While he’s making his plans he also being watched by the C.I.A. and they extract him from his first mission in Libya and offer him a chance to be a part of a super secret and elite black ops team.
american assassin movie online – American Assassin (Trailer 2)
Light on plot but heavy on action, American Assassin is mostly forgettable but works well enough when it focuses on the dynamic between Michael Keaton and Dylan ‘Brien. The big difference is Shiva Negar’s role of Annika, a CIA agent who has been undercover for a half decade and brought into the team to help stop The Ghost. Unlike so many spy stories, her character doesn’t eventually dwindle down to being the damsel in distress, an object of sexual advances by the hero or little more than a visual attraction.
Hurley’s team, and a CIA operative in Turkey, called Annika, stake out a weapons dealer who has a ‘trigger’. Ghost though grabs the trigger, kills some of Hurley’s team and escapes. Rapp, against orders, trails the arms dealer to his apartment and kills him. He also discovers that the money to pay the nuclear physicist is in a bank in Rome.
We meet Rapp while he is on an island getaway with his girlfriend. Moments after he proposes marriage and she accepts, terrorists strike, wounding him and killing her. Rapp then dedicates his life to hunting down the terrorist cell responsible for her death, but not before his dedication and talent catches the attention of the CIA, which recruits him to help stop Iran from acquiring the capabilities to weaponize its nukes so it can annihilate Israel.
There were some plot and event changes in this movie, but generally the important elements of Mitch Rapp’s entry into the clandestine world of unsanctioned missions were intact. Combining the intoxicating character styles of James bond and Jack Reacher, Michael Cuesta (Director) did a credible job of bringing this popular character (Rapp was played by Dylan ‘Brien) onto the world stage as the next tough guy agent provocateur acting on the behest of a determined government elite who need a more effective means to fight back against new and increasingly powerful world threats.
Mitch Rapp is one young man with a huge chip on his shoulders that verges on a death wish. Mitch lost the love of his life in a cruel, mindless act of terrorism. In the book it was the bombing of Pan AM flight 103 in Lockerbie Scotland. The movie no doubt will be different.
Based on the novels by Vince Flynn, American Assassin is a fairly typical military thriller story. I’ll admit that I came for Dylan ‘Brien without anything more than basic knowledge of the source material. I can’t speak to the movie in terms of the quality of its adaptation of the series, but I can speak to the quality of the film as a whole.
American Assassin” is rated R for strong violence throughout, some torture, language and nudity. Its running time is 111 minutes. The American Assassin movie is now available on Digtial HD and on Blu-Ray and DVD. Check with your local on-demand providers and retailers to purchase.
In the following interview with Taylor Kitsch, the actor discusses the differences between CIA agents, Marines & Navy Seals, the conflicting training advice he’s received on films and, of course, his murder tips. For the full interview, watch above. Below is a list of what was discussed.
The cast is only part of the problem; ‘Brien may be charismatic in other roles, but as a traumatized CIA operative he carries all the dramatic weight of a wet paper bag. Michael Keaton commits to the role of former Navy SEAL Stan Hurley, but as a character he’s basically limited to barking the same three platitudes about following orders over and over again. Taylor Kitsch shows surprising enthusiasm as the chief villain. Everyone not mentioned here is either forgettable or their talent is massively wasted (especially that of Sanaa Lathan).
Taylor Kitsch, on the other hand, almost redeems the film with his work, and there’s a good movie to be made out of the relationship between Hurley and this mysterious killer named Ghost, once another trainee of Hurley’s. With a polish and with Mitch out of the way, they could have made a fairly cutting commentary on the monsters we train and release out into the world, and why it benefits us to have them be weapons and how it might ruin them as people. The film stops short of giving Kitsch a real character to play, though, and his good work ultimately feels wasted.
I am a huge fan of Michael Keaton, from his days of comedy to his transition as a serious actor. He really carries a lot of this film and he really shines as the tough-as-nails Hurley. The pacing of the film is quite brisk and leaves you breathless at times, with excellent direction by Michael Cuesta, who helmed many of the episodes of the excellent Homeland” TV series. Viewers of American Assassin” may take issue with the way it diverges from the best-selling book it was based from, but they will be rewarded with tense, taut thriller that mostly hits on all cylinders.
