vince staples show episode 2 – Vince Staples Wife

With its siren-like synth squeals and dry, chiseled beat, the EP’s lead single “Blue Suede” thrust a wider audience into Staples’ grim streetscapes and ice-cold commentaries on the harsh realities of thug life.

vince staples show – Vince Staples Unveils Trailer For ‘The Vince Staples Show’, Out Later This Week

VINCE STAPLESThe first episode of The Vince Staples Show” is unsettling! The success of the album relies on everything within these 22 minutes being conceptually airtight and perfectly executed. Just as he’s tweaking our idea of radio playlists, Staples is toying with the popular conception of fun and youthful abandon. He slyly masquerades his dead-homey anthems as summer party jams. It’s a stark reminder that so much of black pop is a celebration of the death and devastation that haunts many of its practitioners. A constant soundtrack of black pain scores America’s pleasure principle. And we all get to dial in and tune out. By opening a twilight zone portal into a universe where you get a plausible, undeniable depiction of complex humanity in an overlooked part of the American experience, FM! questions whether you could ever listen to the radio and understand the black artists who give it life to have full lives of their own.

I write when I get beats, or sometimes I’ll have songs that are done, then I have to find the production for it. I write without a beat most of the time. It’s a bad habit of mine, or so my manager says. But I don’t really focus on music. The majority of my time goes to figuring out what shoes I want to buy, or how I want certain videos to come out. I try my best to stay normal. I’m not like that, I’m not going to pretend I am. It would do me better if I was, but I’m not.

Earlier today (August 20), Staples tweeted a link to The Vince Staples Show’s website, which prompts you to sign up for updates on the new release. Music video by Vince Staples performing Get The Fuck Off My Dick. © 2018 Def Jam Recordings, a division of UMG Recordings, Inc.

self-titled recently sat down with Staples at a Hollywood studio where he was holed up with Clams Casino, the New Jersey producer best known for his work with A$AP Rocky and Lil B. His first Def Jam release, the Hell Can Wait EP, had only been out for a few weeks, but he was already back to his old routine: fielding collect calls from jail and writing songs with no instrumentals. We talked about gang culture, family ties and why he prefers Beethoven over Boyz N the Hood.

He careened to a close with compact versions of some of his career highlights: BagBak” (which appeared in a Black Panther” trailer), his early single Blue Suede,” his hometown shout-out Norf Norf.” He closed with Yeah Right,” from his second album, Big Fish Theory.” Like a lot of Staples’s stuff, the song masquerades as a high-energy banger while concealing a distressing level of nihilism at its core.

I stopped caring about life when I was 15 years old and my homie got killed by a grown man. And his dad still calls to check on me, to tell me he’s proud of me. He says he cries sometimes when he hears my songs. That’s what means something to me.

The influence of Vince’s dark sarcastic humor and co-writer and director Calmatic ‘s outrageous perspective within realistic settings is clear. Staples’ mastery of the internet cannot be ignored. Despite his repeated hate for it he knows how to manipulate into successful ventures.

Interestingly, as soon as the video’s climax hits, the video debuts Vince’s latest song, So What?” The cut is instrumentally reminiscent of traditional West Coast style, made up of a warped, bouncy melody ridden in hi-hats.

Hell no. I don’t want anybody to do what I did. I stopped going to school when I was 15, I was broke until I was 20 years old. My mom had cancer. You don’t want to do that. Why would you? You don’t want to see people get shot, die. That shit’ll be fun for six months. You talk about the civil rights struggle and things, the one thing that keeps people going is an enemy. During the ‘60s, the enemy was white people. During the early gang struggles, it was equal housing. Well, this is a town where the Mexicans and the Asians and the white people and everyone are right there. In Long Beach, you’re not from your color. You’re from your street. I got a homie named Chris, way older than me, and no one cares that he’s white. All we care is that they’ve been here. We trust them. We have the same struggle. Who’s your enemy? He can’t be. That’s your homie. Not having an enemy is the scariest thing in life. Who are you fighting? What are you living for? You live to overcome.

