Or I’d sit in the house on the couch and watch Martin. Staples lived at 3230 Poppy St., a street of modest homes that runs east-west through the neighborhood of Ramona Park. I’d never heard any Jay Z CD except The Black Album before I started making music.
VINCE STAPLES – Vince Staples
The first episode of The Vince Staples Show” is unsettling! That’s so Vince Staples. Both he and Philly native Tierra Whack are two amazing storytellers and have found both creative and attractive ways to embrace their audiences. You may remember Whack World”, where Tierra kept every track around a minute-long. The audiovisual project was innovative and did not fail to keep us all lyrically entertained. The risk of turning fans off with the 15-minute masterpiece proved worthy.
The brief trailer is a creative use of misdirection. Ominous music kicks things off while a black screen is all that we can see. Vince’s voice is heard goading people along to “get right in they face with it, look them in the eyes too.” He tells whoever that he’s talking to that he doesn’t have time for cold feet, and then to look under the seat.
Like Señorita,” the video for FUN!” ends in a similar fashion: the camera reveals the invisible viewer to be a white teenage boy scrolling through Ramona Park on his MacBook. Unlike the family in Señorita” though, this boy is interrupted—abruptly called by his mother, him gasping as if he has been caught. This white teenage boy has been surveilling Poppy Street from the comfort of his home, consuming their lives for sport, until disrupted.
Of course, Vince Staples is no stranger to acting. The rapper joined alongside Tyga and A$AP Rocky for a cameo spot in the 2015 indie comedy-drama film, Dope He’s also no stranger to cohesive music releases, from his GoFundMe stunt of last year , to his short film based on his 2016 EP Prima Donna Vince is continually innovating, tying fully creative ideas to his upcoming music releases as forward-thinking packages for a digital age of music.
The medium-sized crowd at Revolution didn’t dispel the notion that Vince is one of those if you know, you know” artists. Compared to superstars like Kendrick Lamar, Staples is one of his genre’s best-kept secrets, which has seemed to foster an even more passionate response from his fans. His refusal to compromise artistically or pander to a more mainstream hip-hop audience has preserved his reputation and his body of work as one of the strongest in the game, and Thursday night’s show only reinforced that sentiment.
Aug 22, 2019 Vince Staples gets into an unexpected fight in a strange barbershop in the video for his new song So What?” which doubles as the first episode of his new web series, The Vince Staples Show.
With Vince fresh off a performance in his hometown at ComplexCon (on top of just releasing the rapid-fire 20-minute album FM!, then announcing this week that Poppy Street Sinners will be dropping in January), it’s time to revisit this incomplete and mostly inaccurate list to provide a more local perspective.
Ramona Park residents gathered for the video shoot of Vince Staples Fun!” this past October. Courtesy of @waxxtho. Recording artist Vince Staples has come a long way from his trying upbringing in Long Beach, California’s Ramona Park neighborhood.
Vince Staples isn’t disturbed by dissonance: The California rapper’s music—stark, biting, and oblique—revels in knotted tensions that defy easy resolution. His world is one of white fans dancing to black death, of relationships crumbling into oblivion, of shoot-outs killing both enemies and friends—and it all feels natural. Staples’s ability to evoke these contrasts and then slash through them is unmatched, in rap and beyond. He’s a master at drawing listeners close, only to explode that proximity. FM!, his latest album, extends that tradition, using a radio station to amplify the signal. The record features some of his most accessible songs to date, and in typical Vince Staples fashion, stings as much as it slaps.
Staples lived at 3230 Poppy St., a street of modest homes that runs east-west through the neighborhood of Ramona Park. The Vince Staples Show is an eclectic mix of fire music and the rapper’s distinct personality.
As far as people getting killed by the cops? It happens all the time. I’m happy a lot of people are kind of in uproars about it, though. Because we need to value everyone’s life equally, and there’s a lot of people who don’t see it that way.
The first episode titled So What” comes with a single of the same name. The episode begins with Vince receiving a call from his manager asking if he’s interested in performing for Malia Obama’s birthday.
On Vince Staples’ 2018 album, FM!,” there’s a party going on. From a distance, it sounds like a celebration of the rapper’s childhood in Long Beach, Calif. But as with all things Staples creates, it’s more complicated than that.
