The geekier side of the world — gaming, fantasy, sci-fi — assumes that you will be the white boy who is going to save the world. But when I watched the trailers, I already saw that the movie was far, faaaaar away from the book.
ready player one movie review imdb – Ready Player One” Is An Accidental Horror Movie About Fandom
Steven Spielberg’s virtual reality epic Ready Player One has landed, primed for geek-culture aficionados to smugly point out references all the way through. Naturally, the film cut short a lot of the story, quests, and details of Ernest Cline’s 2011 book. But I felt like it captured the essence of it. I enjoyed the big scene in the dance club, where the evil Sixers invade a disco in hopes of assassinating Wade (and his avatar Parzival) and his quest partner Art3mis. Parzival and Art3mis do a funny disco scene when Parzival buys dance moves that replicate John Travolta’s gyrations from Saturday Night Fever. I laughed out loud at that part.
And yet, both the movie and book suffer from the fact that plot is secondary for Ready Player One”: the story is really just an excuse to mash pop culture together in an extended celebration of nostalgia. This inevitably results in some structural inconsistencies and questionable character choices, but again, depth isn’t really the point. What narrative there is allows for a lot of fun, resulting in a fast-paced action adventure movie that culminates in a surprisingly heartfelt conclusion.
One of the earliest choices Steven Spielberg made about the Ready Player One movie was to remove references to his own work, of which there are many. But as difficult as this book may be to adapt, and how closely the rabid fan base will be watching, this isn’t the first time that Spielberg has been behind adapting a beloved work to movie theaters. In fact, he recently gave fans a big screen version of Roald Dahl’s The BFG While Spielberg may not be including references to his own work in Ready Player One, all connections to the director will not be omitted. Steven Spielberg did confirm that we’ll see Wade’s Delorean in the movie. The iconic car was featured in the Spielberg-produced Back to the Future, and, as you can see from the trailer, it plays a notable role in Wade’s adventure in Ready Player One.
2. The excessive details hurt the pacing a lot of times. When the plot really starts, I couldn’t put down the book but most of the time, there was way too much unnecessary repetition to the details. This made the book as something that was more written for a movie adaptation (there will be one coming in 2018 and it’s directed by Steven Spielberg so I’m hopeful for it).
However, his plan to turn off the Oasis two days a week to force people to spend time with their families and loved ones only exists in the film. Given that most schools and business were run through the Oasis, this would have had disastrous consequences for the economy and future generations in the world of the book.
But as with all VR on film, from Tron in 1982 to the new Jumanji of 2017, I found a weightless, frictionless quality to this inner zone of digitally rendered experience. It’s a close encounter of the pixelated kind. Where’s the beef? And the movie is left with the tricky and anticlimactic business of negotiating the relationship between virtual reality and the boring old actual sort.
On the other hand, there are still a lot of people looking forward to the movie. Spielberg is one of the greatest filmmakers in history, after all, and maybe he can pull it off — it’s just the marketing that can’t keep up. The veteran fantasy filmmaker tells the story of a virtual-reality artist much like himself.
Wade’s next visit to the Halliday Journals has him mobbed by a number of fans, until Art3mis shows up, and helps disguise him. The two then go into the Journals, and view a recording of a meeting between Halliday and Morrow before THE OASIS went live. In the memory, Halliday tells how he took a woman named Karen Underwood (Perdita Weeks) on a date, but while she wanted to go dancing, he took her to a movie instead. Kira eventually married Morrow, though Wade notes that even though she seemed to be important to both their lives, this is the only mention of her name he’s found in the Journals.
Despite these problems, I still enjoy reading RPO very much and it’s because the main strength of the book lies not within its plot or characters but within the concepts and tributes to every single popular entertainment media in the 80’s and 90’s. The whole concept and world building of the book is something that resonates with me so much even though the concept itself is not actually original. If you’ve been following anime and video games like me, you’ll probably know about this franchise calledhack’”(2002) or this popular anime called Sword Art Online” (2012) and they’re pretty much the exact same thing as what OASIS is about. Even the way to access it via a VR consoles is the exact copy, the only differences is thathack and SAO have more dangerous real life repercussion in playing the game. However, it’s the tributes and crossovers with every single popular media in the 80’s and 90’s that made RPO a unique experience to read.