See you next time, he said as he left the stage, or maybe never, you never know.” Then, instead of an encore, Staples’s late friend Mac Miller appeared on the big screen in a video clip. It was Miller’s Tiny Desk” concert for NPR, with a superb live band crammed into a cluttered office space. The crowd, ready to hit the exits, stopped and watched all three songs, played back in stark black and white. Taped just a month or so before his accidental death last September, Miller’s joy in the music was palpable.

After a brief intermission, Staples took the stage just after 10, and launched into Feels Like Summer,” the opening track from his most recent project, last year’s FM!. There’s not a lot of information out about the Long Beach rapper’s latest offering, but according to the clip, the all new original series” will arrive this Thursday (August 22). Check it out below.

Ramona Park residents gathered for the video shoot of Vince Staples Fun!” this past October. Courtesy of @waxxtho. Recording artist Vince Staples has come a long way from his trying upbringing in Long Beach, California’s Ramona Park neighborhood.

Vince Staples is an eclectic hip-hop artist who draws inspiration from electronic, dance and avant-garde styles in his work. Critics have consistently praised his production quality and the lyricism in all three of his albums, which include Summertime ’06 (2015), Big Fish Theory (2017) and FM! (2018). The box office smash Black Panther featured his song “BagBak” in the trailer and “Opps” in the iconic car chase scene. He’s closely associated with acts such as Odd Future , Mac Miller and his own hip-hop trio Cutthroat Boyz. A lively performer, Vince Staples concerts are engaging affairs with plenty of audience involvement.

Vince Staples — the Long Beach rapper whose music has been featured in projects such as Creed, Atlanta and Marvel’s Black Panther — has set his sights on a role in front of the camera. Get the hottest music, news and videos delivered directly to your inbox.

Aug 22, 2019 Vince Staples gets into an unexpected fight in a strange barbershop in the video for his new song So What?” which doubles as the first episode of his new web series, The Vince Staples Show.

Queen & Slim is the feature film debut of director Melina Matsoukas, who has directed episodes of Insecure and Master of None as well as music videos for Beyoncé , Solange , Rihanna and Lady Gaga , among other stars. Its screenplay was written by Lena Waithe (Master of None, The Chi).

Kendrick Lamar said this in an interview the other day: All the people making songs about guns and shooting and shit, it’s not reality.” And I’m glad he said that, because he’s on a way higher level than me. That’s something that I try to say all the time in my music. That’s not real. We watched Pokemon. We skateboarded. We did everything everyone else did. I remember when I was in high school, T.I. was catching flak because he said his favorite TV show was Friends. Why does that not make sense? Where I grew up, the white people were across the street, the Asians lived two houses down, the Mexicans lived right here. We were all from the same neighborhood. We all did the same things.

His third and most recent album, FM!,” is all of 22 minutes long, yet it’s exciting enough to have landed on a lot of year-end-best lists. In a taut hourlong set Monday at the House of Blues, the southern California rapper performed pretty much every moment of the album, as well as most of the tracks that have made him one of the most watched names in hip-hop since his arrival a half-dozen years or so ago.

Of course, Vince Staples is no stranger to acting. The rapper joined alongside Tyga and A$AP Rocky for a cameo spot in the 2015 indie comedy-drama film, Dope He’s also no stranger to cohesive music releases, from his GoFundMe stunt of last year , to his short film based on his 2016 EP Prima Donna Vince is continually innovating, tying fully creative ideas to his upcoming music releases as forward-thinking packages for a digital age of music.

That’s so Vince Staples. Both he and Philly native Tierra Whack are two amazing storytellers and have found both creative and attractive ways to embrace their audiences. You may remember Whack World”, where Tierra kept every track around a minute-long. The audiovisual project was innovative and did not fail to keep us all lyrically entertained. The risk of turning fans off with the 15-minute masterpiece proved worthy.

Earlier this week, Long Beach, California MC Vince Staples teased a seemingly formless upcoming project titled The Vince Staples Show (embedded below). No one seemed to quite know what The Vince Staples Show would become, but many speculated that it would be Staples’ newest record. After his latest music video drop, that may only be half-right.

The video opens by zooming in on our Google Earth-sized planet, and it plops us — with Google Maps’ little yellow man — onto a nondescript street in Norfy, California.” There, we see Staples pose in front of groups of kids dancing, clean his sneakers with a toothbrush and bleach, stumble across a robbery in progress, walk by a scene of police brutality, and, finally, dance with his crew at the entrance to Ramona Park.

