Chon and Ben seek the help of Dennis, but the men fight. Thankfully, Travolta, Hayek, and Del Toro bring some infectious bravado to their supporting roles. They are somehow a lot weirder than the costumes people wear in the stage musical.
sauvage movie reviews – Dwayne Johnson To Headline Doc Savage Movie For Shane Black
Savages doesn’t rank among filmmaker Oliver Stone’s best work, but thankfully it does find him doing what he does best: fearlessly telling a gritty, ugly story of amoral, treacherous people driven by their worst instincts. Moreover, the Ben and Chon characters are too one-dimensional and too stuck by their character limitations to be compelling; they bend and change according to the whims of the plot. When they’re onscreen, the movie just evaporates. Thankfully, Travolta, Hayek, and Del Toro bring some infectious bravado to their supporting roles. They recall the kind of savagery that Stone used to have but doesn’t seem to have anymore.
The trio receives a video from Mexican drug-cartel enforcer Miguel “Lado” Arroyo ( Benicio del Toro ) of severed heads and a chainsaw, and Arroyo demands a meeting at which the cartel offers a partnership. Although Chon and Ben offer to hand over their network and get out of the business, the cartel wants their expertise and insists on a partnership. Chon and Ben make plans with Ophelia to go to Indonesia for a year, not telling her that they are fleeing the cartel. They speak to corrupt DEA agent Dennis Cain ( John Travolta ), who is on the take from them and who urges them to join the cartel. Ophelia is kidnapped by Lado’s gang; Chon and Ben are notified of the kidnapping by a video call from cartel leader Elena Sánchez ( Salma Hayek ), who threatens to harm Ophelia if they decline the partnership.
Under the leadership of Elena Sanchez, a.k.a Elena La Reina, (Salma Hayek) and Miguel, a.k.a. Lado, (Benicio del Toro), a Mexican drug cartel, formally called the Baja Cartel, kidnap Ophelia (Blake Lively), the girlfriend of marijuana growers Ben (Aaron Johnson), a University of California, Berkeley graduate, and Chon (Taylor Kitsch), a former U.S. Navy SEAL. Ben and Chon must now confront the group formerly known as the Baja Cartel in order to rescue her. John Travolta plays a corrupt DEA agent.
Now it’s a movie , directed by Oliver Stone, working from a script co-written by Shane Salerno and Winslow himself. In many ways, it’s an excellent adaptation of the book, honors the spirit of Winslow’s work with a deft, affecting touch. It has almost as many flaws, including a controversial ending that is sure to outrage fans of the novel.
Writer and director Tamara Jenkins explored a dysfunctional family in her 1998 film The Slums of Beverly Hills. Here she has honed her screenwriting skills to create two middle-age characters who are forced to deal with each other and their father’s mortality. The real power of The Savages is the razor-sharp depiction of the messy lives of Wendy and Jon. She pops pain killers to make it through the day and feels that her academically accomplished brother lacks respect for her writing talent. When he finds a nursing home for their father in Buffalo, Wendy thinks it is too shabby and wants to transfer him to a more upscale facility. This triggers in Jon his old resentment of her ability to make him into the selfish and uncaring family villain. It is fascinating to watch them play out old tapes with each other.
Dwayne Johnson is a busy, busy man, with a slate packed with a Rampage movie, a Jungle Cruise movie, a Black Adam movie and more. Sometime in the future, though, the star will find time to film a Doc Savage movie with Shane Black (Iron Man 3), and now, producer Neal H. Moritz has given an update on the highly anticipated film.
17- PRODUCER Credit! Right now, I am the only Producer. But if you help the film out at this level, then Your Name will be listed in the Beginning Credits of the Movie as my Producer, so everyone will see your name. If this film hits, this could be a great asset for your resume, and make a great story.
Which criminals — the nice ones or the really bad ones — will prove themselves, if not worthy, cunning and violent enough to claim the movie’s title? Benicio Del Toro gives an appropriately ugly turn as Elena’s muscle, Lado. John Travolta — an old hand at crime dramas that teeter on bitter comedy — moves with agility between the film’s cruel and comicality harried tones.