This movie could have been an absolute cult classic of a dystopian future with some amazing insights as to what a future society of Virtual Reality users would look like. But this movie has not only decided to skim over the details of the technology and how far integrated it is in every day life, not only forget building the characters story line and gradually introducing them, but instead has taken the basic story line, along with the characters and then a few key points, throw them in the air and where ever they land write a completely different story in between and Hollywood the hell out of it with absolutely no loyalty to the book. I can not even begin to list how much is missing that would make this film make more sense.
Anyone familiar with the book will likely recognize the setting of the photo, which depicts Sheridan’s character in visor and VR gloves inside the ramshackle van that serves as his headquarters during forays into OASIS. Newspapers describing some of the history of the VR world line one side of the van’s interior, and leftover pizza boxes are scattered around the floor.
There’s always going to be young people that are going to challenge the way we view cinema or we view TV because you just sort of have to have somebody breaking things up. There’s always going to be people that long for what was already there and I think Ready Player One is a perfect example of that because it’s both.
Steven Spielberg had the impossible task of making popular things seem popular, while also supporting the idea that people who liked these things were special. What’s left is a forgettable action film that takes place in a world where pop culture seems to have stopped changing completely around 2017.
Gamergate was a toxic cultural battle filled with harassment so vicious it would become a major influence on the alt-right — but fundamentally, it was about who gets to be a geek, which parts of geek identity are worth lauding, and which parts are destructive. Gamergate changed the way we talk about geek culture, and in the end, it would make it borderline impossible to think about books like Ready Player One as harmless, meaningless fun.
The film version does carry over some of the book’s most notable flaws, especially a suspicious reliance on narrative convenience and coincidence. The characters are thinly drawn, and most of them are little more than cool avatars and signature moves. There’s no sense that anyone involved with the story really cares about the details of the real world in this crapsack future , given how little the real-world scenes hold together. And the film takes a particularly feather-light approach to what should be significant emotions, especially when a death that should devastate Wade is shrugged off within seconds, then brought back out for a cheap, unearned moment much later. Spielberg’s signature sentiment is operating in full force, as he builds up one highly symbolic confrontation solely for the feelings of triumph and justice it creates, and then has it come to exactly nothing. And in places, the story jumps forward so quickly that it feels like necessary connective scenes are simply missing.
Going back to Cline’s world-building, that remains my biggest issue with the adaptation. Even during the movie’s climax—which I won’t spoil with too much detail here—it feels like Wade and the other protagonists are merely paying lip service to the idea that they want to make their reality a better place, and that whatever experiences happen inside the OASIS can never compare to the real” world. If that’s true, the movie does a terrible job selling that idea.
There’s this conceit that keeps popping up in sci-fi dystopia novels that it is only a matter of time before we will all be glued to our virtual reality goggles 24 hours a day as elaborate MMPORPGs slowly take over the world.
Technology-wise, the VR system that encompasses the movie is very plausible — only a few steps up from today’s platforms. The system in Ready Player One,” dubbed OASIS, is founded by a recently-deceased character named James Halliday. As his last will and testament, Halliday promised all his wealth and fortune to the player who can find the three easter eggs he’s planted in his VR multiverse. Scruffy protagonist Wade Watts (Tye Sheridan) acts as the audience’s pop culture ambassador, narrating all of this to give the viewers some initial grounding. Then, with dull-but-necessary exposition out of the way, Spielberg finally launches into the good stuff: the hunt for these easter eggs.
The F Word is only used once in the film. In one scene Chucky jumps on one player, and in real life, the player says: ”It’s f-ing Chucky”. One of the greatest compliments that can be paid to a book is to say you could not put it down, that’s how it was with Ready Player One, a very, very good read.
Family movie reviews, movie ratings, fun film party ideas and pop culture news — all with parents in mind. The way that the film approaches Simon Pegg’s Ogden Morrow (co-creator of the Oasis with Rylance’s Halliday) is also fairly different from how he appears in the book.