There’s an inherent simplicity to their work, which has always felt by design. Musically, the album is the band’s most mature and diverse release yet, and lyrically, it’s filled with some of their most personal and emotional songs they’ve ever written.
the menzingers merch limited – Upcoming Releases
The last time we heard from The Menzingers , they were fretting over getting older. In 2010, they released their second full-length, “Chamberlain Waits,” which went on to be named one of the best punk records of the year by sites like , and The success of the record also gained them a front-cover appearance on AMP Magazine. The album brought the respect of their peers, embarking on support slots for The Gaslight Anthem, Against Me!, NOFX and ANTI-FLAG across the US and Canada.
The biggest problem with After The Party is the way it reiterates previous thematic elements of The Menzingers‘ music, with half the lyrical craft of the past few albums. The anger of some of their biggest influences, Rancid, Against Me!, etc, are gone as they’ve grown wearily into adulthood.
The band’s best was when it offered bassist-singer Abby V. on vocals. She had an uninhibited style – a sometimes-snarling, often Joan Jett-sounding female element that was fresh and interesting.
Hello Exile follows up After the Party, which in a lot of ways, was as career-defining as On the Impossible Past. This makes for a challenging release, as how many great albums does any band have in them? What’s always impressed me about the Menzingers is how they’re able to crank out so many of these great songs, and really, Hello Exile is no different. The songwriting is there, just as before (maybe too much as before, actually), and the melodies are just as sticky. Is this album a masterpiece? Well, no. After the Party and On the Impossible Past still lay the best claim to that elusive victory, but Hello Exile is no slouch, and while it may be divisive, it still brings the heart and lyricism that its fans crave.
Below you will find lyrics, music video and translation of High School Friend – The Menzingers in various languages. The music video with the song’s audio track will automatically start at the bottom right. To improve the translation you can follow this link or press the blue button at the bottom.
The Menzingers: Absolutely. I don’t think in this kind of climate, you can not go full in with it. I think we’d be doing a disservice to the song and how we all feel if we didn’t fully go in and make a statement. That was one of the most difficult parts of writing that songs. I wrote like 20 verses-I can’t even count. We wrote them over and over again, because it’s hard to say everything you want to say in three and a half minutes. It’s really tricky. I wanted to stay on theme of who I am as a person. I didn’t want it to come off as pretentious. I wanted it to feel how I typically write songs. It was a challenge to hone in the lyrics to a way that I felt comfortable with and happy with and said as much as I wanted to say. At the end, I was really happy.
Most fans hopped on the Menzingers train around their breakout album, 2012’s On The Impossible Past, a masterpiece of mid-twenties misadventures. The album is a young person’s idea of what it means to feel old. It’s when Barnett started noticing more Menzingers tattoos and when fans started telling him that his music has helped them transition into adulthood. He’s heard from more than a few people that the album’s love ballad Gates” has been used as a wedding song.
As you work your way through the record it becomes apparent The Menzingers have said it all before. If it’s bittersweet longing of youth you crave look no further than On The Impossible Past. Five years later, putting a nostalgic spin on calling cigarettes smokes” and glorifying drunk driving does not make it any cooler than it ever was (these lyrical refrains have always been some of the most cliche aspects of The Menzingers’ image).
Tigers Jaw is an American rock band from Scranton, Pennsylvania, formed in 2005. Greg Barnett of The Menzingers discusses the band’s brilliantly warm new album Hello Exile.
The punk veterans on Teles, tasty” Les Pauls – and why they’ve finally embraced their classic-rock influences on their raw new album. Exciting news! The Menzingers have confirmed that they have finished recording their new album.
On Hello Exile, The Menzingers take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. With the band achieving that soul-baring intimacy all throughout the album, Hello Exile emerges as The Menzingers’ most emotionally daring work to date.
A pop music review on Thursday about the album After the Party” by the Menzingers misidentified the member of the band who wrote and sang lead on the track Thick as Thieves.” He is Tom May, not Greg Barnett.
Poignant and sharp yet delicate and immensely personal, The Menzingers have built their reputation on this powerful relatability and ‘Hello Exile’ presents lyrics destined to resonate with the masses. With their sixth studio album they bolster an already impressive catalogue with intricate explorations of the self in an ever-shifting world, accepting the inevitability of change and offering the solace of a shared community to an always-growing fan base.
In a climate where many bands can’t make three full-length albums, Sleeping With Sirens has kept it together for 10 years. They’ve been able to evolve musically and personally, remaining relevant in their ability to craft killer pop hooks and fist-clenching riffage. With a brand-new album, How It Feels To Be Lost, on an appropriate label (Sumerian Records), SWS are ready to excite and invigorate both fans and new listeners alike.
The Menzingers quickly incepted on the back of a supportive local scene and a debut album displaying what was described as some of the best melodies this style’s heard in ages” By 2008, May and Barnett had moved to Philadelphia to pursue higher education , and by 2010, the band were fully based in the City of Brotherly Love.
Any doubt about the reception the band’s music was obliterated by the fervid response from the audience of about 800 – which not only sang loudly along to virtually every word, but brought the first crowd surfing and stage diving in memory to Musikfest Café.
The Menzingers explore the tension between recklessness and responsibility all throughout After the Party, with the chorus to its opening track 20’s (Tellin’ Lies)” brashly asking Where are we gonna go now that our twenties are over?” On lead single Lookers”—as in, You were such a looker in the old days”—the band pays loving tribute to their time spent in Asbury Park, weaving in memories of smoke-filled diners and Jersey-girl heartbreakers. Equally soaked in nostalgia, the bittersweet yet blistering Midwestern States” offers what Barnett calls an ode to being in our early 20s and touring across the country for the first time, and just how eye-opening that all was for us.” On Bad Catholics,” meanwhile, The Menzingers match their heavy riffs and high-powered rhythms with a gorgeously detailed narrative of running into a lost love at a hometown church picnic.
The Menzingers are an American punk rock band formed in 2006 in Scranton, Pennsylvania, comprised of Greg Barnett , Tom May , Eric Keen and Joe Godino. Noted for their strong sense of melody and emotionally raw lyrics, the band has been considered one of the leading forces of the current American punk scene.
The bulk of After The Party sounds like Rented World B-sides or songs meant for other bands entirely. Charlie’s Army” takes a bouncing riff and spins it into the kind of song found on a latter-day Foo Fighters record, while Black Mass” and Bad Catholics” could be rejects from Springsteen’s Magic. None of this is particularly offensive, but it’s saccharine and cloying in a way that the band has rarely been before. While The Menzingers’ best work has always been about grappling with personality flaws in the interest of becoming a better person, After The Party only offers surface-level reflections, to the detriment of the band itself.
The biggest problem with After The Party is the way it reiterates previous thematic elements of The Menzingers’ music, with half the lyrical craft of the past few albums. The anger of some of their biggest influences, Rancid, Against Me!, etc, are gone as they’ve grown wearily into adulthood.