It’s not garnering the same kind of acclaim as La La Land, but The Greatest Showman’s charming leads and circus scenes should make it a fun pick for families who enjoy history, musical theater, and, of course, the circus.
the greatest showman movie full episode – Full Length Movies
DF-07720 âu0088u009AÂ¢âu0080u009Au0082Â u0308âu0080u009Au0080u009C P.T. Barnum (Hugh Jackman) comes alive with the oddities in Twentieth Century Foxâu0088u009AÂ¢âu0080u009Au0082Â u0308âu0080u009Au0084Â¢s THE GREATEST SHOWMAN. Charity sings Tightrope” to highlight her devotion to P.T., but the scene also shows how his absence thanks to being on tour with Jenny Lind (Rebecca Ferguson), effects the circus and its performers. It also highlights Lind falling in love with P.T. Barnum. Tightrope” is Michelle Williams’ only solo in The Greatest Showman, and she gives an excellent performance, but it’s one of the songs that doesn’t make much of an impact on the album. The lyrics and music don’t quite have the same oomph as the visuals.
Grace Hong ’19, Audrey Hong ’18, and Mrs. Bailey have also enjoyed the movie. Grace said, I liked the songs for this movie, which was great and I liked how the movie gave hopeful feelings.” She also said that she liked the actors, especially Keala Settle and Sam Humphrey, who played Tom Thumb, who was unique for being really short. Grace’s favorite song was This Is Me,” which is a song that the unique people sing about the discrimination they went through and how they are proud of themselves. Grace’s favorite scene was the scene where Barnum’s family was all sitting down on the rooftop and the children sang some parts of A Million Dreams,” a song about the dreams of P.T Barnum when he was young.
It seems certain that Pasek and Paul will be back on board to contribute a new round of smashing tunes to the sequel, and when we do eventually get a trailer for The Greatest Showman 2, we can only hope that it’ll come complete with a sneak preview of the song which will be destined to burn up the charts for a year or more after the flick’s release. It wouldn’t surprise us if we were to get a teaser of some sort which could run in front of the movies that’ll be released during the 2020 holiday season, but this is pure speculation. Presently, all that we can do is wait to see how quickly The Greatest Showman 2 comes together — but rest assured, we’ll be all over any relevant details to be reported, and we’ll keep you up to speed.
The bearded lady and the other circus performers feel rejected by P.T, because of his new association with the upper class. Instead of accepting this rejection, the bearded lady, played by Keala Settle in The Greatest Showman, leads them back into the party, showing that they will not be pushed into the shadows again. This is one of the most well-known songs from The Greatest Showman. It’s the anthem to everyone who wants to say this is who I am, accept it or not, I’m not changing This is Me” gets most of its power from the showstopping vocals by Keala Settle, who gives it her all.
With: Hugh Jackman, Michelle Williams, Zac Efron, Rebecca Ferguson, Zendaya, Austyn Johnson, Cameron Seely, Keala Settle, Sam Humphrey, Yahya Abdul-Mateen II, Ellis Rubin, Skylar Dunn. Top: Charity with her husband P.T. Barnum. Bottom: Hugh Jackman and Michelle Williams as the Barnums in The Greatest Showman movie.
For some of the other featured artists, they formed a deep connection with the movie and its songs after recording their track, including The Zac Brown Band, who now performs “From Now On” during their concerts. My question is, why not focus on the real facts by digging deeper? What a shame, not only to Barnum’s character but also to Lind’s.
Soon their show is a hit, even if critics are poo-pooing it. (Art predicting life?) How long did it take for this to happen? Time is a construct in this film. Did The Greatest Showman take place in the span of a week? A decade? Is it still happening? The kids don’t age a day, and it seems that Barnum is inspired to create his show of oddities, recruits his acts, and turns it all into enough of a success for him to afford a mansion over the course of about an hour.
First of all, the way The Greatest Showman has built its audience, gradually, shows that word of mouth has played a key role. What’s interesting, and sort of charming, is that it is likely that Showman is drawing in not only new audiences curious to see what all the fuss is about, but repeat viewers who don’t care about the film’s formal problems and who are – presumably – turning up for the hits and the kitsch factor. The film has both in spades: Never Enough , This Is Me or Rewrite the Stars would all win the Eurovision Song Contest, and the film’s turgid story of self-actualisation dips into schmaltz just about every other minute. That tone is crucial – the film offers entertainment, but in an easygoing, Dirty Dancing kind of way. It’s never too sassy, smart, or even particularly camp, making its pleasures relatable and comforting.