Life is a hedonistic feast for Chon, Ben and , until a video arrives one day showing several Mexican drug workers whose heads have been removed with a chainsaw. The message: Share your business with us or you will regret it. The message comes from an elegant femme fatale named Elena ( Salma Hayek ), who runs a Mexican cartel and wants to expand into the United States and get a supply of their primo weed. Elena, whose impossibly silken black hair, jewelry, couture gowns and cigarette holder suggest a Dragon Lady in a 1930s Shanghai gambling thriller, monitors operations through a high-tech computer network and depends on her scuzzy henchman Lado ( Benicio Del Toro ) to enforce her desires.
The more salient border, in politics and pop culture, is the southern one, between the United States and Mexico. One of the jokes in Savages,” Oliver Stone’s feverish, fully baked, half-great adaptation of Don Winslow’s ferocious and funny drug-war novel of the same name, is that the film’s title is flung back and forth between north and south — an epithet that is also eventually claimed as a badge of honor. The Southern California marijuana dealers on one side of the conflict that energizes the film’s zigzagging narrative are appalled by the brutality of the Mexican narco-traffickers, for whom torture and mutilation are routine ways of doing business. Some of the Mexicans, in turn, are disgusted by the sloth and shallowness of the gringos, who seem to lack any sense of dignity, tradition, family or honor. Savagery is in the eye of the beholder.
Missing too, from Savages, is the political subtext that makes the book a touchstone for the Millennial-Generation Y-Children of Baby Boomers set. The novel is infused with a mournful sense that these kids have no future because their parents, their elders, left nothing for them, that all they have to look forward to is a lifetime of paying back the very large debt the Boomers accrued. The novel is both elegy, eulogy, and primal scream into the sunset of the American Dream. Little of that is to be found in the film adaptation of Savages, and ultimate proof that Stone was perhaps the wrong director to helm this project. It’s hard to condemn your generation, even if he’s done it many times before.
He seems to have an intense dislike of overweight people. Butch the Bully in the Cool Cat series is presented as a fat slob in dirty clothes, and Cool Cat Saves The Kids features a nearly-five minute segment of Cool Cat exercising, which Savage only added so that he can claim that his film is helping to combat childhood obesity.
One of the film’s most striking scenes is when Ben, desperate to try to free from Lado’s lecherous claws, visits del Toro in a Tijuana hotel suite, replete with Mexican kitsch and a tacky call girl draped over him. Welcome to the barrio,” says del Toro, channeling Edward James Olmos’ greatest Mexican Mafia moments. I’m the first to criticize the constant portrayal of Latinos as drug dealers, but for a moment, del Toro—who outside of his Oscar-winning role in Traffic , another Drug War classic, has not been cast in many significant films-seems to be asking mainstream America why they have rendered us invisible.
Ben returns the next day, so he and Chon arrange to meet with the cartel in Mexico. Thus begins a hasty retreat after refusing the cartel’s partnership. The plan is to hideout for a year with in Indonesia (who is unaware of what happened with the cartel).
The film was somewhat better received in Europe. UK film and music journalist Dylan B Jones praised it, claiming director Oliver Stone had found “a magic strain of sultry sex, frantically emotional turmoil and glossily savvy action sequences”.
While The Rock’ s initial comment makes it sound like the Doc Savage issues are being actively worked through, the next thing he says is a bit more ominous, making it sound like it’s possible these rights issues could hold the movie up indefinitely.
They discuss the situation with Dennis, who tells them that Elena is facing the loss of her political connections in Mexico (foiling her efforts to move into the US). Since she has already lost most of her family, Dennis says that he has nothing on her that can help them. Chon stabs Dennis in the hand and demands DEA intelligence so they can attack Elena. With help from Chon’s Navy SEAL friends, he and Ben attack a cartel money convoy and kill seven of Elena’s men.
What’s so bonkers about the Cats trailer? Well, the visuals sort of speak for themselves. The animation has essentially turned the stars of the movie into bizarre human cat hybrids. They are somehow a lot weirder than the costumes people wear in the stage musical. The cats have boobs for one and the head proportions are way off. Jennifer Hudson sings a brilliant version of ‘Memory’ in the trailer but it can’t distract from the animation.
The movie adaptation of popular stage musical Cats has been universally savaged by critics, even receiving one reviewer’s first ever zero-star rating. No release date was given for the movie, but it’s expected to be Black’s next film after The Predator.
