Taylor Swift: Miss Americana – Miss Americana & The Heartbreak Prince Lyrics

The movie hits Netflix and select theaters on January 31. Taylor Swift has confirmed the release date for her Netflix documentary ‘Miss Americana’, that will debut on the streaming service on 31 January.

taylor swift miss americana and the heartbreak lyrics – Taylor Swift Speaks Out On Overcoming Eating Disorder In ‘Miss Americana’

Taylor Swift: Miss AmericanaCourtesy NetflixA new Taylor Swift Netflix documentary is on the way. It was not always thus for Swift — as the detractors who dragged her for staying quiet during the last presidential election eagerly pointed out. If you had to pick the most embarrassing or regrettable moment in Miss Americana,” it might be the TV clip from The Late Show With David Letterman” in which the host brings up politics and gets Swift to essentially advocate the Shut up and sing” mantra. As the studio audience roars approval of her vow to stay apolitical, Letterman gives her what now looks like history’s most dated fist bump.

Taylor Swift: Miss Americana

In December, Netflix shared a little more insight into what the rare glimpse into the pop star’s life will look like. In the film, Swift says that her under-eating during times of struggle could be felt during constant tour performances.

Critics and fans who saw the sneak peek at the Sundance Festival had a lot to say. Some of them were upset that Swift didn’t show Joe enough and she was still very closed off, no matter how much she did actually open up. There are also people who say the documentary seemed kind of scripted and not raw or real. Then there are the people who say this made them appreciate her more. A few fans speak about her being relatable in a way without fame. One person even said it felt personal, vulnerable, and deeply authentic. Most people who have seen the preview are commenting on Lana Wilison and her team for making the documentary, then Swift herself. I personally don’t like Taylor Swift that much, but according to a numerous amount of fans, that after watching this I will be along with many others.

News of the documentary comes amid Swift’s conflict with Big Machine Label Group founder Scott Borchetta and Scooter Braun over ownership rights to her old music. Swift slammed Borchetta and Braun on Twitter in November for allegedly blocking her from performing her old songs at the American Music Awards and using them in the Netflix film.

Taylor Swift’s Netflix documentary finally has a premiere date despite the singer’s feud with music mogul Scooter Braun. Build your custom FanSided TV email newsletter with news and analysis on Netflix and all your favorite sports teams, TV shows, and more.

There are so many influences that go into that particular song. I wrote it a couple of months after midterm elections, and I wanted to take the idea of politics and pick a metaphorical place for that to exist. And so I was thinking about a traditional American high school, where there’s all these kinds of social events that could make someone feel completely alienated. And I think a lot of people in our political landscape are just feeling like we need to huddle up under the bleachers and figure out a plan to make things better.

Back in May, Swift told a German website RTL that there would be “political undertones” on Lover now that she felt that she could no longer keep her thoughts to herself. While the singer may have disguised some of the more overt political statements in a song about high school romance, fans are interpreting “Miss Americana & The Heartbreak Prince” as a bold and unapologetic statement about Swift’s politics, and it couldn’t come at a better time.

Miss Americana” then cuts to the studio where Swift is working on the album Lover” (up for a Grammy Award on Sunday). The documentary dives deep into one of Swift’s greatest strengths — the ability to channel her emotional range of experiences into music. It’s a complex process that often starts simply, with Swift sitting at the piano recording the music and lyrics on her phone.

In this intimate and eye-opening documentary, director Lana Wilson catches Swift at a particular moment as she’s changing her game and rethinking what it means to be a world-famous music icon in this part of the 21st century.

The doc promises to be revealing,” so who knows what kind of inside info we might get. Will we get hidden camera footage of another call with Kanye West? Will we find out if that relationship with Tom Hiddleston was all just a publicity stunt after all? Will Harry Styles make an appearance as the heartbreak prince? Only time will tell. But stay tuned, because Decider will be at the Miss Americana world premiere in Park City, Utah next week bringing you all the juicy details.

Early on, Swift talks about how she grew up wanting to be the good girl, and how that translated, in her country-music days, into craving the adoration of fans, always wanting that pat on the head. Then we cut to 2018, when she’s lolling on her couch, waiting for her manager to call the morning the Grammy nominations are announced. She has already won (twice) for album of the year, but on this particular day, her 2017 album Reputation” mostly gets snubbed. And though she tries to play it down, she’s visibly distraught. No star as big as Swift should care this much about the Grammys, yet she’s still an addict for approval. Will she ever get over it? That, in its way, is the drama of the movie. Miss Americana” tells the story of a young star of singular self-esteem who must learn to grow up and become a mature pop star of even more awesome self-esteem.