Then a kid comes up and snatches his headphones and Vince’s Crip music blasts in the shop. The two menacing dudes – obviously Bloods, start fighting Staples. People of all ages have succumbed to the power of social media, and in his new music video for “No Fly Zone,” Sareem Poems looks for a way out.

In the video, Google Maps zooms from the entire globe to Poppy Street, where Vince and company are outside on the block, living out their day. As the camera pans through the still frames of the scene on the street, it stops to see a few things play out live: Vince and friends lighting votive candles on the sidewalk; two women fighting in the street, filmed by two others; three men stealing bikes from a white woman; kids dancing; a woman in fishnet stockings and shorts; the three men who robbed the woman then being shoved onto the hood of a police car; Vince’s neighborhood posing for another camera filming them.

Sources close to the former Death Row Records boss tell TMZ … he’s signed over his life rights to Ray, with the expectation he’ll make the right decisions with Suge’s story and make some money for him and his family while he’s behind bars.

The two-minute video ends with the camera pulling back to reveal a white teenager watching the video on his laptop. (There’s also a Free Kodak” poster in his bedroom.) Someone — presumably his mother — yells, Lucas!” The kid startles, slams his laptop, and runs out of frame. The whole thing is a fascinating meditation on how technology mediates the distance between cultures, and how easy it is to consume something that feels taboo when you’re online. Lucas, a young white voyeur, was reaching out across time and space because he wanted to know what that felt like — authentically.

Yet, as his most recent projects suggest, appearances can be deceiving. The LPs delves into the confusion of sudden fame and acclimating to a lifestyle antithetical to the one he’d known in Long Beach – one wrought with gang violence and poverty. It’s a fundamental narrative in hip hop, but rappers have always found a new way to breathe life into it. Staples brings forth a vision that’s brutal, elegant, playful, and despondent in one breath.

Directed by Calmatic, who also worked with Staples for the video FUN!” and the music video of the viral hit Old Town Road,” the narrative showcases a distorted sense of creativity. The artistic vision and socially conscious rhymes behind the first episode of The Vince Staple Show” are undoubtedly making waves. Listen to So What?” HERE and check out the show below.

Sold out show. Main floor and mezzanine were both packed and the pit was nearly impossible to get into. JPEGMAFIA put on an exciting set, but I’m admittedly unfamiliar with his music. Energy was through the rood, though and his fans were going crazy. There was a huge line to meet him that started at his second to last song and lasted well into Vince’s set. Seems like a cool dude. Vince did a nice combination of new and old material and had an interesting backing video based on this tour being for a DVD. Aside from wanting the show to be longer and not getting through the doors until almost 10, it was worth every penny.

Vince Staples isn’t disturbed by dissonance: The California rapper’s music—stark, biting, and oblique—revels in knotted tensions that defy easy resolution. His world is one of white fans dancing to black death, of relationships crumbling into oblivion, of shoot-outs killing both enemies and friends—and it all feels natural. Staples’s ability to evoke these contrasts and then slash through them is unmatched, in rap and beyond. He’s a master at drawing listeners close, only to explode that proximity. FM!, his latest album, extends that tradition, using a radio station to amplify the signal. The record features some of his most accessible songs to date, and in typical Vince Staples fashion, stings as much as it slaps.

The instrumental intro to his Def Jam debut, Summertime ’06, is even named Ramona Park Legend, Pt. 1” while the subsequent Pt. 2, featuring Earl Sweatshirt, is mid-album. His 2017 album, Big Fish Theory, also has a track called Ramona Park is Yankee Stadium.” The Yankee reference harkens to Staples’ days as a member of the Naughty Nasty Gangsta Crips (2NGC) crew, a gang that wore Yankee hats and started on Obispo Avenue between Artesia Boulevard and Poppy Street (see below).

Rapper Vince Staples released his latest album FM! today, and it’s chock-full of certified slappers. The music video to FUN!,” one of FM!’s singles, takes place entirely in Google Maps. (Realistically, it’s in a UI that looks like Google Maps, but whatever.) In the video, Staples gives us a Street View tour of the neighborhood he grew up in and still raps about: the Ramona Park area of Long Beach, California.

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