For instance, Sebastian the crab has been called one of the most racist characters in any Disney film. And there’s also the matter of Kiss the Girl,” the consent-bending ditty where Sebastian encourages Prince Eric to lay a smooch on Ariel even though she can’t say whether she wants him to or not.
Adding to this, he does not appear to know the difference between fair use and copyright. This is why he took down lots of Cool Cat Saves The Kids reviews on copyright grounds, but in several conversations has unintentionally admitted that he has only removed the videos for “blaspheming” his film. They were later re-uploaded, though Savage still refuses to admit that they are indeed fair use.
Ben, Chon, and are twentysomething best friends living the dream in Southern California. Together they have made a small fortune producing premium grade marijuana, a product so potent that the Mexican Baja Cartel demands a cut. When Ben and Chon refuse to back down, the cartel kidnaps , igniting a dizzying array of high-octane negotiations and stunning plot twists as they risk everything to free her. The result is a provocative, sexy, and darkly engrossing thrill ride, an ultracontemporary love story that will leave you breathless.
4) There actually was a Cats film in 2007. Fandango MOVIECLIPS INDIE channel is the destination for all things related to indie, foreign, and documentary films. Subscribe to keep up with the latest festival news, art house openings, film reviews, and more.
Thanksgiving is usually a time for discussing sensitive matters like politics, when you plan on having children, or asking what someone plans to do for the rest of their life. It came up on Twitter that the CGI in this movie was a hot topic around the table this Thanksgiving.
Set in Southern California, whose relative proximity to Sinaloa province to the south makes it a fertile site for Anglo-Latino crossover, the film steers clear of both the Stone-scripted Scarface’s manic Marielito masquerade and the director’s conspiracy theory muckraking in JFK and Wall Street. Instead, Savages is a scandalous fable about what happens when the lost idealism of the 1960s-rekindled by the millennial generation—comes into violent conflict with big box-style capitalism run by feudal Mexican cartels with conservative family values.
I have watched audiences hit that point, and this is what happens: At first, people are sitting there and all they see are the differences, what’s not theirs. But a moment comes where people see what’s the same, what is theirs in every film. Because under that thin veneer of difference around sexual orientation and gender identity and sexual preference, everything else is the same — passion, vulnerability, humor, lust, the idea of foolishness that’s often attached to sex. We’re all implicated in that, and we all have that in common, however different we are.
The popularity of their potent product attracts the attention of the cartel, which requests a partnership, or else. Led by the ruthless Elena (Salma Hayek) and enforced by her equally cruel lieutenant Lado (Benicio Del Toro), the cartel makes what seems like a fair offer, but Chon and Ben don’t trust it. They decide to surreptitiously leave the country, their plans foiled by the abduction of Ophelia.
Don Winslow’s 2010 novel Savages was a bold, audacious story showcasing the author’s skill at creating fringe characters who seem perfectly normal, extreme action – both over the top and yet restrained- and tight as a drum dialogue.
There is a new CGI movie being released called Cats, and it has recently undergone a subtle change. The original trailer caused a huge backlash from fans, which prompted the animators to say how the final look of the characters will be changed. They listened to their potential fans and made some adjustments, but we are still left with the aftermath that hit Twitter.
Chon and Ben seek the help of Dennis, but the men fight. Chon enlists his Navy SEAL friends to attack the cartel truck, killing seven. They decide to blame Alex (played by Demian Bichir) for the killings. Dennis helps them falsify evidence so that Lado tortures Alex until Ben is forced to kill him. The man begs for his life during the torture, revealing that Elena’s daughter Magda is actually still alive.
When the film opens, they are confronted by a heavy-handed demand by the Mexican Baja Cartel that they become part of the family.” This sets up a battle between good” and evil,” where Ben and Chon represent New Age rugged individualism and the cartels act as if they were cable providers who came to your house and cut off your head if you didn’t pay the bill.
This erasure of Latino lives from mainstream American cinema points to another irony about reaction to the film. Scrutinized as ultraviolent,” Savages is nowhere near as violent as it could have been when one considers the monstrous violence in Mexico catalogued in a book like El Narco , by journalist Ioan Grillo. The film’s most disturbing scene-the queasy immolation of Demian Bichir’s character, pales in comparison to the countless beheadings, massacres, rapes, and butchering of bodies that are a daily occurrence just south of the border.