The documentary doesn’t go too much into Andrea Swift’s cancer diagnosis — since the documentary, Swift ‘s mom has also been diagnosed with a brain tumor — other than to show how it has helped Swift prioritize the things that matter most.

Swift’s realization of the completely impossible task of pleasing the networked apparatus of fickle outrage machines that pass as the deciding body of public opinion now is the core pivot point for the doc. A documentary about one of the most mediated, image-conscious people on the planet sounds like an oxymoron, and though director Lana Wilson is no hagiographer, Miss Americana is hardly warts-and-all.

But then it grinds to a halt at the 2009 MTV Video Music Awards, where, after Swift scores a Best Female Video award, Kanye West rushes the stage to declare that Beyonce should’ve been the real winner. The moment leaves Swift spinning, because it somehow never occurred to her that someone out there wouldn’t like her. From her teen years into her late 20s, Swift’s entire modus operandi was to be liked. Everything she did, every action she took, was in the name of making others happy, and hoping that happiness would be returned to her. After playing a huge show, Swift leans back in the car ride home and dreamily says of the crowd: They were so happy.” She’s thinking about the screaming fans – but not herself.

When she announces that she’s going to come out against Republican Tennessee senatorial candidate Marsha Blackburn, she faces intense pushback from her father, who is worried about her safety. This leaves her in tears, but she remains resolute in her choice. Wilson films as Swift, her mother, and her publicist Tree Paine drink giant glasses of white wine – a recurring theme in the film – and hit publish on that Instagram post. But this is also the section where you start to feel most distinctly the absence of any dissenting voice calling into question just when Swift decided to start resisting. Wilson never interrogates the privilege inherent in being able to orchestrate a political coming out the way Swift did that so many citizens are not afforded. It’s one of the easiest holes that Swift’s haters (who are going to hate hate hate hate hate) and even some of her more skeptical fans might poke in this narrative.

Joe Alwyn helped Swift figure out how to live a happy life detached from public approval and scrutiny. Though director Lana Wilson is no hagiographer, Miss Americana is hardly warts-and-all. The song will play during the film’s credits at the end of the documentary.

Not many forms of non-fiction that purport to be objective are so kind to their subjects that they pull double-duty as the scrutinized and the marketing muscle. One could argue that there may be a documentary about Taylor Swift to be made that she would not want to be the face of a press tour for; then again, that documentary would never exist because it wouldn’t get this access.


In current boyfriend Alwyn , though, Swift may have found that someone. The couple has been together now for almost three years, and though he barely appears in Miss Americana, she does mention she was attracted to his wonderful, normal, balanced kind of life.” He also gets a couple cameos: at one point, Swift runs into his arms after a concert , and at another, she kisses his hand during a car ride, The Los Angeles Times reports.

The Taylor Swift documentary ‘Miss Americana’ is a fascinating and candid story of how an insanely famous artist who was trained to be nice and inoffensive reconciles her growth as a political and feminist human being in the public eye.

If this leads you to believe that the pop superstar is in the business of sugarcoating things, consider her other new movie — a vastly more significant documentary that presents Swift not just sans digital fur but without a whole lot of the varnish of the celebrity-industrial complex. The Netflix-produced Taylor Swift : Miss Americana ” has a prestige slot as the Jan. 23 opening night gala premiere of the Sundance Film Festival before it reaches the world as a day-and-date theatrical release and potential streaming monster on Jan. 31.

According to the Sundance Institute, which organizes the Sundance Film Festival, Miss Americana is 86 minutes long. And we’re gonna love every minute of it. Miss Americana” will open the Sundance Film Festival on January 23, 2020. Then it will play on Netflix sometime next year.

Documentaries about music megastars are all the rage right now, and this year will also see nonfiction films about Rihanna and Billie Eilish , to name just a few. Still, when Wilson’s film begins, you wonder if she hasn’t caught Swift in a bit of a lull. As the pop star herself confesses, her biggest career goal — a second Grammy for album of the year , that one for her 2014 record, 1989” — is already well in the past, and perhaps not even all it was cracked up to be.

