And all that would have been fine … the necessary contrivances could have been overlooked in grand Star Wars tradition if not for the fact that the entire premise of the film is built on another too-critical-to-overlook contrivance.
star wars the rise of skywalker cast interview – What Is The Best Scene In Star Wars
The surviving members of the resistance face the First Order once again, and the legendary conflict between the Jedi and the Sith reaches its peak bringing the Skywalker saga to its end. In the end, Kylo Ren killing Snoke in The Last Jedi had less to do with saving Rey and more to do with Kylo’s deep need to be the manipulator and not the manipulated, to be beholden to no legacy but one of his own making. This theme is followed through in The Rise of Skywalker, which opens with Kylo Ren determined to kill Palpatine, a threat to his newfound power. But instead, Kylo discovers that he is once again a pawn in a grander scheme, that no matter how much blood he spills, he cannot kill the past or escape his family’s legacy.
Again Kylo attempts to mold Rey into his apprentice, as if by successfully manipulating another he can convince himself that his own past horrifying choices were not his fault; that anyone would fall prey to the same mind games. This is evident when he confronts Rey on the Death Star after her show of power with Force Lightning on Pasaana. Kylo Ren again tries to isolate Rey, telling her that now she can never return to the Resistance, that Leia will never accept Rey back as a Palpatine. That now he is the only person who Rey can turn to. Kylo’s reasoning echoes with sentiments Snoke surely used on him. But when Rey once more shows more fortitude than him and rejects his offer to join the Dark Side, he attempts to kill her. If not for Leia Organa’s timely interference and ultimate sacrifice, Kylo Ren would have murdered Rey on the Death Star.
The lesson J.J. Abrams and friends should have learned from “The Empire Strikes Back” widely considered the best “Star Wars” movie, is that you don’t make a”Star Wars” movie that stands the test of time by aping previous ones – you have to go somewhere new. “Empire” functions as a total counter to the first movie, and that’s why it’s a perfect sequel.
On websites like Tumblr, vicious fights have broken out about which characters should be shipped, or romantically paired together. Those who believed the villain Kylo Ren and the Jedi hero Rey should end up together — Reylos — have waged extensive flamewars, and in the wake of the Kylo Ren’s death at the end of The Rise of Skywalker, are sending Abrams death threats.
JediPraxis’s story summaries nailed down details with shocking accuracy. They knew the name of the planet Emperor Palpatine was hiding out on. They guessed the movie’s twist — that Rey was his granddaughter. They even knew about Babu Frik.
Jim Jones and A. Ron Hubbard, hosts of the movie and television podcast Bald Move,” commented on the divisions in a recent episode reviewing The Rise of Skywalker.” They said in an interview with the Deseret News that the breakdown is complicated.
Many of the most interesting “Star Wars” stories are those that focus on characters who can’t use the Force, and this is one of those. You play as a spy for the Sith Empire (thousands of years before the movies), doing awesome wartime spy stuff. And you get caught up in a galactic conspiracy to destroy both the Republic and Empire – by a secret society tired of Force-using factions starting all these galaxy-spanning wars. It’s a compelling-as-hell hook.
The most charitable reading of this line would be that it’s a little ironic joke, commenting on Luke’s own tossing aside of the same weapon as the inciting incident that begins The Last Jedi. But in this case, it’s also a dig at its predecessor, a repudiation of Johnson‘s attempt to break free of the past and take the narrative in a new direction, offering these characters the possibility of doing more than simply looping through the same journey we’ve already seen. Abrams has no interest in breaking free; in his reading, Star Wars is supposed to deliver one thing, and you can find it in George Lucas’ original trilogy. So bring on Billy Dee Williams, and Tatooine, and even Harrison Ford himself, breaking his own vow of liberation from the past to strap on that damn belt one last time and let the memory of Han Solo guide Kylo back to being Ben. The past dictates all.
Fanboys who don’t know Godard’s work feel free to greet each new Star Wars episode as a chapter in their commercialized lives, not knowing what they’re missing. And the media perpetuate this ignorant enthusiasm, supporting Disney’s politically correct replacement of male Luke Skywalker with female Jedi warrior Rey (petulant Daisy Ridley) as if it meant cultural and social progress.
Finn meets a woman name Jannah, who was also a former First Order stormtrooper who had been stolen from her parents when she was a kid and then rebelled as an adult. And they have this fun moment where they talk about how they decided to rebel because they had this weird feeling that they should. And they decide that feeling was the Force. Not, you know, their conscience. Or guilt about helping out a fascist government. They’d have happily done state-sponsored murder had the Force not pinged them, I guess.