The first episode presents itself in a seriocomical way. The story starts with a phone call about a commercial shoot invitation from the supposed representative of Malia Obama (daughter of Barack Obama). After accepting the invitation, the rapper enters the Catch a Fade” barbershop to get a fresh performing-ready look; however, he has no idea that he is also now involved in a particularly dramatic situation. Pasadena street gangsters in the same barbershop are unmistakably not in a good mood when they see Staples. Quickly, a street fight spins breaks out in the store. Staples, who is too hard to kill,” defeats the gangsters at the end of the fight, and the story ends up with him walking out of the shop victorious.
Don’t expect Vince Staples to celebrate too much when his new project Prima Donna is released digitally on Friday. The rapper, who hails from North Long Beach, California, doesn’t drink alcohol. He doesn’t do drugs. So after the six-track Prima Donna drops — along with 5,000 limited-edition vinyls and an accompanying self-titled short film conceived by Staples and directed by award-winning director and Kanye West photographer Nabil Elderkin — expect him to simply go out and get like a hamburger or some s— ” before getting back to work.
Hell no. I don’t want anybody to do what I did. I stopped going to school when I was 15, I was broke until I was 20 years old. My mom had cancer. You don’t want to do that. Why would you? You don’t want to see people get shot, die. That shit’ll be fun for six months. You talk about the civil rights struggle and things, the one thing that keeps people going is an enemy. During the ‘60s, the enemy was white people. During the early gang struggles, it was equal housing. Well, this is a town where the Mexicans and the Asians and the white people and everyone are right there. In Long Beach, you’re not from your color. You’re from your street. I got a homie named Chris, way older than me, and no one cares that he’s white. All we care is that they’ve been here. We trust them. We have the same struggle. Who’s your enemy? He can’t be. That’s your homie. Not having an enemy is the scariest thing in life. Who are you fighting? What are you living for? You live to overcome.
The announcement arrived shortly after the rapper signed to Motown Records earlier this month , which signals a new Staples album might be on the horizon. According to Billboard , the rapper is expected to release new music on his new label in the coming weeks.
Vince Staples instructs a pair of children on the art of candy sales in a funny trailer announcing his mysterious new project, The Vince Staples Show. The clip opens with the rapper’s detached voice noting, You already know the deal — we’re not doing too much talking. I ain’t got time for no cold feet … Both of y’all signed up for this.” We then cut to the inside of his car as two kids grab boxes of snacks and walk up to a supermarket to clumsily pitch their product.
Vince Staples has released a new project, FM!, the follow-up to 2017’s Big Fish Theory. Back on Poppy Street, Vince Staples is still America’s most reluctant celebrity. Recording artist Vince Staples embarks on a North American Tour to support his new album. Catch him live at The Ritz Ybor in Tampa, FL.
I stopped caring about life when I was 15 years old and my homie got killed by a grown man. And his dad still calls to check on me, to tell me he’s proud of me. He says he cries sometimes when he hears my songs. That’s what means something to me.
2001. Laughs I don’t like a lot of early West Coast music. I hate Funky Worm”. I hate lowriders. I’ve never seen that in my life. I love Chronic 2001 though. All those newer Snoop singles were just—you know, you were there.
She met my grandfather when he was 16. He got to the country when he was a little boy; he didn’t know how to spell his name in English. In Haiti, there’s indentured servitude—still legal to this day—where you sign a contract if you need to pay for kids or something. You’re just in, essentially, slavery. It happens with women a lot. My grandfather, he went to the army to help support his family. When he came back, his favorite baseball team was the Dodgers, and he saw the interview with one of the Dodgers, who had said he lived in Compton. And it was a really nice area at the time, and regardless, my family had seen a lot worse in their life.
It’s a classic Staples quote, brash and pointed, but also intentionally misleading. What Staples has created in FM! is his most deceptively simple concept album yet — a meta-gangsta reflection on the popular consumption of black nihilism as peak entertainment in 2018 — a whole 30 years after NWA’s Straight Outta Compton debuted. And it slaps, too.
