triple frontier cast members – ‘Triple Frontier’ Sends Famous Faces On A Grim Hike Over The Andes TechCrunch

In the midst of everything, Bigelow stepped away, too, only her departure was permanent. The new Netflix movie stars Oscar Isaac, Ben Affleck, Charlie Hunnam, Garrett Hedlund, Pedro Pascal and more.

triple frontier cast names – ‘ Affleck, Isaac, Pascal, Hunnam, Hedlund, JC Chandor Deadline

Triple FrontierBen Affleck in the ‘Triple Frontier’ trailer (Photo via YouTube). The director J.C. Chandor sells used goods with verve. (His movies include the superior All Is Lost.”) Triple Frontier” takes off with a banging overture loaded with the familiar sights and sounds of a phalanx of police vehicles breaching enemy lines, a helicopter swooping overhead. In a generic country that I’ll call South Americaville, the police descend on a drug-gang lair and bad guys and good point, shoot, fall, die amid a hailstorm of bullets that’s topped by a cataclysmic explosion. After the smoke clears, the cool American number apparently running the show, Santiago (Oscar Isaac), turns his back on the police who summarily execute detainees, suggesting that he isn’t the story’s heavy.

Triple Frontier follows a handful of combat vets from the same unit (Oscar Isaac, Ben Affleck, Pedro Pascal, Charlie Hunnam, and Garrett Hedlund) in a quest for the ultimate payday. Thanks to one of their own scoring an inside line on an elusive drug kingpin’s secret lair, the group hatches a plan to infiltrate a secret location and nab the prize. If they succeed, the score will total in the millions, with enough money for each man to live happily and healthily. Yet, while the ultimate cost of success starts to rise so does the danger involved in such a heist, and all involved will be left to question whether or not the risk will outweigh the reward.

A group of former Special Forces operatives (Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal) reunite to plan a heist in a sparsely populated multi-border zone of South America. For the first time in their prestigious careers these unsung heroes undertake this dangerous mission for self instead of country. But when events take an unexpected turn and threaten to spiral out of control, their skills, their loyalties and their morals are pushed to a breaking point in an epic battle for survival. Directed by Academy Award nominee J.C. Chandor and co-written by Chandor and Academy Award winner Mark Boal.

The film’s open ending almost begs the question of whether fans can expect to see a Triple Frontier sequel in the near future. While Chandor claimed it’s “not my decision” as to whether a sequel will be greenlit, he argued that the film’s “certainly open-ended enough to do it.” Chandor also has ideas as to what’s next for Santiago, William, Ben (Hedlund), and Francisco (Pascal).

Charlie Hunnam is best when moved to the periphery of a picture. It allows him to tone down his alpha male swagger. I once joked that Hunnam looks as though he walks by throwing one shoulder in front of the other in order to generate momentum in the lower half of his body; he struts like he’s a cartoon character. But that’s only when he’s front and center; taking the focus off of him seems to allow him to relax, to become a bit more natural. It’s a better fit. Similarly, when Hedlund is asked to carry a film he seems self-conscious and stilted (e.g., Tron: Legacy). When he’s allowed to do something a bit off-kilter, however—as when he played a maniacal gang leader in 2009’s Death Sentence and as he is here—he sparks to life.

Back in March, Ben Affleck’s phoenix tattoo and its co-stars , Oscar Isaac, Garrett Hedlund, and Charlie Hunnam, were caught frolicking on a beach on the Hawaiian set of Triple Frontier. Some big-time directors and producers are working alongside Netflix. The production company for Triple Frontier, Atlas Entertainment, has Wonder Woman and the Dark Knight trilogy under its belt.

Not that there isn’t some nice dialogue to back up the action. We see Hunnam delivering a patriot speech early in the film to a bunch of U.S. soldiers; later, Isaac’s character twists the very same notions of sacrifice, effort and reward into a justification for what’s to come. And Affleck – ironically, it turns out – reminds everyone that they’ll be turning their backs on every oath they ever took.