Dylan ‘Brien (“Teen Wolf,” “Maze Runner”) stars as Mitch Rapp, a young man who loses everything in a terrorist attack and becomes hellbent on seeking revenge. The first third of the film, in which he poses as an American jihadi to infiltrate a terror cell, is rather fascinating, a portrait of reckless young male energy channeled in all the wrong ways for all the right reasons.
Four writers – including noted filmmaker Edward Zwick – are credited with cobbling together the screenplay, which consists mainly of laughably bad expositional dialogue and awkward attempts to cover up plot holes. Director Michael Cuesta , who previously made the excellent Kill the Messenger , surprises with his lack of skill here, resorting to muddy cinematography and jigsaw editing to distract from the lack of coherence. The ending is especially awful, not only in its drastic departure from the movie’s already ill-fated logic, but also in its blatant disregard for humanity in general.
One problem here – when you take on two of the most successful action franchises in movie history, you better have your ducks in a row (including most importantly the script), and that is where this film fails. The movie studio primarily manages all aspects of the production. Mrs. Flynn, however, spent time with the cast, crew and movie executives on set during the filming process.
Flynn, a native of St. Paul, wrote 14 political thrillers, starting with his self-published Term Limits” in 1997, and featured his CIA counterterrorism operative Rapp in 13. His books have sold nearly 20 million copies in the U.S. and millions more worldwide, and include former Presidents Bill Clinton and George W. Bush among fans.
It’s an especially noteworthy performance by ‘Brien since he’s given the tough job of carrying all of the film’s emotional moments and action sequences on his shoulders, and he does it with apparent ease. The plot of American Assassin – a revenge-driven vigilante is hired by the CIA to hunt down terrorists – is, after all, its least original and compelling aspect. So it’s due to the work of ‘Brien in front of the camera and Cuesta behind it that American Assassin still manages to provide its own spin on the familiar central premise. Getting Mitch Rapp right is what the film needed most in order to work, and fortunately he ends up being an interesting enough protagonist for audiences to be willing to follow him throughout the film’s story.
The CIA would like to channel that energy, and Rapp’s recruited by assistant CIA director Irene Kennedy (Sanaa Lathan) to join the super secret team under the guidance of Stan Hurley (Michael Keaton). Rapp may end up being the best asset the CIA has ever had but he must survive Hurley’s sadistic training program.
I have read all of the Mitch Rapp series, and loved them very much, so I was excited to go to American Assassin. What a disappointment! For one thing, Mitch Rapp was totally miscast, nothing like the many descriptions of him in the book. The story line was changed so much, from the way his fiancée was killed on to the rest of the events in the movie. What a letdown for us die-hard Mitch Rapp fans.
I saw the interview with Vince Flynn after the release of the book and remembered him saying that in this prequel even he “learned things about Mitch Rapp” that he did not previously know. I was struck, while reading, about how true that is. Rapp is a great character who has always been easy to root for. This book only furthers my affection for him and my desire to know him more.
Enter Mitch Rapp: this generations Jason Bourne who is topped with the determination of Liam Neeson’s Bryan Mills in Taken and a whole load of self-taught skills to boot. Portrayed by Dylan ‘Brien (known for The Maze Runner and Teen Wolf), Mitch Rapp is a young man who becomes determined to wipe out the terrorists throughout the world after losing his fiancée in an attack whilst on holiday together. This event, which is cleverly shown to the audience through a dream, is the catalyst for Rapp to put himself through an extensive and rigorous training scheme. This allows him to manage his own resources in order to infiltrate and take down the terrorist groups unfortunate enough to be targeted.
Butch-sounding name: Mitch Rapp. Check. Grizzly old vet training the new punk kid. Check. While American Assassin offers what could have been an interesting idea, it merely ends up feeling like a modern-day reworking of every other spy action film.