The influence of Vince’s dark sarcastic humor and co-writer and director Calmatic ‘s outrageous perspective within realistic settings is clear. Staples’ mastery of the internet cannot be ignored. Despite his repeated hate for it he knows how to manipulate into successful ventures.
Just growing up. As time goes on, you see different things in the world and you just have a different outlook on things … and of course your music should change. A lot times, especially in rap, we’re kind of discouraged to be ourselves in a sense … a lot of people just stick to the same thing. I credit musicians who molded their music to who they were at the time … That’s definitely something important for me. I want to grow with it. It’s not necessarily about being the best at all times. Music, it’s not supposed to be good or great or anything, it’s just supposed to be you. You as an artist, your ups and downs. Your path is what kind of makes you who you are.
What am I trying to overcome now? I don’t know. I have to take care of my family, because nobody else is going to do it. But being in the streets, the thought of fighting for no reason… we know it’s for no reason. We know it. That’s the thing people don’t get. You can get put on when you’re 15. You can beef with them” for 50 years. You don’t speak to them over there, Fuck them because fuck them.” You get put on because you want a hat, you want something to put in your AIM bio. Your Myspace name. You don’t have a nickname. Fuck it, let’s go together.” These are your homies.
Playing up this California love, Staples’s aesthetic here is strictly West Coast. It’s a bit of an inside joke: Despite being a respected member of LA’s hip-hop community, his music has typically held the West Coast rap canon at a remove; stylistically, Staples’s first home is the Internet. The punch line of this unexpected homecoming on FM! is that it’s a fantastic match. Staples’s winding flows and übernasal timbre are suited perfectly for the groove and thud of classic West Coast styles like hyphy and Mustardwave. Producers Kenny Beats and Hagler evoke all this history expertly, providing Staples with bold, twitchy compositions that pound and sway and bounce. Breezier than the jolty rave bops of his last album, Big Fish Theory, these beats are designed to be heard in compact but open spaces, such as a swap-meet stall or a car with the windows down.
The show aims to highlight, Staples’ music and unfiltered personality in short videos set in some of the wild situations Staples finds himself in,” and will feature a new original track as a stand-alone single each episode.
Los Angeles, CA – While the buzz of Vince Staples’ new deal with Motown Records is still settling in the industry, the FM! rapper has shared yet another huge announcement with the news of his new TV show.
The clever tour concept—Smile, You’re on Camera”—featured a massive video screen at the back of the stage that showed live footage of the performance and the crowd in real time. Fans got the chance to mug for the cameras and show off their mastery of Staples’ lyrics, and the gimmick managed to make a crowd of under 1,000 fans feel like it was sold out. Occasionally, some of the faux monitors on the screen would play scenes from old black-and-white movies, adding to the inherent cool-factor of the display. As if that wasn’t enough, an impressive light show was packed onto the sides and front of the stage, with strobes and LEDs flashing in sync with each and every beat. The massive scope of the production, coupled with a relatively small venue, made the performance feel like a stadium show that had somehow been compacted to fit inside Revolution Live.
Black-clad, shrouded in white lights, and dripping with artificial smoke, the 25-year-old Compton-born rapper kickstarted the local showing of his Smile, You’re on Camera tour with soft banger Feels Like Summer,” off his third studio LP (2018’s FM!, which spans just 22 minutes). Keeping up with the tour title, the Long Beach MC filled video screens with a live feed of the crowd. And given the way Staples sounds, everyone on camera did nothing but smile – and dance.
Yet, as his most recent projects suggest, appearances can be deceiving. The LPs delves into the confusion of sudden fame and acclimating to a lifestyle antithetical to the one he’d known in Long Beach – one wrought with gang violence and poverty. It’s a fundamental narrative in hip hop, but rappers have always found a new way to breathe life into it. Staples brings forth a vision that’s brutal, elegant, playful, and despondent in one breath.
Vince Staples is 5ft 8in tall and he’s of African-American ancestry. His net worth is around $4 million. Most of his earnings derive from music sale and concerts. He also sells online merchandise ranging from tees to autographed disc vinyl. Staples can add philanthropist to his resume. He’s contributed an undisclosed amount to the Long Beach YMCA program ‘The Youth Institute’. The program teaches young kids the skills required to succeed in the entertainment industry.