Nearly 1,200 readers took to , Facebook and Twitter to explain what they loved about the movie. Two emailed directly with passionate defenses. A colleague stopped me to share his surprise at truly enjoying it. The film’s star, Hugh Jackman, even tweeted about my question, setting off another round of fans who emphatically told me how they felt.
The Greatest Showman explores the twin factors that propelled P.T. Barnum to success: his need to provide for his family combined with his need to find a greater purpose in life. Along the way, Barnum becomes a hero of sorts—a hero who experiences the highs and lows that dreaming big inevitably creates. Amid his growing success, though, Barnum is dedicated to the happiness of his family. He vows to place them first as he ventures into the unknown, where things aren’t as easy as they may seem.
Age Appropriate For: 10+. This musical acts somewhat like a biopic of P.T. Barnum, portraying the man who helped popularize the spectacle of the freak show” and circus in a very positive light; how much you know about what Barnum actually was like will color your impression of the film. Upper-class and wealthy people are depicted as child abusers (you see one slap a young boy in the face) dream crushers, and judgmental jerks; there are scenes of protestors and riots where the freaks” of Barnum’s show are attacked physically; a gigantic fire lands a character in the hospital with burns and wounds; and some implied romantic tension between a couple of characters, including a few kisses.
Among the film’s few joys is Efron, who enjoys a scandalous romance with trapeze artist Anne (Zendaya). Dir: Michael Gracey; Starring: Hugh Jackman, Michelle Williams, Zac Efron, Zendaya Coleman, Rebecca Ferguson. PG cert, 105 mins. Hugh Jackman stars in a slick new musical based on the life of circus impresario PT Barnum. It’s chaste, family-friendly fun that plays it safe, writes Nicholas Barber.
Phineas grows up into P.T. Barnum (Jackman), who woos Charity (Michelle Williams) over the disdainful objections of her father. This sets up the essence of his motivation to become a showman: He wants to give Charity the life to which she’s accustomed — and, while he’s at it, to whip her father at his own game.
As usual, the critics fail to grasp the obvious. Does the movie entertain? Yes, it does. Absolutely. Sure, it may not match the real story, and many things are not based in reality, but that’s the point! It’s a movie! It is a fun musical, very well done and it was a made up story about John G. Pigglestack, then the critics would have nothing to complain about. I actually likes this much better than La La Land. Guess it’s more upbeat. Musicals are a rare breed. Enjoy them while you can.
As a child, Barnum and his tailor father Philo work for the Hallett family. He loves their daughter Charity who is being sent to finishing school The two keep in touch through letters (“A Million Dreams”), eventually marrying and raising two daughters, Caroline and Helen, in New York City. They live a humble life; though Charity is happy, Barnum craves more.
Playing the role of a skeptical theater critic as the joyless foil to the giddy fun inspired by Barnum, Paul Sparks maintains a stern deadpan, the way reviewers in movies do. As Barnum’s wife, Charity, Michelle Williams gazes adoringly, until rumors in the press of his affair with Ms. Lind prompt her eyelids to fall in disappointment.
Despite the criticisms that the first film received for papering over Barnum’s more unsavoury characteristics, the sequel is unlikely to address them. While eventually supporting the abolition of slavery, there’s no doubt that he took despicable advantage of people of colour (and the show’s ‘freaks’) to make huge amounts of money.
It isn’t hard to see how the film’s feelgood factor can give audiences a much-needed sense of escape or respite. You could plausibly go further and suggest that the way the film reinvents PT Barnum – by all accounts a nasty, racist piece of work who exploited his workers without any qualms – as a beaming champion of minorities and misfits, might chime with viewers who wish to see good in men, and find precious little of it around in today’s #MeToo landscape. The Greatest Showman offers a hagiographic narrative of financial success, individual self-assertion and togetherness, merrily papering over such small difficulties as patriarchal oppression and systemic structural inequality.
Having told a story with a beginning, middle and end, it isn’t exactly clear what a sequel would focus on. There’s no denying that Barnum lived a full and varied life, though some aspects of it lend themselves more to song and dance than others.
Okay, but hold up. Barnum and Charity never did anything together. Not from the start, not ever. Barnum’s first business adventure is a complete surprise to her: he gets a loan from the bank by lying about ships he can offer as collateral and buys a museum to fill with wax figures and stuffed animals. He surprises his wife with all of that information. There was no brainstorming session or conversation. She finds out what his business venture is and how he paid for it the same conversation she actually sees it. So every day, Barnum was sneaking off, buying cheap wax figures and shipping a giraffe into New York without telling his wife, and she was totally cool with the surprise.