When Kennedy finally introduced herself to Rapp, he studied her for a long second and then asked why she had been following him. At the time Rapp was only twenty-two, with no formal training. If Kennedy had a weakness it was with improvisation. She liked things plotted out well in advance, and being so thorough, she had gone in assuming the novice would have no idea that she had been running surveillance on him. She had recruited dozens of people and this was a first. Kennedy was caught off guard to the point of stammering for an answer. The recruit was supposed to be the one struggling to understand what was going on. Rapp’s recognizing her was not part of the script.
Flynn’s creation is charismatic loner Mitch Rapp, whose career as an undercover, off-the-books CIA counterterrorism expert is marked, as the Wikipedia entry puts it, by a “willingness to take measures that are more extreme than might be considered commonly acceptable.” Someday we’ll get a black ops company man who makes John Le Carre’s George Smiley look like “Death Wish” material — a relentless conformist who follows the rules to the letter, and goes to his grave wondering how the other half lives.
In terms of the action genre, American Assassin gives you everything you’d want out of this type of film, including explosions, car chases, and tightly choreographed fight sequences. You’d never guess that ‘Brien has yet to do an action movie of this caliber. The last confrontation between Mitch and Ghost has an added element that further complicates their fight, making it much more difficult and interesting.
American Assassin” opens on the beach in Ibiza, as the still-soft-and-sensitive version of Mitch is proposing to his girlfriend (Charlotte Vega). But after she is killed by Islamic terrorists, Mitch undergoes a kind of physical and political transformation that only occurs in Hollywood, or in the pages of potboilers. The movie fast-forwards 18 months to a new and improved version of our hero — who has managed to train himself in martial arts and weapons handling, as well as Arabic language and culture. Mitch 2.0 is preparing to single-handedly infiltrate the radical Islamist militant cell in Libya responsible for the slaughter of the opening scene.
Now he has caught the eye of the CIA and a key operative ( Sanaa Lathan ) who sees he has the stuff to be a valuable recruit for much more complicated missions. Under the tutelage of a relentless and uber-demanding CIA trainer ( Michael Keaton ), he turns into a killing machine, second to none. This all comes in handy as he is sent on the trail of 15 kilos of stolen plutonium that has gone missing from Russia. In a sequence of events where you can forget about catching your breath, he infiltrates a group of mercenaries, arms dealers and, most significantly, an American turncoat named Ghost (Taylor Kitsch) who was once an agent himself and now is colluding in an effort to set off a new world war.
The new AMERICAN ASSASSIN movie is a Hollywood update of that story, now set in the present day. It details how Rapp is trained to be a black ops assassin for the CIA after his fiancée is killed in an Islamic terrorist attack on tourists enjoying the beach in Dubai. Mitch’s first assignment? Assist his mentor and handler, a tough CIA warrior named Stan Hurley, with stopping an Iranian general from getting hold of a plutonian nuclear bomb made out of material stolen from the Russians.
As the stakes are raised — a rogue operative is discovered to be building a nuclear bomb in a secret location — the elite CIA team become increasingly ineffectual, the only breaks in the case coming when Rapp disobeys orders. Something (luckily for them) he does continually. By the time the jarringly CGI-heavy finale comes, any semblance of reality has been lost. As has its sense of fun.
Kennedy drives Mitch to Hurley’s base for him to start training. Hurley immediately thinks little of Mitch as a recruit. When the actual training begins, Hurley shows the recruits certain methods of combat, a particular throat kill, and that if they are on the verge of capture, they must put a bullet in their heads. They also go through a training exercise to take out targets in a fake department store, but Mitch gets too carried away by repeatedly shooting targets. Another one involves simulated targets, and Hurley gets into Mitch’s head by placing Mansur in front of him, despite not being an assigned target.