The movie attempts to take that route by lining the road to the climax with themes of bitterness, greed, and the dangers of moral compromise. There is nothing wrong with these themes presented in the film. In fact, it was very refreshing to find a movie that did not dive into nihilism and moral relativism. The issue is that, at times, the movie tries a touch too hard to get its message across to the viewer; the moralizing grows distracting and disrupts the narrative flow.

John Haptas and Kristine Samuelson’s gripping Life Overtakes Me, the only short in this category with Netflix’s muscle behind it, feels as if it could benefit from simply reporting on a relatively unknown matter: the dissociative condition known as resignation syndrome, a response to the trauma of refugee limbo that has been predominantly observed in children from the Balkans now living in Sweden with their families. The filmmakers vigilantly depict the day-to-day routines of parents struggling to feed their comatose children and keep their limbs as lithe as possible. But the short doesn’t offer enough context about the struggles that brought these families to Sweden and, like St. Louis Superman, it has one read a little too much between the lines, sometimes literally so, as information relating to the asylum process and evolving opinions about resignation syndrome is largely conveyed via on-screen text.

The acting and writing are both fine in the film, without any particular gaps, though without anything particularly distinguishing, either. The cinematography is excellent, however, and Chandor has proved that he knows how to shoot action. The film is kind of a slow burn, in some ways. As the trouble for our heroes just keeps ratcheting up, their task becoming more and more impossible as they approach the finale.

Triple Frontier is a 2019 American action-adventure film directed by J. C. Chandor , with a screenplay by Chandor and Mark Boal , from a story by Boal. The film stars Ben Affleck , Oscar Isaac , Charlie Hunnam , Garrett Hedlund , and Pedro Pascal as a group of former U.S. Army Delta Force soldiers who reunite to plan a heist job of a South American crime lord.

The real problem here is that you’re not able to get to know or bond with any of the leads, so when it’s over, you’re like… Okay bye then!” This isn’t Stallone and Schwarzenegger-type film, but you may well end up longing for some of their appallingly powerful charisma (and one-liners) when you spend this much time with Triple Frontier’s gang of mopey middle-aged semi-professionals.


Santiago “Pope” Garcia ( Oscar Isaac ) is assembling a close-knit, retired Special Ops team for what may be the last job they’ll ever need to do in TRIPLE FRONTIER. Santiago has at last determined the jungle location of Lorea, the ruthless leader of a powerful, uber-wealthy drug cartel. He’s certain that with the right planning and the team’s exceptional skills, they can attack and kill Lorea, extricate the huge stockpile of illegally gained cash, and escape the Brazilian hideaway with few casualties. Tom “Redfly” Davis ( Ben Affleck ) is the key to making the operation work, and once Tom is on board, the others – William “Ironhead” Miller ( Charlie Hunnam ), his brother Benny ( Garrett Hedlund ), and ace pilot Francisco “Catfish” Morales ( Pedro Pascal ) – sign on. Though it initially appears that their task will be under official authority, that may not be the case, and the men must determine whether or not they are justified in taking such action. Once they’ve committed, it’s game on.

This isn’t the easiest exercise, however: Each character in Triple Frontier is … a rich text. So to help you decide which Triple Frontier character you are, I’ve put together these breakdowns—dossiers, if you will—as well as a set of questions that should help you figure out whether you’re an Ironhead or a Redfly. We’ll go in the order that the characters first appear.

Netflix film head Scott Stuber provided a lifeline, and has worked ever since with Roven and his Atlas Entertainment to keep this one from dying. The one unresolved issue now is title; the thriller that Mark Boal scripted years ago for his The Hurt Locker partner Kathryn Bigelow to direct was called Triple Frontier because of its setting in the notorious border zone with Paraguay, Argentina and Brazil, where the Iguazu and Parana rivers converge. That area is no longer considered as dangerous as it was; tourists go there now. Chandor has worked on the script and the location still borders Brazil. It will shoot in Oahu as well as in Colombia and California. Thomas Hayslip, Neal Dodson and Anna Gerb are executive producing.

