The present glut of cinematic universe-forging comic-book adaptations has born some decent films and some terrible ones, but none can claim to rival the atmosphere and immersion of Unbreakable.
unbreakable film series 4th movie – Samuel L. Jackson On The Unexpected ‘Unbreakable’ Sequel ‘Glass’
Glass completes the Unbreakable-Split trilogy in fitting fashion, but what was the best movie? None of this rules out the possible continuation of this universe, however, as Shyamalan notes that the story could” continue beyond Glass, which hits theaters January 19. M Night Shyamalan admits that Unbreakable 2 may hold some relevance, as Samuel L Jackson says he’d love to do the film.
Unbreakable is a 2000 film that explores the role that myth has in our civilization , and specifically explores the way that humans use comic books to explore mythic dimensions of the real world. It became the first film in the Unbreakable trilogy , when eventually followed by the films Split in 2016, and Glass in 2019.
Another noteworthy use of color is something we see first established in Unbreakable. When Elijah talks about how his mom gave him his first limited edition comic book, we see the comic’s cover with a hero, dressed in green, fighting a beast-like character that happens to be in a darker yellow with a purple background. This could very well be representative of Elijah setting the scene for a Dunn vs. The Beast throwdown, a foreshadowing that was 18 years in the making. Considering the two Glass trailers have made it seem as if the genius-level mastermind Mr. Glass will use The Beast for his own purposes, it appears as if we’ll indeed be seeing a physical fight between good and evil.
io9 Reviews Reviews and critical analyses of fan-favorite movies, TV shows, comics, books, and more. When Vulture reporter Adam Sternbergh brought up the idea of Glass” performing better at the box office than Split” and prompting Universal to want more movies, Shyamalan remained firm on his answer.
Another great effort by M. Night Shyamalan. Unbreakable is actually a superhero film, but not in the traditional sense of being a big blockbuster explosion extravaganza. This film has a very well written plot, characters and a twist that’ll shock you to a core. Check this gem out.
At least some of the numbers Shymalan touts here are wrong — the average comic book runs 20-22 pages, and if illustrations” means panels, then the average is almost certainly a lot lower than 124 per comic. Accurate or not, it really doesn’t matter; these data points play almost no role in the film that follows, which is less about comic books than about the archetypes they traffic in. What’s important about the title card — what’s telling, even if all the information is incorrect — is that Shyamalan felt he needed to explain the concepts of comics and comics fandom to a movie audience.
Even amongst the hype train surrounding Glass, Unbreakable still feels underrated and underappreciated. It’s not a movie based on an existing intellectual property and M. Night Shyamalan fell out of favor with the moviegoing populace years ago. Marvel has since injected broad comedy back into the superhero movie, though remarkably without sacrificing emotional resonance. The ending, with its cheesy epilogue cards filling in off-screen plot details, leaves a hollow feeling after a deeply moving experience. Still, its influence cannot go unrecognized. It was the first superhero movie to truly look inward, to fully humanize its characters, and to see the ultimate potential of a genre that continues to look back to it for inspiration. That a proper sequel finally exists almost 20 years later is a testament to the enduring power of Unbreakable’s ideas and how deeply they have penetrated our world.
A visual tour-de-force occurs when David becomes aware of his unusual powers at night on the railway station concourse. His mind takes in confusing information about the depredations of those he bumps into, and he has to decide whose victims are most worthy of his heroic attentions. Shyamalan, however, doesn’t know how to resolve his picture. It ends abruptly, surprisingly and shockingly, and one leaves vaguely dissatisfied. But it’s a film to see, to enjoy, and perhaps to ponder.
And don’t plan to catch a train from the cavernous ‘railway station’ in which Dunn explores his colour-coded supersenses. It’s another Philadelphia lobby, that of the Packard Building, 111 South 15th Street at Chestnut Street. Built as showroom and assembly plant for Packard cars, it became publishing plant for the Philadelphia Record, before lying abandoned. It’s since been redeveloped as luxury apartments.
Well before Heath Ledger in 2008’s “The Dark Knight” was nominated for a Best Supporting Actor Oscar, or before 2017’s “Wonder Woman” and 2018’s “Black Panther” used the genre to break barriers, “Unbreakable” was making it clear that superhero stories can be legitimate works of art which do much more than entertain dumb masses with colorful costumes and high-concept plots. This is why “Unbreakable” is likely to stand the test of time as long as stories about superheroes — or heroes in general — are still sought by scared, suffering human beings.
Even though you could probably watch Glass and enjoy the movie on its own, you’ll appreciate it even more after seeing both Split and Unbreakable, especially because those two films are so different. While Unbreakable seems like a full-blown superhero movie, dark as it may be, Split is more of a psychological thriller, and so putting them together seems like an interesting, and ambitious, experiment.
Today, comic book heroes, like Unbreakable’s invulnerable David Dunn ( Bruce Willis ), have stepped out of the shadows and into the spotlight. That’s the other thing that’s remarkable about Unbreakable in 2019. What once looked like a fairly rudimentary thriller now feels like a prophetic glimpse into the cinematic future. Shyamalan predicted not just the rise of superheroes in our society, but the rise of the comic book community’s gatekeepers, who defend the medium so fiercely they’re easy to mistake for real-world supervillains.