For example, Barnum is believed to have gotten his start as a showman in 1835 when he purchased and exhibited an elderly African American slave woman named Joice Heth, who was blind and almost entirely paralyzed. He claimed that Heth was 161 years old and had been George Washington’s nurse. Heth died the following year. Her true age was approximately 80 years old, roughly half the age Barnum advertised her to be.
From what we recall from the last time we were at the circus, a putrid stench sort of suffocated a cold, damp arena while downtrodden entertainers, of both the animal and human variety, laboriously attempted tricks that were built up as dazzling but, in the end, were mostly… fine. The crowd went wild anyway, the reaction only mildly sheepish. We expect the same from The Greatest Showman, a film so big and loud and critic proof that the dismissal of ho-hum naysayers is actually written into the plot.
Charity (right) was married to P.T. Barnum for 44 years until her death in 1873. Michelle Williams (left) as Charity in The Greatest Showman movie. Hugh Jackman stars in this biopic about legendary circus founder P.T. Barnum. Directed by Michael Gracey.
P.T. Barnum was not a good person, and it is fundamentally disingenuous for ‘The Greatest Showman’ to portray the man as a generous provider of opportunity and spinner of dreams. If you treat the film entirely as fiction, it’s an earnest, enjoyable musical, but removing it from problematic source material is a challenge.
Barnum increasingly faces the various pressures of the entertainment industry, as well as scandals that threaten to ruin his creative enterprise. But he vows that his “eyes won’t be blinded by the light.” And indeed, messages about the importance of fidelity and family resonate throughout the film.
And groan as loud as we did when Barnum asks a critic who scoffs at his fledgling circus show, Do these smiles seem fake?”—thus absolving the film then and there of its creative sins because at least the masses are entertained. But, dammit, there really is something magical about the musical numbers here. It’s bad, but there will be smiles, and those smiles will be real.
Perhaps it will focus on Zac Efron’s (fictional) Phillip Carlyle, keeping Jackman in a supporting role as it edges further out into fantasy? Or maybe we’ll get a side story that could have occurred in the middle of the first film, focusing on some specific incident during Barnum’s time running the circus.
Michelle Williams, with anachronistically long blonde hair, has a strong clear voice, and there’s something exhilarating about how she tosses herself into thin air, knowing Jackman will catch her. In what could be a thankless “wet blanket wife” part, Williams adds a spunky sense of adventure, showing us the kind of woman who would say “No” to a ladylike society-wife life, and fling herself into the unknown with her man.
Young P.T. Barnum and Charity sing A Million Dreams” to highlight all the obstacles that they must overcome to be together. It also highlights P.T.’s big imagination even at such a young age. Eventually, A Million Dreams” transitions from young P.T. and Charity to their adult counterparts, who have reunited and can start a life together. The song is a sugary sweet song about first love, imagination, and perseverance. A Million Dreams” also works to setup P.T.’s background and the start of his imagination and ambition. It’s memorable, but not the best this soundtrack has to offer.
The Greatest Showman is their third ring, a circus extravaganza built on pillars of classic musical style that La La Land only brushed against. Nearly as old-fashioned as its 19th century period, yet the songs by Oscar and Tony winners Benj Pasek and Justin Paul always tug at modern emotions, ambitions and download demographics.
Parents need to know that The Greatest Showman is a biographical musical from the songwriters of La La Land that stars Hugh Jackman as P.T. Barnum, who starts out as a penniless orphan but becomes the world-renowned creator of the circus. There’s a bit of language (“damn,” the racial slur “spooks,” “oh God!,” etc.) and violence (protesters burn down the circus, a man slaps a young boy), as well as some drama surrounding the movie’s interracial romance, which was taboo at the time. But overall the plot and songs are easy enough for tweens to follow – and with Zendaya and Zac Efron co-starring, the movie is likely to appeal to them. Although it’s based on factual events, the movie only covers a short period in Barnum’s life and glosses over certain aspects of his career. It’s not garnering the same kind of acclaim as La La Land, but The Greatest Showman’s charming leads and circus scenes should make it a fun pick for families who enjoy history, musical theater, and, of course, the circus.
One surprise among the stars: Who knew Michelle Williams as Barnum’s wife, Charity, can sing and dance as well as she does here? Williams gets her chance to suffer as usual on screen but this other side is delightful. On the other hand, the entire circus troupe comprised of unknowns like Settle is a talented foundation for spectacle.
Ignoring all of that is one thing, but the worst crime this film does against Jenny is her voice. Jenny Lind was a soprano. She was the Swedish Nightingale. This film calls her the Swedish Nightingale. So why is her opera solo” belted? Her song is a jam, sure, but it’s like an Adele song by way of one of those songs they used to write for whoever won American Idol. #JusticeForJennyLind.