But here’s the thing: There are no back tattoos in Triple Frontier , nor do any of our strapping (virile?) heroes strip for some fun amid the waves. And while Affleck’s character arc does require a lot of broody introspection, his shirt stays on and tucked snugly into belted pleated Dockers.


Despite the Academy Awards background of its creators, Triple Frontier appears superficially to be one of those cigar-chomping 1980s actioners in which Arnold Schwarzenegger or Sylvester Stallone or (if the budget was tight) Lee Marvin or Chuck Norris would summon a swaggering squad of thunder-eaters and hell-belchers to thrash their way into the jungle to take out a drug lord, or an alien, or an alien drug lord.

All of this has sparked more than just jealousy. Other people in the industry want to separate Netflix movies from other films. He’s at it again with Triple Frontier — clearly less interested in the heist than its fraught aftermath, which dwells on the physical burden of hauling ill-gotten gains, and the harder-to-measure weight of guilt and regret.


Cast: Oscar Isaac, Ben Affleck, Charlie Hunnam, Adria Arjona, Pedro Pascal. While working as a production assistant on set of the Netflix film “Triple Frontier,” Louis Rodriguez was putting together a chair for director JC Chandor when he was asked to audition by a casting director.

There is a notorious gap in the quality of Netflix productions. I’m sure you watched Chilling Adventures of Sabrina, Bird Box and Stranger Things, but have you heard of Mascots? Or The Discovery? Don’t bother watching them unless you want to waste your time, but clearly, not all Netflix films are created equal. They seem to either take over the internet or go unnoticed.

Tilt your head a bit, and you can see the film that Triple Frontier” almost was, a rousing thriller about action heroes getting pulled out of retirement for one last job. Cinematographer Roman Vasyanov (Fury”) sure as heck films it like a sleek action thriller, with deadly warriors popping out of luscious green jungles and cold, calculated camera movements designed to make the gunplay look clear and natural.

After Margin Call, A Most Violent Year and All Is Lost, director J.C. Chandor delivers his first generic product with Triple Frontier – a surprisingly uncomplicated thriller, given that Chandor’s other films all demonstrated a talent for exploring complexities and dramatic shading in a range of genres. He’s been working on this one for five years; maybe he just over-thought it.

As Tom Redfly” Davis, Affleck also gives a convincing performance but gets bogged down in the stereotypical acting that defines the film. His character has a family, which provides his central motive throughout. However, Affleck plays this character too simply, boiling Redfly down to a few simple things: he has a family, lives an unhappy life and has post taumatic stress disorder. That’s about all we get from Redfly, and it’s a shame because Affleck has so much more potential.

But while the action itself is vividly shot and often quite tense, the characters are so thinly drawn that it’s impossible to connect with them, much less care about whether they make a clean getaway with their stolen millions. The aftermath of the crime is more intriguing than the set-up, as the movie’s quintet of former special-ops badasses struggles to navigate one obstacle after another in the treacherous section of South America that gives the film its title. (The Triple Frontier is where Paraguay, Brazil and Argentina meet at a bend in the Parana River.) But by then, we know so little about them that we’re not nearly as invested as we should be in the difficult decisions they must make in the name of survival.

In practice, that makes Triple Frontier” a somewhat typical series of unfortunate events; the plan goes slightly awry then very awry and things proceed from there. But what’s fascinating about the way it develops is how gradually and gently it forces its chief questions — which are big concepts of right and wrong, risk and reward, morality and utility — to the fore. Its subject matter creeps up, step by step, until you can’t help but consider it.

There’s something to be said for watching grizzled, gray-haired Affleck toting a machine gun through the jungle on a big screen. Yet he works just as well on any device you’ve got at your beck and call. For a star-studded affair that’s not great but not terrible either, Triple Frontier” is definitely worth a watch for action junkies who have binged “Narcos” and already done the Bird Box” challenge.

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