Despite all of the complaints, The Rise of Skywalker is a satisfying conclusion to the story that George Lucas started telling over 40 years ago. By the end of the movie, all of the major character arcs are complete. We get a chance to say goodbye to Luke, Leia, and Han. Rey and Kylo Ren have found their place in the universe, and the Jedi versus Sith conflict is finally over.
Pyre informs the general that they are making progress on taking out the Resistance cells. We will snuff them out like the vermin they are,” Hux says. Before he’s able to break into one of his trademark speeches, the alarms sound, cutting him off. Whatever he would’ve said is irrelevant, as his description of the Resistance as vermin” serves as the perfect example of how this series ties into the final Skywalker Saga film.
At the beginning of this decade, the Star Wars” franchise was a moribund disaster after three terrible prequels. While Harry Potter” finished a run of eight hit films, Marvel’s “The Avengers” broke box office records and Star Trek” and Game of Thrones,” were humming along, Star Wars” had only a single children’s cartoon on basic cable. Then in 2012, Disney bought out Lucasfilm and turned Star Wars into the biggest comeback story of the decade.
The Rise Of Skywalker is now officially the worst-rated Star Wars movie by Rotten Tomatoes. We’ve already seen a redemption arc end in death with Darth Vader. Like a lot of the sequels, Kylo Ren’s story turned out to be nothing more than a pastiche of what came before.
The JJ Cut. It might sound like the name of a lethal, and therefore banned, breakdancing move. And look, it might be. But the JJ Cut some Star Wars fans are talking about lately is a rumoured version of The Rise of Skywalker that includes swaths of material that was allegedly cut by the malign gloved hands of Mickey himself, jowls quivering, minutes before diving into his Scrooge McDuck-style money pit. Or by Disney execs, anyway.
You know how this goes: the Empire brings the hammer down, you join the Rebellion as a fighter pilot. But maybe the entire family isn’t on board with facing down the Empire. This is the only “Star Wars” space combat simulator that gives you a personal story, and it turned out to be a great idea.
The legacy of the Jedi that’s explained across nine films is a complicated one. The Order’s belief in the Force as a Light-Dark binary leads to didactic teachings about feelings like fear, anger, and hate. While the Sith preach giving in to anger and hatred, the Jedi instruct their young protégés to purge themselves of emotions in order to be more effective soldiers. The result on both sides, however, is strikingly similar. Sith violence stems from negative emotions, but the Jedi’s violence — while righteous in their own minds — does not take empathy into account. To the Jedi, the Sith are unequivocally evil, and must be vanquished at all costs; Only a Sith deals in absolutes,” Obi-Wan says, in absolute terms. Chronologically, the Jedi start out in the prequels as a galactic police force with their headquarters on Coruscant, but they also indoctrinate younglings,” not unlike the First Order, which kidnaps and brainwashes children to raise as emotionless stormtroopers.
The details of exactly who the First Order were and how they operated in the galaxy was always a little hazy. Unlike the Empire, who had clearly been reigning over the galaxy for years by the start of A New Hope, the First Order wasn’t a governing body of any kind. They resembled the Empire and spoke like the Empire, but they weren’t the Empire. The Force Awakens makes clear they’re dangerous and need to be fought, but that’s about it. Resistance does an excellent job at showcasing just how powerful and pervasive they have become.
It’s best not to know too much going into a Star Wars movie, no matter what you think your opinion is going to be. So all I will say is that this one picks up not terribly long after the end of The Last Jedi. A broadcast from, well, a menacingly familiar voice has been picked up by whatever devices people in this universe use to pick up broadcasts. Kylo Ren (Adam Driver, this year’s hardest working man in Hollywood), having offed Snoke in the last movie, is now the Supreme Leader of the First Order and is running about the galaxy, looking for the voice’s source. Meanwhile, Rey (Daisy Ridley), with whom Kylo Ren shares some strong psychic connection, is training as a Jedi with Leia (the late Carrie Fisher, resurrected via repurposed footage and digital wizardry).
Rey is aided by ex-stormtrooper-turned-Resistance-fighter Finn (John Boyega) and by hotshot pilot Poe (Oscar Isaac). But Kylo Ren (Adam Driver), now the Order’s supreme leader, is convinced that he can draw Rey over to the Dark Side to which he, once the good Ben Solo, long ago surrendered himself.
Star Wars: The Rise of Skywalker is two hours and twenty-one minutes of exposition-dialogues explain, in excruciating detail, everything someone or some group does just before they do it. Adam Driver as Kylo Ren and and Daisy Ridley as Rey in a scene from “Star Wars: The Rise of Skywalker,” from Disney and Lucasfilm.