The new spy thriller based on author Vince Flynn’s 2010 novel (of the same name), which is part of a popular spy book series. It stars Dylan ‘Brien as a 23-year-old that obsessively wants revenge for the death of his girlfriend, in a terrorist attack, and is recruited by the CIA (as part of their black ops program). He’s trained by a Cold War veteran played by Michael Keaton. The movie also costars Taylor Kitsch, Shiva Negar and Sanna Lathan. It was directed by Michael Cuesta (who also helmed 2014’s ‘KILL THE MESSNEGER’) and it was written by Stephen Schiff, Michael Finch, Marshall Herskovitz and director Edward Zwick (who was originally set to direct the film as well). It’s gotten mixed reviews from critics, and it’s also a mild hit at the Box Office as well. The film starts out promising, but later it becomes pretty routine and forgettable.
Before Mitch can finish the job, however, an Uzi-wielding CIA unit swoops in and does it for him. Turns out U.S. intelligence has been monitoring Rapp’s movements (your tax dollars at work) and wants to train him for a special black-ops mission that’s code-named Orion.
A month later, after extensively debriefing and evaluating Rapp, the CIA Deputy Director decides he’s an ideal recruit to her black ops team. She asks a veteran of covert operations, Hurley, to train Rapp. The screenplay, inspired by the novel by Vince Flynn, ditches the typically formulated action plot and wastes no time diving into what viewers paid to see: action.
At the very least, American Assassin” could’ve put more effort into subverting the basic action plot in order to add another dimension to the film’s plot. Movies such as Looper” and Grosse Pointe Blank” successfully reimagined the assassin movie model; Looper” set itself apart by incorporating science fiction and time travel while Gross Pointe Blank” adopted a lighthearted, ironically comedic tone. Unfortunately, a linear plot and an unoriginal tone prevent American Assassin” from reaching the same level of impact.
CBS Films went with the latter option by spending $33 million on a respectable but cheap cast. Audiences may feel as though they were handed Dylan ‘Brien, Michael Keaton and director Michael Cuesta (Homeland, TV series) when producers secretly dreamed of Jason Momoa, George Clooney and Doug Liman (The Bourne Identity), respectively.
He is cut short just before he is able to complete his mission. The CIA could very well have locked him up for the rest of his life (what he did wasn’t exactly legal, after all), but instead the Deputy Director of the CIA (Sanaa Lathan) recruits him into a special Black Ops unit, led by Keaton’s Hurley.
Despite — or perhaps because of — this Category 3 testosterone storm, American Assassin” feels especially boring. Containing only the most formulaic action and few genuine thrills, the movie advances toward its foregone conclusion with all the subtlety of a tool and die machine, stamping out one overly familiar scene after another.
Surprisingly, the clichéd script lends itself to wonderfully unusual comparisons. Somehow , the relationship between Trapp and Hurley is almost identical to that of Master Shifu and Po in the movie Kung Fu Panda.” Hurley is especially critical of Trapp, and without reason. Later in the film it is revealed that Trapp reminds Hurley of an old student, one who equals Trapp in talent and insubordination. This student, now a mercenary, returns to wreak havoc on Hurley and his team. In Kung Fu Panda,” Master Shifu shares the same mysterious harshness for Po, his apprentice. This harshness is also the result of a previous apprenticeship, one with Tai Lung the snow leopard. After a rough break, Tai Lung goes rogue and plots to exact revenge. The parallels are simply incontrovertible, showing that clichés are a force that can bring any two genres together.
Kennedy took that report straight to her boss, Thomas Stansfield. Midway through reading the file he suspected what she was up to. When he finished, he slowly closed the two-inch-thick biography of the young Mitch Rapp and made her plead her case. She was concise and to the point, but still Stansfield pointed out the potential pitfalls and obvious dangers of leapfrogging the initial phase of training. She countered perfectly. The game was changing. He had said it himself many times. They could not sit back and play defense, and in this ever more interconnected world they needed a weapon more surgical than any guided bomb or cruise missile. Having spent many years in the field himself, Stansfield also knew this person would have to be uniquely autonomous. Someone who conveniently had no official record.
I saw “American Assassin”, starring Dylan ‘Brien-Teen Wolf_tv, the Maze Runner movies; Sanaa Lathan-Now You See Me 2, AVP:Alien vs. Predator; Taylor Kitsch-Lone Survivor, Snakes on a Plane and Michael Keaton-Spider-Man:Homecoming, The Other Guys.