Believe it or not, it’s been almost 15 years since Taylor Swift first came onto the music scene as a bright-eyed country star singing about the tear drops on her guitar. Since then, she’s made seven deeply-personal albums and toured the world with them. Swift is a pop culture icon who has grown up in front of our eyes. Now she’s pouring her heart out on Netflix’s Taylor Swift: Miss Americana, a documentary about the musician embracing her voice in the public sphere.

Lana Wilson is an Emmy-winning director. Her feature debut, After Tiller (2013 Sundance Film Festival) won an Emmy for Best Documentary, was nominated for a Film Independent Spirit Award, and was theatrically released in over 50 cities. Her second feature film, The Departure, was nominated for the Film Independent Spirit Award for Best Documentary. Her web series, A Cure for Fear, was nominated for the IDA Documentary Award for Best Short-Form Series.

Miss Americana” also shows Swift’s mom, Andrea Swift, to be a constant companion to her daughter — from waiting for her backstage during a concert to crying for her during the 2017 trial to sitting next to her on the couch when she posts her first political endorsement on social media.

Though Swift has had several high-profile relationships , she says she still felt lonely — an emotion that amplified as she grew more and more successful. After winning the Album of the Year Grammy in 2016 for 1989 , she recalls, I didn’t have a partner. I didn’t have anyone I could talk to,” Entertainment Weekly reports. Shouldn’t I have someone?” Though she was dating fellow musician Calvin Harris at the time of her Grammy win, their relationship appeared to end on a sour note just months later.


At the post-screening Q&A – where Swift’s appearance was met with a standing ovation – Wilson noted that in her initial meeting with her subject, the singer explained that she didn’t like documentaries that felt like “propaganda.” And yet Miss Americana is not not propaganda. It never feels out of Swift’s control. It’s another piece of image building, even as it is about Swift freeing herself from the confines of the image she had previously constructed.

That’s typified by a scene where she is faced by a panel of people, all men, who are telling her all of the reasons taking a public political stance would be dangerous, costly to her brand and damaging to her financially. The impetus is Swift’s opposition to Tennessee Senator Marsha Blackburn’s re-election. Swift’s experience with her sexual assault trial and Blackburn’s opposition to the Violence Against Women Act are the tipping point that pushes her to take a public political stance for the first time. Provoking her team to have a conversation that takes the rough shape of an intervention.

Taylor Swift and Netflix had a fun and big reveal planned to announce the singer-songwriter’s upcoming documentary. After all, it has been years in the making and a huge part of Swift’s life. This may refer to Swift’s work with Time’s Up, an initiative to protect women from harassment that she collaborated in with 300 other women in Hollywood, or her recent advocacy of LGTBQ rights.

All of this buildup, of course, served to underscore the major themes of Lana Wilson’s intimate and focused profile of Swift during a period of her life that typified a major shift in her attitude toward her public and private life.


Critics and fans who saw the sneak peek at the Sundance Festival had a lot to say. Some of them were upset that Swift didn’t show Joe enough and she was still very closed off, no matter how much she did actually open up. There are also people who say the documentary seemed kind of scripted and not raw or real. Then there are the people who say this made them appreciate her more. A few fans speak about her being relatable in a way without fame. One person even said it felt personal, vulnerable, and deeply authentic. Most people who have seen the preview are commenting on Lana Wilison and her team for making the documentary, then Swift herself. I personally don’t like Taylor Swift that much, but according to a numerous amount of fans, that after watching this I will be along with many others.

Swift’s awareness of her public persona and how she’s perceived gives Miss Americana a low-hum of image management, which in turn makes you question the authenticity of Swift. But the second you start walking down the road of Is Swift authentic or not?” you’ve hit a dead-end because it does not matter. Some may argue that Swift’s perceived authenticity is essential to her career and her art, but I’d counter (to borrow a line from Miller’s Crossing) nobody knows anybody, not that well. To make a judgment on whether someone you’ll never meet is authentic” or not is a fool’s errand, and I was bewildered by the headlines that were more concerned with Swift’s persona than her music.

The project will look at her current work, as she wrote and recorded her latest album, Lover, and will include older material from her formative years and earlier albums before she moved to Republic Records and Universal Music Group from her old label, Big Machine.

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