It’s important to remember the context of when Unbreakable was first released, nearly 19 years ago. It was a far cry from 2018, which enjoyed a record-breaking box office for superhero movies and saw the genre honored with several Golden Globe nominations and wins.
Same goes for Elijah’s relationship with his mother, Mrs. Price. You recognize the character is needed as a device to support Elijah. However, once their role is fulfilled, she loses her main purpose. Leading to why, at least in the case of Audrey, we see one person from the original not in the sequel.
It’s ironic that Disney, which now owns Marvel, deliberately downplayed the comic book aspect of Unbreakable. If you go back and watch the first trailer , you can see how they marketed the film as more of an eerie thriller like The Sixth Sense. Owing to this muddled marketing, perhaps, Unbreakable was not a runaway success. While not an outright flop, it fell short of domestic box office expectations, dashing immediate hopes of a sequel.
Good thing her clover-tattooed secret society is on call for backup should things get unruly, which of course they do. She stationed two murderous reprobates in the same facility, after all. Elijah is back on his bullshit, recruiting Kevin (as controlled by his animalistic persona, The Beast) to stage a cataclysmic attack on a new Philadelphia skyscraper that’s garnered the country’s attention. That way, David will have to salvage the destruction, and the world will learn that superheroes and über-villains really do exist. No longer will freaks of nature hide in the shadows.
Sixteen years later, after a substantial dip in his career and a film called The Visit that showed a promising return to form, Shyamalan released Split upon the world. Amazingly, in this era of internet spoilers, the lid was kept tight on the secret that the film is set in the same universe as Unbreakable. Thankfully, due to the huge success of Split, Shyamalan decided to launch right into the next chapter of the story, called Glass.
sexual content: One of David’s premonitions involves a man preparing to take advantage of his date, who has passed out. A comic book store clerk makes a crass reference to masturbation. The trailer for Glass shows how the 2019 film brings the characters from Unbreakable and Split together, all three leads in the same room.
The existence of superheroes in literature within the universe of a superhero movie is an odd notion. Why would the downtrodden denizens of Tim Burton’s baroque hellscape Gotham City read about costumed vigilantes fighting monsters when they have to suffer through chemical warfare and terrorism almost every day? We have police officers and doctors in our real world, but that doesn’t stop writers from concocting fiction out of those professions. In Alan Moore’s seminal graphic novel Watchmen, superhero stories have been replaced by somber, meditative pirate tales in the popular imagination, cementing the idea that when superheroes exist long enough, people stopped being interested in reading about them.
The additional cast is a link to both films as well. Besides Casey, who links Glass to Split, Dunn’s son and Elijah’s mom from Unbreakable are both seen in the Glass trailer. Both wear colors connected to their respective family member, Elijah’s mom in a purple blouse and Dunn’s son in a dark green jacket.
M.Night Shyamalan supposedly approached Bruce Willis about Unbreakable during the filming of The Sixth Sence asking to collaborate again but the film wasnt as well received as the Sixth Sense on release. This is a crime because I would actually argue this is Shyamalans best work. Fortunately the lack of comparative success didn’t prevent the creation of the Eastrail 177 trilogy.
We switch to years later, following security guard David Dunn (Bruce Willis). His life is falling apart, and he’s searching for some meaning as his marriage hits the skids. Then, on a return trip from New York, he survives a horrible train wreck without a single injury as the sole survivor.
But denial is just the first stage of grief and I’ve since cycled through to acceptance. This whole movie, including its catastrophic ending, is real, and they’re charging real money to see it. People who loved Shyamalan’s sterling 2000 film Unbreakable and were tantalized by the surprise revelation at the end of 2017’s Split that both films take place in the same universe will show up to see reluctant hero David Dunn (Bruce Willis), his mastermind arch-nemesis Elijah Price, aka Mr. Glass (Samuel L. Jackson), and the amalgam of two-dozen split personalities known as the Horde (James McAvoy) together onscreen for the first ( and last ) time. Many will leave disgruntled, others bamboozled, eye-twitching, and stupefied like the institution-bound title character. I left a conspiracy theorist.
Starter Villain : The Janitor is the first real threat David faces, and he almost loses when the Janitor catches David off-guard, knocking him into the pool, inadvertently exploiting David’s Kryptonite Factor Defeating the Janitor and saving the children is the first time David is hailed as a hero; Elijah later points out that this is just the first step in his burgeoning career as a real-life hero.
Create Your Own Villain : Elijah, as he strives to locate his antithesis, purposefully creates himself as the super-villain Mr. Glass, by becoming a mass-murdering criminal mastermind who felt the deaths of innocent people was worth it to finally know his role in life.
M Night Shyamalan’s understated 2000 drama is anathema to the box-office behemoths of today. Elijah Price informs David Dunn of a piece of art that hits close to home. He just doesn’t know it yet. Elijah’s mother encourages her fragile son, diagnosed with osteogenesis imperfecta at birth, to get outdoors by leaving him comic books as gifts outside.
M. Night Shyamalan, left, goes over a scene with James McAvoy and Bruce Willis on the “Glass” set. A poster for Glass, the sequel to both Split and Unbreakable. The Unbreakable-Split-Glass trilogy is now complete, but which is the best film? M. Night Shyamalan’s latest movie, Glass , is the third and final installment of the creatively-protracted “Eastrail 177 trilogy”.