroom, forcing herself to stay in one place, making self-imposed boundaries while she still has that option. Even still, it’s difficult for her to come to a complete stop. After her last tour, she took two months off and got her motorcycle license. Now she spends time cruising the back roads around her parents’ house. It’s become this really important part of my mental health,” she says.
Maggie Rogers was interested in music from an early age. As a seven year old, she started playing the harp, a rare instrument for someone of her age. Her mother often encouraged her to listen to a variety of artists from Antonio Vivaldi to Lauryn Hill This gave Rogers a solid musical foundation in the classical and neo-soul genres. Her acumen as a musician and songwriter led to her winning a Berklee College of Music songwriting contest. Rogers is unique in that she has synesthesia, which allows her to see colors when she hears music. Her music pushes listeners to get in tune with whatever deep-seated emotions they may be feeling at the time. In her later musical career, Rogers was inspired by Patti Smith and Bjork Rogers has appeared on several talk shows, including The Tonight Show Starring Jimmy Fallon, Today and Saturday Night Live.
Unfortunately for aspiring musicians, there’s no definite answer on how long it takes to make a hit song. Some songwriters spend years perfecting their creations, while others are able to crank out a viral hit in virtually no time at all — much like Maggie Rogers. The ‘About’ section on Rogers’ Apple Music profile indicates that she wrote “Alaska,” a song about a hiking trip, in about 15 minutes.
Ms Rogers rose to fame when her song “Alaska” was played to Pharrell Williams during a class at New York University, where she was a student. Rogers was discovered after a YouTube video of Pharrell hearing her breakout song “Alaska” went viral.
Rogers’ joyous spirit didn’t waver for a second. With the help of a loop station, she closed the show with an upbeat remix of Light On.” But after much unapologetic and deafening chanting — of Maggie! Maggie! Maggie!” — by the crowd, Rogers came back and stood alone with a guitar onstage, hair up, for her encore.
On Saturday night, the singer-songwriter, 25, was performing an acoustic rendition of her breakout hit, Alaska” at ACL Live at The Moody Theater in Austin, Texas, when two men in the crowd began catcalling her. Rogers decided to condemn the sexist behavior in a statement on Twitter the next day.
This past weekend, Maggie Rogers’ Austin City Limits performance was interrupted by a disturbing outburst. Take your top off,” a male audience member yelled. You look cute though,” another followed. During her routine intermission before the acoustic encore of Alaska,” a vulnerable moment where Rogers speaks about gratitude and growth, she instead left feeling shocked and violated.
Maggie Rogers has hit back at a fan who asked her to take your top off” at a show last night (October 19). Fans quickly showed their support for Rogers on Twitter, praising her for her dedication to her fans and music and denouncing the alleged harassers.
With only three more shows left touring to support her debut studio album, Maggie Rogers made a stop at the Bomb Factory on Friday night — but it wasn’t the first time she’s walked the streets of Deep Ellum.
Maggie Rogers says her feelings have been hurt by a fan who shouted “take your top off” at her while she performed on stage. In mid-January, Maggie Rogers released her highly anticipated debut LP, Heard It In A Past Life. The vocalist announced an extensive Fall 2019 Tour in support of the album.
On one hand, it looks great. You get paid to do what you love, making fans happy by creating music you believe in. On the other hand, there are plenty of examples of the hardships of art—the struggle to create authentically while surviving the toxic nature of the industry.
After she played him Alaska,” a track she created after two years of writer’s block, Williams was speechless and even teared up. The video of his reaction and the class went viral Once she graduated, Rogers was signed by Capitol Records with a contract that allowed the singer to keep creative control over her output and image.
Rogers didn’t specify the city or venue where the incident took place, but fans of the “Alaska” singer deduced that it likely occurred during a show in Austin, Texas — and were quick to show their support for her on social media.
Prado became a fan after seeing the now-famous video of Rogers performing Alaska” for Pharrell in 2016, when she was a student at New York University. The artist has come a long way since that viral moment — Heard It In a Past Life” debuted at No. 2 on Billboard’s album charts in January.
Heard It in a Past Life is Rogers’ major label debut and her first album since she famously wowed Pharrell Williams by playing an early version of her hit single Alaska” for him (Google the video if you haven’t seen it. You won’t be disappointed.).
Rogers knew it was going to be a gray day, she says, so she wanted to liven it up with color. She’s cocooned in that blazing red jacket, underneath which she’s layered burnt-orange long sleeves beneath a white T-shirt and white jeans. She’s wearing very little makeup, if any at all, save for a streak of glitter over each eyelid. Although I consider myself an annoyingly speedy walker, made permanently impatient by six years of living in New York, Maggie Rogers has me beat: As we traverse the Chinatown streets, I always feel about half a footstep behind her. But perhaps that is because she is on a determined quest—for pork buns.
Love You For a Long Time” is a small departure from Rogers’ sound, with a slight country feel. It makes one even more intrigued about what’s in store for the singer’s next musical phase. MTV News: In all of your music videos and the videos I’ve seen of you performing on stage it seems like you’re really letting go and that’s what your music inspires me to do for myself.
Then in March 2016, during the second semester of Rogers’s senior year, Pharrell Williams — an artist-in-residence at N.Y.U. at the time — visited her music-production class to critique student work. Rogers brought a demo of Alaska,” on which her supple soprano bobs and weaves over a sparse shuffle beat that brings to mind Williams’s own work with producing partner Chad Hugo as the Neptunes.